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Я не вернусь 2014
Description: Anya, a young academic raised in an orphanage, is on the cusp of success when she’s accused of drug possession. While in limbo hiding from the police, she hits the street with Kristina, other orphan few years Anya’s junior, in find of her possibly mythical grandmother.
Released: 01 Mar 2014 Director: Ilmar Raag, Dmitry Sheleg Writers: Yaroslava Pulinovich (script by), Oleg Gaze (revisions by) Actors: Polina Pushkaruk, Vika Lobachova, Andrey Astrakhantsev, Sergey Yatsenyuk Genres: Drama
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Я не вернусь Reviews:

I saw this in the Cannes store two weeks ago and it has lingered in my mind as one of the better offerings at the festival as a whole. It appears at first to be a gritty piece of social realism in the manner of Ken Loach but gradually evolves, adding touches of humour and wistful fantasy as the protagonists break out of their urban environment and settle into a road-movie routine. A late plot development introduces a blast of harsh reality and paves the method to a bitter-sweet conclusion. Polina Pushkaruk is perfect as Anya, the young girl determined to place her past behind her, and Vika Lobacheva utterly charming as the 13-year-old who plays on her heart-strings. This is accomplished filmmaking, and Ilmar Raag is clearly not a newcomer on the scene. He does not appear to have established himself as a name in the West, but hopefully I Won't Come Back is a first step towards changing that.


The Eastern European film Ya ne vernus (2014) was shown in the U.S. with the game "I Won't Come Back." It was directed by Ilmar Raag. I told the film was "Eastern European" because the language is Russian, the director is Estonian, and the movie contains scenes set in St. Petersburg, and--at least in the script--in Kazakhstan. (I wouldn't recognize any of the geographic territories anyway. Sometimes one of the protagonists--Anya--doesn't know exactly where she is either.)Watching this movie is a special experience. It never telegraphs where it's going next, and, usually, it goes in a direction that you don't expect.This film is really difficult to review without giving the plot away. We learn right in the beginning that Anya (played by Polina Pushkaruk) was raised in a orphanage. (We're never said about the conditions in the orphanage.) We first meet Anya when she's receiving a gold medal at graduation. In the next scene, Anya is a graduate student, giving a lecture. Her supervisor arrives after class, and we learn that she and he are lovers, although he's married, and has a child. Still within the first 15 mins of the movie, Anya is on the run, pretending to be much younger than she is so that she can stay at a shelter for homeless youth. It's there that she meets young Kristina--played superbly by Vika Lobachova--and that's where the storyline really begins.It would have been relatively simple to swing into a traditional road/buddy film style at this point, and that might have turned into an interesting film. That's not what happens in this movie. Test to see this film so that you can learn where director Raag goes with it. It's not an simple ride, but it's an interesting one. We saw this movie in the unbelievable Dryden Theatre at George Eastman House in Rochester, NY. If you're lucky, you'll search the film at a similarly perfect venue. If not, it will work almost as well on the tiny screen.


The another CINEFEST 2014 movie I want to discuss here is named "I won't come back" (original Russian game "Я Не Вернюсь") a wonderful tiny masterpiece in the form of a street movie, but that's not what it's really about. What this wonderful movie from Estonian helmer Ilmar Raag (46) is now about is How Deadly it is in this cruel Globe to have Nobody who Loves you ~~ Lack of love can kill! -- and when it's too Late to repent ... It's just too damn late!The first thing about this movie is that although co-produced by Estonia Finland Kazakhstan and Byeloruss, and directed by an Estonian, there is nothing particularly Estonian about it except perhaps the overall sensitivity. The language is Russian and the setting is a huge city, unidentified, possibly Minsk, and soon the streets to Kazakhstan. The central drama is the relationship between two young female runaways, Anja, a university grad student (Polina Pushkaruk, 23, pretty and excellent in the role) and feisty 13 year old orphan, Kristina, played by pudgy Vika Lubacheva in an amazing, unforgettable, juvenile performance so true it doesn't look like acting at all. The direction and the acting of the two women -- their nasty conflicts and growing affection -- is exquisitely realized in an exciting street film that turns into a tear jerker in the greatest sense of that term -- in another words a tragedy of classic Grecian proportions with a cathartic conclusion that left me stunned in my seat for ten mins after the projection was over wiping away a flood of unexpected tears. The game of the movie comes from Anja's final realization that the married professor she was having sex with and is so hung up on only sees her as a plaything -- partly at least because of the true love emanating from desperately unloved orphan Kristina -- and sends him a text message with the words "Ya Ne Vernus".(Awkward transliteration of the original Russian title)This is a nice movie which I hope will be Seen everywhere. It came to Miskolc from Tribeca in Fresh York and could be an entry in the next Oscar foreign Language genre if they can figure out what country it could be entered under. (Byeloruss, Russian, Kazakhstan??) -- My feeling is that If it makes it to the Oscars "Ya Ne Vernus" will be a surprise winner. It is already atop my own Greatest Ten List for 2014. The question actually is, will the Cinefest jury here also give it the recognition it deserves, or pass it up in favor of some highly questionable entry as was the situation last when a total Turkey from Germany was declared Greatest film. (It lost out to other perfect film, "Class Enemy", but class is class, and both movies were equally classy and equally deserving)



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