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White Fire 1976
Description: Vanessa Manchester has everytime been a swinger. One boy was never enough, not until she met Tim at a swinging orgasm party at her country retreat. In the midst of sexual excitement they explore every other, and the ultimate bliss of a one on one relationship. She becomes a fan on fidelity with only one restriction: marriage is not for her.
Released: N/A Director: Roger Colmont Writers: Roger Colmont Actors: Lisa Marks, Georgette Sanders, Herschel Savage, Jack Munroe Genres: Adult, Drama
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White Fire Reviews:

This intriguing adult oddity has slowly but steadily garnered a considerable fanatic following over the years. However, it wasn't until a newest Jack Munroe interview talking about his sadly long gone transsexual "spouse" Jill on the indispensable Rialto Report site that the true identity of director "Roger Colmont" was revealed as being none another than the late nice Edward Earle Marsh a/k/a "Zebedy Colt". Although the repeated test of Colt's haunting self-penned song The Day to Tell Goodbye (taken from his collectible 1969 torch song album I'll Sing for You) could have been a giveaway, no one really seems to have bothered to connect the dots. As with all of his filmmaking efforts, the means at his disposal were modest but his commitment and ingenuity went a long method to create up for that. His greatest movies like THE DEVIL INSIDE HER and THE AFFAIRS OF JANICE have the power of their own convictions overriding frugal funding and "B" casts of habitually helping studs 'n starlets thrust into the limelight. His nominal stab at couples-oriented "Porno Chic", WHITE FIRE fits that blueprint to a T.Lisa Marks, an appealing brunette second stringer who gave solid performances for the likes of Shaun Costello (THE TWO LIVES OF JENNIFER, MORE THAN SISTERS) and Carter Stevens (HONEYMOON HAVEN, PLEASURE PALACE), shines as fashion magazine editor Vanessa Johnson, living life in the quick lane with no time for real love. Letting her hair down at one swinger's party after another, where she makes it a rule never to "do" the same guy twice, she "meets cute" with romantic hunk Tim (an early appearance by Herschel Savage, credited as "Bill Barry") who quickly convinces her he's the true deal and the very boy to "take her away from it all". Catching him in flagrante with her scheming secretary Cynthia (perky Georgette Sanders from Jim Buckley's quintessential cheerleader classic DEBBIE DOES DALLAS), Vanessa balks at Tim's apparent - if perhaps misinterpreted - betrayal and drives off in a huff to their cabin in the mountains.Trapped by a sudden snowfall, Vanessa's mind begins testing tricks on her as characters from her past begin to appear and disappear at will. Memories of orgies past (marking fleeting appearance by fanatic favorites such as the aforementioned Munroes, cute blonde Heather Young a/k/a "Colleen Anderson" and Tony Danza lookalike David Morris) intermingle with terrifying visions of helplessness at the hands of crazed rapists led by Dick Stevens from Chris Covino's Samantha Fox showcase HERE COMES THE BRIDE. All the while, you can sense Colt's steely determination to turn the sex into something quite out of the ordinary. The conceptually intelligent ladder sequence with Lisa and Herschel stands as a nice example of how he wasn't going to allow budgetary restrictions thwart his greatest efforts. Another ideas, like the sparklers emerging from ladies' nether regions, don't come off nearly as well but you have to give the guy credit for trying. The (simulated) violations seem like a temporary throwback to the "roughie" zone Colt explored with UNWILLING LOVERS and FARMER'S DAUGHTERS but aren't as gratuitous as they initially appear within the grand scheme of what this flick ultimately attempts to convey.Driven to distraction by the enforced isolation and growing to realize she may have misjudged Tim's behavior, Lisa downs an whole bottle of sleeping pills with booze, only to be saved by her lover at the very last minute. Or should he be just other apparition conjured up by her fevered mind ? Contrary to what my fellow commentator has to tell on the subject, I feel the crushing twist ending makes excellent sense, closing this serious sex drama on a satisfying downer note that's entirely in keeping with the overall tone of the material. Cinematographer C. Davis Smith (a/k/a "Charles Lamont") certainly knew a thing or two about maximizing one's meager assets, cutting his teeth as bargain basement exploitation empress Doris Wishman's DoP of choice. He works wonders here with the (granted, fortuitous) visuals of wintry isolation and also manages to incorporate some new angles during carnal encounters. By the time Colt's unmistakable vocals kick in for other rendition of his theme song, the lyrics have acquired a profoundly sad resonance that secures this underrated tiny cult film's status as an indelible porno poem alongside the likes of Roberta Findlay's superb MYSTIQUE and Roger Watkins' skin-crawling CORRUPTION.


WHITE FIRE could be considered a noble failure: a serious attempt to mount a quality porn movie done in by a low script and miscasting. Filmmaker Roger Colmont deserves an E for effort.Ultimately very repetitious storyline concerns Vanessa Johnson (listlessly played by Lisa Marks), a buxom NYC fashion editor for a magazine. Classy opening has her annotating the credits on fashion sketches for a "White Fire" layout.Bulk of the action takes zone at her lavish cabin retreat in the country, where she's snowed in for few days. She has unlimited flashbacks and fantasies about sex, mostly involving her man mate Tim (Herschel Savage in his first starring role, though not yet using his HS moniker).She seems to be going crazy but the finale switches everything around in a surprise, unsatisfying, too-extreme twist, almost as terrible as the dreaded "it was only a dream" gambit.Along the method Colmont has some imaginatively staged sex scenes, notably a crazy aerial porn sequence in which Marks & Savage are on a horizontal ladder near the ceiling doing acrobatic stunts while humping. With a fantasy format, he indulges in orgies and lets few lovely helping actresses upstage the heroine, notably Georgette Sanders as Vanessa's secretary (and lesbian friend Cynthia) and the everytime striking if artificial looking Jill Munroe. On the male side, David Morris steals a couple of scenes by method of his expert cocksmanship.Too much repeated footage as filler and an ill-advised softcore gang-rape stage harm the film, as well as overuse of a pretentious classical melody score. This was evidently intended to score large in the "porno chic" sweepstakes then famous from the likes of Radley Metzger, but the movie ends up being a long shaggy dog exercise.Among the more constructive (if like the aerial sex stunt, stupid) results are a group sex stage with the cast wrapped in fabric; a lesbian threesome staged on an abstract black floor framed by theatrical cutouts representing a forest; a strange insert closeup exaggerating a large cock -they liked it so much it's repeated twice; and a nutty result of sparklers supposedly blazing from either Lisa's or Jill's vagina, but obviously faked.Lisa Marks in the lead role gives a terrible performance and is not pretty enough to create up for it. In fact, her slightly overweight appearance is unwisely emphasized in some of the shots; her another movie appearances were in helping roles plus the lead in JACKPOT (which I'll be watching soon).By the time a Matt Munro-genre vocalist sings the thematic ballad "The Day to Tell Goodbye" over the disappointing finale, this romantic opus has frittered away its welcome.



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