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Description: Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family food to commemorate his father, who died a year before. At his mother's flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s happenings and wars.
Description: Fact-based storyline of Mike Mills, a teen with muscular dystrophy, who is placed in a state nursing home by his destitute single mother. There he gotta contend with being the only young person in the clinic and with an abusive head nurse.
Description: Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for other woman. With freedom thrust upon her, Nathalie gotta reinvent her life.
Description: A short movie directed by Orson Welles based on William Shakespeare's enjoy of the same name. While now completed, it is frequently cited as an unfinished film, though better described as a partially lost movie due to the loss of movie negatives. A restored and reconstructed ver of the film, made by using the original script and composer's notes, premiered at the 72nd Venice International Movie Festival alongside Othello as part of the pre-opening ceremonies.
Description: Vic Beckett, a brilliant researcher, creates the ultimate Game that taps into the pleasure center of the brain and transmits a feeling of nirvana to the user. Immediate celebrity and endless commercial apps corrupt his altruistic intention and when issues arise with his creation, he justifies doing whatever is important to hold the application online.
Description: Zhang Xiaomei (Jin Ze), is a prostitute living in Beijing. When relationship issues with her boyfriend erupt, she flees to the resort town of Beidaihe and takes a room in a tiny hotel where she contemplates committing suicide. There she meets a young poet. The next morning, she wakes and learns that the poet has slit his wrists. When the police arrive, she meets Deng Jianguo (Cheng Taisheng), a middle-aged officer who questions her over the poet's death. Their relationship later grows increasingly complicated as Deng learns of Xiaomei's plans to commit suicide. Over the course of few days, he takes her to eat seafood dinners, extolling the virtues and health benefits of the diet, including a claim that it makes him a more potent lover. When Xiaomei tries to commit suicide in a nearby town, she is thwarted by Deng who brings her back to Beidaihe and proceeds to rape her. Xiaomei eventually leaves the seaside city for Beijing again.
Description: Set in the Taisho era, which might be regarded as Japan's Hippie Phase, Hana no ran is a storyline about fashionable folks without impulse control. Much of the action centers on a famous girl writer, the real-life poet Akiko Yosano, and her experiences among the literati of early 20th century Japan. Because of her independent, anti-war and often erotic poetry, she was a lightning rod for revolutionaries and another extremists, many of whom were destined to glamorous, yet ultimately pointless, deaths. The closest parallels might be the Byron/Shelley group or the folks drawn to the Beat Generation.
Description: Fifteen-year-old Masaharu (Yanagisawa Daisuke) lives on the tiny island of Aogashima, which has a population of 197. On the island, life is easy and facilities are spare. As there are no high schools on the island, Masaharu, in his final year of junior high, will be leaving for Tokyo after he graduates. He is the editor of Blue Island Times, the local newspaper he started with a friend, who has hit on difficult times in Tokyo. One day, Yuki (Naka Riisa) transfers from the town to his island school, and Masaharu is instantly smitten. As the two grow closer, Masaharu discovers his fresh friend's secret...
Description: Based on current happenings in 1982, the movie recreates a hostage-taking in Switzerland. Four boys storm the Polish embassy: a criminal, a crazed killer, a student and an idealist. When the embassy is stormed by the police, the four captors react differently.
Description: Even with nice acting, pleasant music, and artistic photography, this "love-boat" storyline of romance is more like Alice in Wonderland rather than Alice on the roads of Zurich. The Zurich Alice is a flautist who plays for the passersby like many other road or Metro musician. While so engaged, she meets a VIP Russian flautist who has defected and is living in the city. He falls in love with her and as a gesture of his devotion decides to arrange her solo concert debut. Meanwhile, Alice easy figures out what his plans are and devises her own secret scheme. When the day of the performance arrives, her Russian heartthrob is in for a flattering surprise, sure to end his bachelor status. ~ Eleanor Mannikka, Rovi
Description: Celina works at a remote tollbooth on a desert road, several days before Christmas, her father dies and Celina becomes a door-to-door encyclopedia saleswoman so she can earn enough cash to travel to Italy and search her mom.
Description: Krakow in the sixties. A doctor, though not having complete his studies, earns a living providing medical advice. A former nurse enters the stage, telling she hears voices from "the another world". At first, they can exploit gullible victims without problems, but later the authorities begin to present interest in these quacks.
Description: Alex Hirano, a popular pianist of Japanese descent, is often in a terrible mood. He is grumpy thinking of his concert to be held in a week. Nothing should change his terrible mood, even his own brother, Ray Hirano, members of the B-Boy group. One day, Ray invites Alex to meet the woman he loves, Mia Clark, a talented contemporary ballet dancer, where she teaches dance. For Mia Clark dancing is her life. No one is able to change it despite her physical condition preventing it from reaching her goals. When she is desperate and wants to do something stupid, she inadvertently causes Alex Hirano’s left hand broken.
