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Yego zhena kuritsa 1990
Description: Extraordinarily detailed and beautifully drawn animation of a bizarre and surreal world; the domestic life of a fat man, his wife, a sort of oversized obese chicken, and their child/pet, a slug-like monster with a human head. This expressionistic and interior vision of Soviet animator Kovalyov is like an animated Eraserhead.
Released: 01 May 1990 Director: Igor Kovalyov Writers: Igor Kovalyov, Evgeniy Nazarenko (screenplay) Actors: N/A Genres: Short
Trailers and related videos:

See DUB TECHNO: Volodey and Karlov.

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See 10 WEIRD SHORT FILMS part 7.

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See ABIIISMO - COSMIC DREAM.

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See Hen, his wife.

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Yego zhena kuritsa Reviews:

Very strange... in a very sketchy sort of animation, rough lines, a fat, blue-skinned boy is waited upon in his apartment by a huge hen. She serves him a hot drink in a mug and new hot water for his feet to soak in. They have a pet dog, except it looks like a giant fat centipede with a human head. He plays melody on a record user with the wheels of a wind-up bus rather than a needle. All is well until a boy comes to visit with a box of ladybugs and he whispers something to the man. Things begin breaking more frequently and few nightmares or nightmarish things happen.I have no concept what any of it means!


Well, this is certainly one of the strangest animations that I have seen in my life (And that's telling something) however, at the same time, I found it to be quite interesting and well done, being a crazy example of surrealism into an animated format.All characters of this short had a very ellegant appearance, that even when they are supposed to be "ugly" have at the same time something at least something very appealing about their ugliness. The sceneries were cute ellegant as well, with a very subtle test of colors and tones.I think that the effect was solid enough, it had plenty of imaginative sequences, and a unpredictable storyline that should be taken as a metaphor of how sometimes folks doesn't notice the most obvious things until somebody points it out.


A long-married couple, somewhere past middle age, live a quiet routine of half-contentment. He sits in a large simple chair reading the paper and puts a (very beautiful, haunting, folk-operatic/cantorial)song on his record player, using a wind-up blue bus instead of a needle. She refills the hot water in his footbath and puts down meal for the "dog," a type of caterpillar-dachshund with a leery human head (their eraserhead son?. He is a swollen, blue-skinned, balding lumpen-man. And she, beneath her apron and polka dot print dress is... a Hen.This evades the notice of the husband until one evening, the routine is disturbed by a visitor, perhaps the husband's younger brother, a mustachioed playboy "d'un certain age" clad in a black suit. Also of massive build, but looks more healthy, with human skin tone. He has brought as a gift a box filled with ladybugs, a treat much enjoyed by the tiny "pet." As later as the bustle of introduction has settled, the boy notices that his blue brother's wife has become... a Hen.Not an uncommon occurrence in marriage, particularly among the peoples of Eastern Europe (I could know!). When the wife leaves the room, he intimates this discovery to his blue brother in an extended whisper. The result of his comment sets in motion the film's dramatic arc.Kovalyov is a master animator of the uncanny- the familiar made strange- and his all-too-human monstrosities convulse across the screen with the expressive depth of actors in a silent melodrama, but more, and stranger. Strangeness is the property liberally dribbled onto the reality rendered here in pen and ink- depth, rhythm, texture, cause and effect- all shift and shiver as the laws of cartoon physics, and metaphysics, jump and jive to the tempo of this universal human story.



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