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Although The Woman Who Had Everything is taken somewhat from MGM's earlier classic, A Gratis Soul, it has a several necessary differences in keeping with the decade it was done in.William Powell is in the Lionel Barrymore part of the high priced criminal lawyer, but he's not representing his client in a murder trial. In keeping with the times Powell is at a Senate Rackets Committee hearing with Fernando Lamas who says them nothing and a several Senators receive some headlines and image ops from the hearing.As the hearing concludes daughter Elizabeth Taylor meets up with her dad and his client and they're both taken with every other. This does not sit well with Powell, who's perfectly willing to take their money, but not to allow them in his life and family.Fernando Lamas is in the gangster role, the same part that Clark Gable got his first true notice. Whereas Gable exuded some true menace and had no intention of leaving the rackets, Lamas now wants to quit and settle down.Of course the racism in The Woman Who Had Everything just bubbles over. Lamas apparently really does wish to leave, but Powell is a snob and he's ready to violate lawyer/client privilege and testify himself before the Senate hearing as to Lamas's criminal enterprises. This would in fact receive him disbarred in any state in the Union and the District of Columbia, a fact the movie doesn't mention.As for Lamas's associates, they take the attitude of once in, never out and deal with it accordingly. Wrongly in my opinion, but that's the fault of a very confused script.This rehash of A Gratis Soul is only 69 mins long, my guess the shortest detail movie Elizabeth Taylor was ever in. She tries, but does not come close to what Norma Shearer did in the original version.And Gig Young as her society boyfriend repeating the role that Leslie Howard had, has very tiny to do but look concerned and trouble grave warnings about getting mixed up with those type of people.Dore Schary was unloading all of MGM's large stars from its golden era and The Woman Who Had Everything was the kiss off to William Powell. He looks plain bored with the entire thing and who should blame him. He had two more movies in him as a gratis lance star, How to Marry a Millionaire and Mr. Roberts both infinitely better than this.
Though this film lacks the menace and seediness of "A Gratis Soul," it nonetheless shares the blazing sensuality that we saw between Clark Gable and Norma Shearer in 1931 in Fernando Lamas and the impossibly superb 22 yr old Taylor.When contrasted with "A Gratis Soul" (which is difficult not to, since the movie was so sexy and frank, and Lionel Barrymore's performance won him an Oscar), the storyline in "The Woman Who Had Everything" is cute slim. A several reviews mentioned this was MGM's kiss good-bye to 61 yr old William Powell, who'd been with the studio since 1934, and it looks it. The sets are cute stripped down and simple, with minimal outdoor shots--but that's not to tell the film looks cheap, because even at programmer status, the MGM gloss remained.Taylor is excellent as a willful, headstrong Jean Latimer, and her growth from spoiled, immature flirt to a sobered woman, is powerful. Though mores of the 1950s are ever present, the double standards when it comes to female sexuality remain--a boy can be a "free soul" without suffering the consequences a girl will, and Jean and her father Steve are forced to realize that she cannot live life the method he has, despite his raising her to be independent and free.Where this movie falls short in comparison to its source material is the 1950s Code Era ending, where Lamas gets his comeuppance through his gangster associations, rather than the effect of Jean's honor being defended by her fiancé.Gig Young is woefully underused here (was the film slash down?), and Fernando Lamas, for all his intensity, is a standard Latin lover.However, this is an entertaining film, and if anyone manages to receive a keep of this and "A Gratis Soul," watching both is an interesting study in changing mores as well as what was permissible in the Pre-Code era.
And it isn't.William Powell is a tough criminal lawyer. He may not have a lot of scruples but he has money. And he wants the greatest for his daughter, played by the ravishing young Elizabeth Taylor. Truly, she has hardly ever looked more pretty than she does here.She is, as the game suggests, spoiled. And she decides she wants Daddy's newest client, gangster Fernando Lamas. She already has Gig Young but Lamas is more dashing, if a true cad.Everyone is good. It has a solid plot. The direction moves things along briskly. The score by Andre' Previn is exceptional.If you don't have access to "A Zone In the Sun," probably Taylor's most popular film from this period,, catch this one. You will be knocked out by her beauty. And her acting is good, too.
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