See Tráiler - Vinterkyss (2005).
See Vůně Vanilky (2001).
See Filme mit ursula karven.
See luis ireneo.
See Gisela 2005 Deutsch Ganzer Fil.
See Holiday Affair 2001 Deutsch Ga.
See Moje matki Äideistä parhain.
See [Clip] Andreaskorset (2004) ┃ .
See Diary of a mad housewife.
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A well-done movie from Norway, shot in many flashbacks and side-stories. It follows a bit on how many Norwegian movies are made, with the slow pacing vs the crisply cold northern Scandinavian snow. The tale concerns Victoria, a female doctor in a tiny country city in Norway. She is just fitting in, as a boy's body is found in the snow. An autopsy is named to search if the body was involved in foul play. The storyline of the dead man - a Muslim refuge immigrant - falls in with a side story of Victoria. Victoria is continuously calls to her estranged husbands' home in Sweden to see how her potentially ill son is doing. Along the storyline path, various twists form as blame for the snow-found boy's death seems to mission in various directions. Ultimately, along with the mystery, the movie really says few moral tales, primarily about parenting. The physician mother who pays tiny attention to her own son, a dead boy's father coming to terms with his own culture's attitudes, and a suspect who is a seemingly nice father, but yet has his own intentions and well-being in mind first. The cultural differences of an American audience with life in Norway might seem stark by comparison, but is well portrayed. The movie itself, in how the storyline is told, is a bit confusing at times, but does tie in neatly at the end. Some viewers might not be able to follow all the side-flashes and flashbacks, which should slow the ending's meaning, but overall, this is a movie well worth viewing. In addition, "Wynterkiss" featured a Leonard Cohen penned song, "Hallelujah", hauntingly performed by the late Jeff Buckley.
There is not a wasted word in this quiet and contemplative movie. Deep, crippling grief overpowers Victoria,a doctor, after death of her young son. Her pain is so overwhelming that she runs away from her home and life to a tiny town, during freezing winter. She spends her days working and grieving. In flashbacks we slowly explore what really happened. Actress Annika Hallin gave us an immaculate performance. With tiny understated movements and minute gestures she manages more than many an actress should with a waterfall of tears. Her frozen face and sad eyes bring the devastating pain that her hero feels to each viewer.Powerful film from Norway that will stay with us for a long time.
Making subtle yet penetrating test of what can actually be named 21st century flashback--based on movies like Amores Perros and few others--the director of this perfect 2005 Norwegian film, Sara Johnsen, has crafted a near-masterpiece that centers on the loss of a child. The main character, Victoria, a pediatrician originally married and in a huge town (one presumes either Oslo or Bergen), has moved to a tiny city following her divorce and a much more traumatic happening as well.The discovery of the body of an Iranian refugee man in the snow draws into the storyline the local cop, his wife--a mate of Victoria's--the boy's parents, and the local snowplow driver, Kai. The scenes of Victoria's former life with her husband and son are so skillfully woven into the pattern of this movie that the contrast between that life and her show one--alone--is absolutely riveting. Her involvement with Kai is an integral part of this storyline and is done just as skillfully, with nice depth of feeling.The resolution of the mystery of the Iranian boy's death converges with the emotional resolution that Victoria reaches regarding her own son's loss. The plotting here is flawless, and the acting is superior. Sara Johnsen is, based on this very powerful debut, a true talent to watch in Norwegian film-making. I was lucky enough to have seen this movie in Fresh York City's Lincoln Center, during their Norwegian Movie Festival.Very highly recommended; one of the top ten movies of the year.
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