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Yeh Faasley 2011
Description: Arunima (Tena Desai) loves dad (Anupam Kher) who, she believes, loved her mom too. But her love is place to use when she starts to suspect her dad and holds him responsible for her mother’s death. Will the daughter avenge her mother’s death even if it means standing up vs her father?
Released: 04 Mar 2011 Director: Yogesh Mittal Writers: Arpita Chatterjee (story), Sameer Kohli (story), Rajen Makhijani (screenplay), Rajen Makhijani (story), Yogesh Mittal (dialogue), Yogesh Mittal (screenplay), Yogesh Mittal (story), Atul Tiwari (dialogue), Atul Tiwari (screenplay), Atul Tiwari (story) Actors: Rachita Bhattacharya, Seema Biswas, Sudha Chandran, Sanjiv Chopra Genres: Crime, Drama, Mystery
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Yeh Faasley Reviews:

The over popular Cricket fever in India, everytime has one favorable impact on Bollywood which mainly benefits all the tiny budget and lesser known movies waiting for their respective turns to receive a decent release. And due to this otherwise calm period at the box office, we receive to see many such movies which may have something fresh to showcase both in terms of story and performances. YEH FAASLEY is also one of those limited budget experimental type of movies, which successfully managed to receive a decent solo release due to the ongoing globe cup and which also has an interesting storyline to say blended with a mixture of mystery, suspense and emotional relationships.As the film started I only knew that it was going to be something on a Father – Daughter relationship with a massive dose of emotions. But after its several initial reels, the movie surprisingly turned out to be a suspense and mystery drama with some mediocre court room scenes leading to a serious and unpredictable climax. But sadly the interesting plot and several honest performances remain the only highlight of the movie and overall it failed to generate any type of excitement in the several folks watching it in the theater.On paper, the script of YEH FAASLEY had many elements in it which should have been exploited in a much better manner. A daughter discovering an ugly secret about the death of her mother in an early age aiming towards her own father as a culprit was indeed a nice plot to reveal. But unfortunately both the writers and the director fail to convert it into a worth watching movie altogether. Frankly speaking I found the movie wandering through more than one category post its initial half an hour. Sometimes it looked like as if it was quick moving towards a plot straight out of a horror film and then post intermission it started juggling between a court room drama, mystery and suspense movie. However, the weakest mission of the movie remains its terrible court room scenes which give it a feel of a B grade project. Moreover the movie tends to be too lengthy towards it climax and goes on a never ending type of investigative narration which is not enjoyable at all. In all, YEH FAASLEY has only two merits in it. One is its freshness of the plot (which gives you a fresh insight of an unintentional crime) along with a new face Tena Desae, who is impressive in the role of a daughter caught in a dilemma. And second is the brilliant performance by Anupam Kher as a father who silently knows that he hasn't done anything wrong with his wife, yet keeps on suffering due to the actions taken by her own daughter. Apart from these two factors, the movie fails to materialize on its powerful storyline plot and the surprise mystery element which should have been a champion if visualized in a various manner.In addition to the above, YEH FAASLEY neither has any nice soothing melody nor a satisfactory cinematography which seems to be quite ill equipped, evident from many grainy and carelessly shot scenes witnessed towards its end. Also the director wastes many talented artists in the helping cast such Seema Biswas, Pawan Malhotra, Rajendra Gupta, Sudha Chandran and Suhasini Mulay.Summing up, it can be told that with a nice potential plot in its script but a feeble execution on the screen, YEH FAASLEY remains hanging between a below average and clever movie, which sadly fails to create any type of impact on the viewer.


Yeh Faasley (these distances) is a relatively newest film which is less known to the audience because of lack of hype and weak profile cast which, among others, were the factors leading to its commercial failure. However I watched this film on internet and found that it's not that trash. It has its moments and plus points.Other than communication gap, if something creates misunderstanding between people, then it's lack of awareness of finished notification similar to something or clarifying it further, incomplete knowledge of some phenomena. It is told that absolute ignorance is preferable to incomplete knowledge because it's a human instinct to fill in the gaps of notification with imagination of something which may or may not be true. And this false imagination leads to misunderstanding somebody. Ditto for wrong interpretation of accessible facts. Communication with that particular person can resolve it and communication gap, on the contrary, reinforces it.As told above, Yeh Faasley is a father-daughter story. A Punjabi girl, Arunima Dua (Teena Desaai) who is living happily with his loving widower father, Devinder Dua (Anupam Kher) and is in love with a suitable boy, Manu (Rushad Rana); suddenly comes to know that her mother, Raagini (Rachita Bhattacharya) had not died accidentally and there's something about her death which is unknown to herself as well as the world. Though Raagini was killed in a vehicle accident, Arunima sniffs that that accident had taken zone due to some foul enjoy and now her mother was murdered. The obvious suspect is nobody else but her loving father only. She puts the question straightaway to him whether he had murdered his wife (and her mother) and gets a negative respond which is not able to respond all the interrelated questions following the main question. And though Devinder says her about the strain in his marital life, she feels that something is still being hidden from her. Meeting some outsiders in this regard adds fuel to her restlessness to know the truth. She files a legal suit vs her father charging him for murdering her mother. The father wins the situation and gets acquitted by the court but the trouble does not end. After a nice emotional tension between the father and the daughter, the father is again tried in the court and this time, gets sentenced to death. However all the relevant questions have still not got their answers and when Devinder Dua is going to be hanged shortly, a couple of fresh questions prop up, leading to deepening of the mystery of the death of Raagini. Arunima's beau, Manu finally unearths the mystery, unmasks the true culprit and saves the life of Devinder when he's within inches' distance from the gallows.The highlight of this film is the peculiar and very delicate relationship between an unmarried, motherless, young daughter and a loving and caring widower father which definitely renders the element of novelty to the movie. It's something stressed the most in the storyline and it is the most well-directed part of the movie, ably supported by the power-packed performances of the leading actors testing the father-daughter duo.The mystery is also quite nice whose solution is found to be the most easy one when known in the end. However the trouble with this film is the deficiencies in screenplay and direction. The writers and the director should not decide whether to create this film as an emotional drama or as a murder mystery. And this confusion continues for a major part of the movie, leading it to nowhere. The scenes appear to be repetitive and storyline (especially in the second half) seems to be dragging endlessly without a destination. The length is too much. The director would have done better had he focused on one thing only - the drama or the mystery and curtailed the length of the film by 25-30 minutes. The excessive length has made it boring. The court-room scenes appear to be childish.Technically the film cannot claim to be very good. Few scenes yell for wish of proper light. Camera work is just average. Editor has not done his part well and allowed the film to go beyond two and a half hours time. The background score is nice though.The melody composed by Deepak Pandit is nice though it's virtually impossible to hold the songs in mind after the movie. However with the support of meaningful lyrics, the melody director has made nice situational songs.Anupam Kher and Teena Desaai have delivered outstanding performances which create this film worth at least one watch. Teena has played a loving daughter who wants to know the truth from her father, suspecting him to be the cause behind her mother's death but when he is sentenced to death by the court, she repents. Anupam, on the another hand, has played a father who despite being innocent, gets ready to embrace the death for the sake of the mental satisfaction of his daughter. Rushad Rana has also done well. The helping cast is studded with talented artists but all of them have been wasted in tiny roles.Yeh Faasley is not an perfect movie. However, it's not a terrible film either. Taking all the aspects into account, my final verdict is that this film is not everyone's cup of tea. Despite having a nice suspense element, the mystery fanatics may search it boring. It is mainly for the audience liking tense emotional dramas and for the fan-following of Anupam Kher.



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