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I type of like gritty films about the drug underworld. This one was just OK. All the elements were there but the film didn't really do much for me.My main trouble is I didn't like any of the characters. Even the protagonist. They all made such dumb decisions. And even the scenes of the protagonist's home life which felt like they were supposed to earn her sympathy ended up just being sad.Not a terrible film by any means. But certainty not a nice one. I suspect younger audience might like this more than those over 30. For me the film was difficult to connect with. In a month or so I'll probably forget this film fully and that is it's worst sin- being unmemorable.
There are few things that "Thumper" does remarkably well, and that's telling a lot—in the past decade or so, movies (and, indeed, tv shows) on drugs, drug use, and the fight on drugs, have steadily become more staple, enough to establish their own set of tropes and pitfalls. But "Thumper" does enough to both validate and subvert expectations, by allowing organic hero beats to drive the plot, and intimate human relationships to steer us into unfamiliar territory.The film's leads—Pablo Schreiber as menacing meth cook Wyatt, Eliza Taylor as shrewd undercover cop Kat—hurl themselves (occasionally, quite literally) into their complex roles with ferocious commitment. From the opening scene, Schreiber brings a furious volcanic intensity into the frame, threatening to burst in a wave of fire and ash. Taylor adeptly matches his performance with what she's given, brazenly going toe-to-toe with him—a notable feat, considering he turrets an whole foot over her—and talking back when others fall silent.But it is Daniel Webber's vulnerable, downplayed Beaver—his arc mirrors Kat's in a number of ways, one of the reasons they are drawn to one another—whose agency and actions becomes crucial. And it is Beaver's relationship with Wyatt—in all its sad shades of fear, respect, anger, humiliation, and the need for validation—that changes everyone's lives, for better or worse.Other gritty performances contain Grant Harvey as Wyatt's cousin, Troy, who brings to mind a mild, not-so-far-gone Sick Boy, Jazzy De Lisser's hard-boiled addict Gina, and Lena Headey's overbearing, sneering Ellen. It goes without telling that "Thumper" owes much of its praise to its cast—although there is noticeable unevenness with the writing, particularly for the female roles.Despite that unevenness, by the conclusion of the film, we are left with Kat, forced by her ordeal to take a difficult look at who she is, and how what she has done has changed her. For a movie that initially gives the impression of a creeping cynicism bordering on overwhelming pessimism, Kat's recognition of the drug fight for the vicious, violent cycle it is, and her firm decision to break away from it, speaks volumes. Taylor's remarkable performance confirms her ability to bring to life characters with evolving moralities—I hope she continues to discover similarly challenging roles in another independent efforts, which may wisely recognize, and create the most of, her talent.The film's dedication to naturalism makes apparent director-writer Jordan Ross's roots in documentary filmmaking, with the whole movie shot with a hand-held camera, setting the film's uncompromising tone. Effective movies often affect emotionally and physically, and "Thumper" is one such film, evoking an undeniably visceral reaction, even on my second (and frankly, far more critical) viewing. It doesn't matter if you suspect, through the film's occasional familiar beats, or muted foreshadowing—or certainly know, as I did that second time—what comes next; how the movie takes you there will leave you momentarily breathless, at times, shaken, and by the end, entirely struck.
I started watching this with tiny expectation as the plot has all been done before, however as later as you receive a tour through the seedy meth lab in the LA zone that feels light years from Disneyland it felt very real. It wasn't until I read about the cast afterwards on IMDB that it all made sense? they are not just from the U.S but from Canada, Australia, Wales, Bermuda - that is what makes this film separate itself from the rest as they are unknowingly bringing another dimensions to a movie that has been done many times before. This film is worth visiting, not just to see life on the another side of the tracks but to admire the nice acting that this group deliver.
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