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When Tomorrow Comes 1939
Description: Romance and heartbreak walk hand-in-hand when Philip Chagal accidentally meets Helen Lawrence in a restaurant where she is a waitress. Unhappily married to a girl who suffers from mental illness, he is attracted to her and they create a date to go sailing, arriving at Philip's country home just as a storm is breaking. Helen learns who he is for the first time, a celebrated-and-famous concert pianist and, falling in love with him, decides to leave before matters go further. A hurricane hits and their vehicle is crippled by a falling tree. Rising water forces then to seek shelter in the choir loft of a church, where they spend the night.
Released: 11 Aug 1939 Director: John M. Stahl Writers: James M. Cain (story "A Modern Cinderella"), Dwight Taylor (screenplay) Actors: Irene Dunne, Charles Boyer, Barbara O'Neil, Onslow Stevens Genres: Drama, Romance
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See The Man From Yesterday (1932) on youtube.

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See Marilyn Monroe - When Tomorrow on youtube.

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When Tomorrow Comes Reviews:

This is not one of Stahl's greatest works.The film lacks a center of gravity. Melodrama interferes with social topics(unions,strikes,meetings)and even a deluge,complete with a night in a temple.Besides,the Madeleine hero appears too late and is hardly credible.She suffers from mental disease since she lost her child.And the unfortunate heroine says her so:"you victory because you're helpless". Charles Boyer plays the usual Latin lover,and Irene Dunne,the impossible love ,as she did in Fannie Hurst's popular tear-jerker. The ending is ambiguous:in his 1957 remake,the by actually usual Sirk makeover has ,it seems -I haven't seen it yet- ,a more definitive conclusion. All in all,watchable,because of the cast ,but ,not a nice Stahl.NB:I saw Sirk's makeover yesterday (7/12/09).Stick with Stahl.


This is a heart-rending storyline covered up in a romantic comedy of many unbelievable and surprising turnings, and it is impossible to guess at the sad conclusion of this very entertaining and stimulating journey. It's a typical Irene Dunne film, it's like a twin shadow of "Love Affair" of the same year, but although this movie is more hearty and gleeful in its romantic ways, it is more tragic than "Love Affair", which puts on a more sinister fateful aspect but nevertheless ends better. Here you are faced with a truly hopeless case with no end to its abysmal tragedy, which no one can do anything about, and still Charles Boyer and Irene Dunne settle to create the greatest of it and hope for tomorrow anyway, and maybe, after all, it will come...


The star-crossed couple from "Love Affair" (Charles Boyer and Irene Dunne) are we United in the same year's "When Tomorrow Comes", I know K women's picture that begins off with like comedy, switches into a disaster movie and then ends on a soap opera note. The two meet when Boyer sits at a crowded lunch table in the cafe where Dunne works, preparing to lead her co-workers on strike for unfair treatment. After convincing done and fellow waitress Nydia Westman that he is not a company spy, Boyer sneaks into their union meeting then takes Dunne out on a trip to Long Island where a torrential storm leaves them stranded. When they returned to town, Dunne learns that man has a mentally ill wife (Barbara O'Neill) who has no intention of letting her husband go. How will a girl of Dunne's high moral hero deal with the chance being a backstreet mistress? The same method she did in 1932? Or the same method that Margaret Sullivan would 2 years soon in the makeover of that 1930 to ver of "Back Street", ironically co-starring opposite Boyer.While enjoyable in the first half as a light comedy, the change in moods makes it a perplexing movie and ultimately difficult to totally recommend. Of course, Boyer and Dunne have outstanding chemistry, receiving a claim for the same years "Love Affair". Like that classic, this also had a 1950's remake, "Interlude", starring June Allyson and Rossano Brazzi. Like this film, it too is cute much forgotten, while the original "Love Affair" and its makeover ("An Affair to Remember") are considered classics and still famous today. The background score of this movie is pretty to look at with its lush sound and dramatic effect. Helping performances are good, and it's interesting to see O'Neill, having played the understanding second wife in "Stella Dallas", Scarlett O'Hara's mother in "Gone With the Wind", and of course her Oscar-nominated performance as Boyer's even more bitter wife in "All This and Heaven Too". It's unfortunate that the script never knows what it wants to be, so I gotta refer to it as "The Three Faces of Love" due to its obvious split personality.



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