Description: Lola loves weddings, but her marriage is in crisis and she suspects that Jorge, her husband, has fallen in love with Yasmina. Yasmina wants to marry Javi as later as possible, but Javi, a local policeman, prefers to take it slowly. Alfredo doesn’t trust in marriage, but he wouldn’t mind marrying for friendship… or money. The movie is a summer tale concerning arranged marriages, social commitment and life as a couple.
Description: 1950, a tiny city in Poland. Not the greatest times for store owners like Jozef Piasecki - obstacles from authorities, restricted wholesale supplies. Moreover, he constantly argues with his son, the 17 year old Witek. Witek experiences love for the first time. This could be a time of nice excitement for him, but Witek, being rather anxious about the future, becomes an example of a youth generation growing up under the long shadow of Stalin.
Description: Sasha and Ilya, a bored young couple on a verge of breakup, are spending a Fresh Year's Eve at a secluded beach house in Northern France then a carcass of an unidentified monster is washed ashore nearby. Soon that day on his method back from a local bar Ilya meets Masha, a lost Russian girl, who seems to have gotten off the train at the wrong station and has nowhere to spend the night.
Description: It is the early 1980's. Ten-year-old Rasmus is tired of his parents never listening to him and decides to run away from home. But before leaving he records a cassette tape with various tip on how to handle life. His mother is pregnant and he plans to leave the tape for his unborn brother.
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(Warning: SPOILERS!) YESTERDAY, TODAY & TOMORROW (1986) was a movie by the prolific "Maning" Borlaza, topbilled by Vilma Santos, Snooky Serna, Maricel Soriano, Gabby Concepcion and Richard Gómez. Jun Lana's recent work is an in-name-only remake, with the conceit of retaining Concepcion and Soriano (but as fresh characters). From the word go, YTT has the gloss and pathos, giving it a superior edge over the another (lackluster) MMFF entries. In a nutshell, Concepcion is living with a second wife (Carla Abellana) but discovers he still loves his ice-queen wife (Soriano), scion to a top TV network -- a hapless discovery drawn out amidst grief and angst after the death of their daughter (Eula Caballero). Soriano's ruthlessness extends to her siblings (Jericho Rosales, Solenn Heusaff) and the resentful daughter, but she's properly deferential to her paraplegic father (Ronaldo Valdez), the brains and founder of the TV network. Interwoven into this tale of sibling contretemps is the brewing marital discord between TV executive Jericho and wife Lovi Poe, a band singer (both of them too busy to be a hands-on parent to their infant), and the developing affair between Valdez's initially loving wife (Agot Isidro) and her hunky gym instructor (Dennis Trillo). Add to the fray Heussaff's disinterest in her boring boyfriend (Paulo Avelino) and a possibility meeting with her mom's gym instructor, whom in the first zone she doesn't know is shacking up with her mom. Lana was initially a scriptwriter (his first work was 1998's SA PUSOD NG DAGAT, a powerfully written drama) known for JOSE RIZAL (1998), SOLTERA (1999), SA PARAISO NI EFREN (1999) and RED DIARIES (2001), and who became prolific with his teleplays for innumerable tv soaps. Lana's unremarkable debut as director (2006's GIGIL with Katrina Halili and Alfred Vargas) was followed by a neatly-written sleeper (2007's ROXXXANNE), and after two supernatural flicks (2008's KULAM, 2009's TAROT), he got the hang of it with the wife-swapping movie MY NEIGHBOR'S WIFE (drawing surprisingly competent performances from the four principals, Lovi Poe, Jake Cuenca, Abellana and Trillo). Alas, Lana stumbles slightly with YESTERDAY... the story is a veritable goldmine of rich and massive drama, the loose ends are neatly tied, and the dialogue is often insightful and intelligent, but the characterizations are either shallow retreads (Abellana has practically the same hero from MY NEIGHBOR'S WIFE) or unfathomable idioms (why is Soriano a bitch? why did the initially goody-two-shoes Isidro suddenly cuckold her spouse with a clingy younger lover? why is Avelino a bore (for Heusaff) even after hot love scenes?). Most disturbing of all, midway through these proceedings, Lana inserts a deux es machina thread ("It's about what happens to a family when faced with a tragedy, how it changes every and each member and how they deal with that tragedy that befalls them," Lana was quoted in a media interview). But really, do you need an earthquake as "tragedy" when the adulteries, lies and secrets are already potent "tragedies" unto themselves? Despite these wrinkles, Lana culls luminous performances from his stars, especially with Poe, Rosales, Heussaff and Trillo. The evocative melody is a plus, and the set designs (tv network, pretty houses) are truly all pomp and glitter. Hopefully Lana's next movie can mine the characters more efficiently, for audiences to clearly understand their motivations and actions, just as he masterfully did with Jay Aquitania's closeted teenager in ROXANNE and Jomari Yllana's gritty male midwife in SA PUSOD NG DAGAT.
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