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This first movie ver of the Rachel Crothers enjoy finds Robert Montgomery as the irrepressible playboy who will do just about anything to victory Myrna Loy back from the clutches of married publisher Frank Morgan. Even if that means bringing Morgan's wife Ann Harding into the picture. And When Ladies Meet, watch out. A soon ver was done by MGM but with more of an emphasis on the mistress than the wife. Joan Crawford had Myrna Loy's role and Ann Harding's part was done by Greer Garson. Robert Taylor played Montgomery's role and the difference between the two movies is the quality of their performances. Taylor had developed a true gift for light comedy, but for Robert Montgomery this type of part was what made his reputation. Frank Morgan was far better than Herbert Marshall because he played the role as the two timing rat he was. You watch Marshall's performance and you'd think he was the wronged party. As for Morgan, no one loved him more than I in the role of the inept bumbler he usually played, but parts like in When Ladies Meet and also in Hallelujah, I'm a Bum do present him to nice advantage in another kinds of roles. It's difficult to select between Garson and Harding though. Both of them have the greatest part in the movie and both create equally nice test of it. Every are the greatest in their respective casts.Eliminated from the second ver is a nice deadpan performance by Sterling Holloway as the allergy prone golf caddy who destroys Montgomery's minigame as he's testing with Harding.The original enjoy ran on Broadway for 191 performances in the 1932-1933 season and starred Walter Abel, Frieda Inescourt, Herbert Rawlinson and Selena Royle. Ironically all of these people had substantial movie careers, but should never be classified as any type of box office. When Ladies Meet is witty and bright and a nice example of the sophisticated kind comedy that's just not being done any more.
I had a blast watching this sparkling and affable MGM classic - the first and greatest adaptation of Crothers' luridly sophisticated play, beautifully shot in black and white with some ellegant Cedric Gibbons art direction. Elegant and effervescent, this pre-Code movie is a triumph of casting: Myrna Loy, Ann Harding, Robert Montgomery, Alice Brady, and Frank Morgan all in top form. Loy is surprisingly enjoyable as the lady novelist Mary who is deeply in love with the publisher Rodge (Morgan). I accept Ann Harding steals the show; she never looked pretty and radiant as the wife of the publisher. Alice Brady is a revelation as the whimsical society matron Bridget. The movie sometimes feels too gabby but it is aided by the stars' charisma and a tremendously witty dialogue.
What a thought provoking and stimulating movie. One starts to sense what was lost due restriction of the Hays Commission. The svelte Ann Harding steels the show. She literally makes you fall in love with her character. Frank Morgan's role was very various from those that he soon played. The sincere caring that the two female characters had for one other shows a sophistication that is as entrancing as it is admirable.
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