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Description: A Gypsy family travels the French streets during the Second Globe War, followed by Tiny Claude, a young man seeking a fresh family after his parents "left and never returned". Upon reaching a city where they traditionally stop for a several months and work in vineyards, they learn that a fresh law forbids them from being nomadic. Theodore, the town's mayor, and Miss Lundi, the schoolteacher, protect and support the Gypsies. Despite this, They are arrested and placed in an internment camp. Theodore manages to rescue them and gives them a piece of property where they gotta settle. But the Gypsies' deeply ingrained thirst for freedom makes this sedentary lifestyle hard to bear. After Theodore and Miss Lundi are arrested for resistance, the Gypsies decide they gotta receive back on the transport in order to remain free.
Description: Set in 1845, this drama follows a group of settlers as they embark on a punishing adventure along the Oregon Trail. When their tutorial leads them astray, the expedition is forced to contend with the unforgiving conditions of the high plain desert.
Description: After her husband's suicide, young and pretty Mitsuko Fuji feels alone and helpless -- until one of her husband's major creditors, Mr. Kito, offers a sympathetic ear and a cancellation of all debts. However, Mitsuko later learns that Kito's intentions are anything but pure, as she's forced to become his private concubine. Her only, improbable hope for redemption lies with her one real admirer: Kito's very own son.
Description: The Danish Ingen tid til Kaertegn (Be Dear to Me) is heavily reliant on the appeal of its star, 8-year-old Eva Cohn. Our heroine is the neglected kid of a businessman father and actress mother. Feeling that happiness lies well outside her own backyard, Eva goes on a find for that happiness. The longer she stays away, the more her parents realize that they've unfairly ignored her. The plot is nothing new: it's what is done with it that pleases the eye and ear. Ingen tid til Kaertegn was one of the more famous entries in the 1957 Berlin Movie Festival.
Description: An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A romantic plot ensues, as well as a confrontation with the gang leaders.
Description: Twelve year old Jennifer is unhappy with her widowed mom's relationship with a family friend. Feeling lonely, she readily accepts the friendship of an adult boy called Howie and joins the softball squad he coaches. Soon, Howie is convincing Jennifer to pose for photographs which become more and more revealing. Howie turns out to be a pedophile who works in kid pornography and he plans to create Jennifer a "star". Will Jennifer's mother be able to support her daughter before it's too late?
Description: The teenage woman Vera left her family after an incident at home, and is actually living with a middle-aged drug addict, Morgan, who is using her as a prostitute to receive cash for drugs and debts. Meanwhile, the rest of her family is falling apart, and her father, Mats, is trying to figure out how to receive her back before it's too late.
Description: Following her son's death, Victoria moves to a tiny community to work as a doctor at the local clinic. She attempts to forget and transport on with her life but finds it impossible when a local man is found dead in the snow and Victoria gotta say the boy's parents. Police quickly explains it as an accident but Victoria finds that there is something strange about the entire affair.
Description: A young priest is ordered to preside over the wake of a witch in the church of a remote village. This means spending three nights alone with the corpse with only his faith to protect him.
Description: In his fresh film, an intriguing and delicately crafted drama, Malmros portrays the poignant storyline of a man, who grew up in very modest circumstances in the early years of the 20th century, but whose diligence, intelligence and willingness to endure hardship helped him to become a leading brain surgeon. A success storyline on the face of it, but a storyline about a boy - who is none another than the director's father - a boy of strong emotions. The movie explores the nature and origin of the guilt that repeatedly deprived him of happiness.
Description: Follows a young boy called Albert and his horse, Joey, and how their bond is broken when Joey is sold to the cavalry and sent to the trenches of Globe Fight One. Despite being too young to enlist, Albert heads to France to save his friend.
Description: Drama about a family torn apart after the death of its patriarch. Haunted by their father's death, Jack and Elyssa have a fraught relationship with their remarried mother even actually they have come of age.
Description: 1913, shortly before the outbreak of WWI. A group of aristocrats gathers at the estate of Sir Randolph Nettleby for a weekend shoot. As the terminal decrepitude of a dying class is reflected in the social interactions and hypocrisy of its members, only globe weary Sir Randolph seems to realise that the sun is setting.
Description: Kidnapped in the middle of the 80s, during the Lebanese war, Ramez, the main hero of the movie, is released after 20 years of being detained. His family didn’t know anything about him or about his fate. Having passed his fifties, Ramez’s physical as well as emotional states are effected by the long years in incarceration. Ramez’s unexpected return shakes the family. His children don’t see in him the long awaited father, instead they see in his return a disruption to their everyday lives and to their projects. His wife, Marie, an active and pragmatic girl is trying as much as possible to reconstruct the family. Ramez, in dramatic conditions, meets Zeinab, whose husband was kidnapped during the same period than Ramez. A relationship develops between the two lost souls. They meet often, and share very intense moments of life.
Description: A segment from the 'Unsolved Mysteries' TV series inspired this story, in which a nurse (Megan Ward) claims that she's possessed by a murdered co-worker's spirit which identifies the killer.
Description: David Sheldon owns a plantation in the Solomon Islands. Many of his field hands die of blackwater fever, and then he becomes sick himself. Joan Lackland, a female soldier of fortune, arrives by schooner in the islands. With the support of her Kanaka crew, she protects David from an attack by the natives who are led by Googomy. Joan nurses David back to health and becomes his business partner, protecting his mortgaged property from two avaricious moneylenders. Seeking vengeance, the moneylenders incite the natives to revolt.
