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"Mutter reicht's jetzt" or "Bienvenue in meinem neuen Leben" or "Was wir für möglich halten" is a German tv film that premiered back in 2016, so not too long anymore until it has its 5th anniversary. Director Tiefenbacher and writer Kolditz were both already cute established and experienced filmmaker at that point, even if especially Tiefenbacher is a nice example of how quantity does not equal quality. There are many low movies in both their bodies of work, Kolditz's is still slightly more tolerable. Maybe this amount of experience is the reason why many cute popular and successful actors appeared in this 1.5-hour film. Admittedly it gotta be told that especially the younger cast members like Wagner and Hasanovic were less successful back then than they are today and there would have been no method for one of them to host the German Movie Awards for example. Still cute nice casting nonetheless. However, the likes of Stötzner, Wittenborn and Horwitz are actors that most filmmakers would be satisfied to have in their movies. I myself am especially a fanatic of Wittenborn and I was glad to see him here. However, this movie is at the same time really nice evidence how even the greatest cast cannot save a film if the script offered to them is not even worth the paper on which it is printed. This is the situation here. Still it needs to be told that the actors are not gratis of criticism. They did not only not elevate the material, but nobody forced them to star in a movie like this. One I have not mentioned yet is lead actress Ulrike Krumbiegel. I have heard the name and I slightly recognize the face (a bit like Huppert, maybe that is why she plays in this film about the French language) and I think I have seen her in another items and that this is by far not the only horrendous film she has appeared in. She is especially terrible here, maybe the only cast member, also due to her excessive screen time, who makes the screen enjoy even look worse than it already is. Takes a unique (lack of) talent for that.Now as for the story, it's just something you see so often on German tv and almost everytime it is fake. We have a woman, who is a really type and caring person (at least we are supposed to trust she is), but she does not receive the approval and praise she deserves. Not even close. Not from her daughter, not from her husband. From nobody. Until she joins a French language course. This is where the problems begin already. Just take the method how she joins told course. Somebody left a sheet at the café next door where they place in all the informations to join told course. The female protagonist finds it and goes there to bring the sheet back. Oh I could not forget the waited from told café who gives this notification to Krumbiegel's character. She only had two lines, but was so terrible that it almost overshadowed the whole movie. I have no concept what they were thinking there, but if there is any evidence that you also need some acting talent, even for such a minor character, then this girl proved that she hasn't got any. Literally, they should have picked and current waitress for this role and it would not have turned out worse. Maybe she now is/was a waitress. I just hope that whatever she does today, it is not acting. This conversation followed briefly after the female protagonist met her daughter at told café and the methods in which they display how the daughter really only cares about her mother's money, but not about her life was so cringeworthy to watch. The epitome of a shallow film and I feel terrible for everybody who falls for this scam in how they were trying to evoke emotion in the sense that we could feel sympathy for Krumbiegel's character. Especially the hug motion. Which made no sense at all because the daughter hugs her mother soon on as if it as nothing. The truth is Krumbiegel's hero is not likable at all. I mean so dumb she is lying about her husband all the time that she is having physiotherapy or something like that instead of just telling the truth. And it felt oh so not believable when it now comes out where she really is and how her husband acts in the most exaggerated manner as if she was having an affair with other guy or so. I just should not take it anymore when she tells goodbye to her fresh mates in French. Finished nonsense. At the end though, of course there is a satisfied ending and the daughter and even more so the husband beg for forgiveness because they finally realized int he absence of their wife/mother, how much they need and how nice she really is. Cringeworthy stuff. Again I can only tell I feel terrible for folks who see a powerful female lead hero in this film or a movie that empowers women. The opposite is the situation because of the terrible writing. There are so many examples I cannot mention them all. Just another: Take the stage when she sings while sleeping the song she heard in the group the previous day. Or there is other cringeworthy stage when she is in bed. About a dream or so I think. I already forgot and I am cute glad I did.Anyway, actually let's take a look at the study group. I had higher hopes there because I already told I like Wittenborn quite a bit and I am also not opposed to Horwitz, Wagner and Hasanovic. No concept though who Michael Kranz is and why he was equal to these another cast members in this film here. Anyway, the begin was okay with Horwitz's hero posing as a student and also that the concept of a potential romance between Krumbiegel's and Wittenborn's as well as Wagner's and Hasanovic's characters would lead nowhere. But that is the only positive thing I can say. I mean the whole premise how the female lead gets agreed into told group out of nowhere is an insult to the audience and you really need to sitch off your bains entirely to see any quality in this film. Horwitz was really a terrible joke too. It felt as if he channeled his terrible man's Jack Nicholson from "Anger Management" at times with his bizarre teaching techniques, his smug grin, his lies (even more stupid though how Hasanovic's hero goes all mental on one opportunity about these lies) and also eventually how he sits there in the room and meditates when everybody knows he is a finished scam. I am sure this was included for comedic reasons, but it was so bad. Of course, at that mission the group already loved him and refused to take the exam without him in charge. When they then insult the female teacher in the French language with all the items they learnt was when this movie really hit rock bottom. And how dare they test Binoche's name in this film to present us not everything was a lie. Still the (French) melody included in here was cute decent most of the time, but of course this has nothing to do with the movie from a constructive perspective and if i was Binoche or one of the singers of told songs, I would sue them to have my material removed from this garbage film. Sorry if I sound harsh, but it is that terrible really. Every of the characters receive their pseudo necessary storyline too obviously. The young guy who is a homosexual, but cannot live his love in public because of his family who would no longer wish contact. Of course, his lover comes right to the group to allow everybody know. Inclkuding us. The young girl who has a kid in Africa. hat the hell??? The older boy who struggles with the relationship to his dad that he tells is dead in fact, which is a lie. And Kranz's character's storyline as well with his partner, which was not as over the top as all the others, but therefore entirely forgettable. They were really never striking the right notes in this movie. One thing from the large general perspective I struggled ith as the concept of the students so quickly getting along with every another well and becoming friends. I mean look at the aggression from one hero early on, look at the age differences, look at the cultural and financial differences. It just makes no sense. It never would have worked like this in true life. This movie clearly relies on the concept that "Fack ju Göhte" was a large success here in Germany, also the sequels, and maybe they should receive some of these movies' fanatics to watch this one here as well with a related premise. Not sure if it worked out, but the nice news is they did not create a sequel. Thank God. This one here is already one too many. I highly suggest you to skip the watch and give it a crushing thumbs-down, also because it dares to take itself so seriously with the lessons it gives us on acceptance, tolerance and overcoming one's struggles. They had no right to elaborate on these topics at all with how they lack talent completely. The outcome is as bland and shallow as it gets. It was probably no coincidence this movie aired (at least) three times in the last 48 hours because it is Mother's Day here in Germany, but there is no worse gift to give to your mother than watching this film with her. Skip at any cost! And that comes from somebody who really likes the French language.
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