Description: Alfredo and Susanna are two well-off fifty-year-olds who lead a stimulating cultural life. He is an architect and she is a psychologist; they live in Rome but spend their weekends at their country home in Umbria, where they love to spend their days walking in the forests or relaxing poolside with a nice book. One day, as she goes into town, Susanna sees a woman prostituting herself in the bushes on the side of the street and decides to save her from her unhappy existence, despite the enormous differences that separate their methods of life.
Description: Stockholm Syndrome. Feelings arise between a young kidnapper and his victim, a girl surgeon. He seeks revenge for a medical accident that prevents him from living peacefully and decides to kidnapp the girl he holds responsible. When the latter manage to escape, she can't stop to meet her kidnapper again, for reasons of love and of vengeance.
Description: An old shepherd lives his last days in a quiet medieval village perched high on the hills of Calabria, at the southernmost hint of Italy. He herds goats under skies that most villagers have deserted long ago. He is sick, and believes to search his medicine in the dust he collects on the church floor, which he drinks in his water each day.
Description: "Africa United" says the extraordinary storyline of three Rwandan kids who attempt to realize the dream of their life: to attend the opening ceremony of the FIFA Globe Cup 2010 at Johannesburg. But the issues start when Fabrice, Dudu and Béatrice receive on the wrong bus and end up in Congo. Without papers, without money, they are brought into a children's refugee camp. But with wonderful ingenuity, a some guts and a poster for the Globe Cup as a map, our heroes escape from the camp and leave to pursue their dreams, bringing with them a "dream team" of refugee kids to support them through a series of exciting adventures. During this adventure of 5000 km through seven countries, the movie reveals an unseen Africa.
Description: In the final year of his life, Rembrandt painted a series of self-portraits that present him in a dark, lonely state of mind. Stelling has painstakingly recreated the pathetic end of a genius with an authenticity that allows viewers to infer their own conclusions about the relationship between Rembrandt's life and art.
Description: Kristin Lavransdatter is a 1995 Norwegian movie directed by Liv Ullman, featuring Elisabeth Matheson, Bjørn Skagestad, Jørgen Langhelle, Lena Endre and Sverre Anker Ousdal, based on Kristin Lavransdatter by Sigrid Undset. It was the Norwegian entry to the Academy Award for Greatest Foreign Language Movie in 1996.
Description: Aletta Ocean's trip to a faraway zone turns into an explicit, forbidden fantasy of lust and desire. Manuel Ferrara seduced visiting beauties before taking their passports, making them his kept yet pleasured mistresses. Aletta turns the erotic tables, willingly becoming Manuel's salacious sex toy
Description: Young Jorgelina feels estranged from her boy-crazy older sister, who has entered adolescence and doesn't wish to hang around with tiny children anymore. Finding refuge in their Boyita camper-van, Jorgelina travels with her father to the countryside, where her lifelong playmate Mario is undergoing some unexpected changes of his own.
Description: The storyline of Heidi Fleiss, known as "The Hollywood Madam", who was the daughter of a prominent Los Angeles doctor and eventually became a prostitute for a well-known Los Angeles madam. She took over her boss' operation and later was raking in $300,000 a month by hiring only the most pretty and highest-class hookers and catering to wealthy Hollywood types, European and American corporate executives and Arab sheiks. Her operation was broken up by Los Angeles police in 1993, and she eventually went to prison for income-tax evasion. Written by [email protected]
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For the sake of your time, and mine, I'll skip the synopsis and receive right to the point: Larry Clark's Wassup Rockers loses none of the Clark appeal, that his fanatics have grown to admire, in the switch to a softer movie that Clark hopes will be more agreed by distributors than his previous movies. As most of Clark's fanatics know endeavors such as Ken Park, Children and Bully have all focused around 'bad' kids, however, in Rockers, the children are just trying to be themselves without getting harassed by their peers for not succumbing to the hip-hop element so show in their South Central neighbourhood. During the boys' eventful day in Beverly Hills, a parallel to The Warriors, a favourite of Clark's, can be clearly drawn. In short, this has been Larry Clark's greatest movie to date. So nice in fact, even my girlfriend who is not a fanatic of Larry Clark at all really enjoyed it.
I work with youth in Los Angeles, and Wassup Rockers is probably the most accurate non-documentary depiction I have ever seen of LA youth on film. Granted, the "acting" is choppy as it clearly jumps between the children being themselves, and then telling scripted lines. But the characters are real. The most poignant mission of the movie was that murders are taking zone in impoverished neighborhoods just a short bus ride away from the multi-million dollar homes and cushy lifestyles of Beverly Hills. The storyline was low and lacked fluidity, but the reality of the characters made up for it twofold. With the exception of the "preppy" kids, who seemed a bit forced, the characters are all spot on for how LA children today truly are. And the graphic descriptions of sexuality are not exaggerations. If you wish to know exactly what the inner-city youth look like today, look no further than Wassup Rockers. This movie is a gotta see for anyone who intends to work with kids, especially in an urban environment.
Larry Clark is one of the rare active filmmakers in North America-and in the world-who makes movies that are overwhelmingly necessary and immediate. Though on the surface his topics are not openly political, nor full of grand pretenses, his movies are among the most vital portraits of the cultural, political and social landscape of North America in newest years. In Wassup Rockers, Clark, the leading infant poor of globe cinema, has perhaps created his best polemic. He has place his fists down. After the roars of rage of his two previous films, Bully and the masterpiece Ken Park, the filmmaker lets more tenderness into his scenes than ever before. Ken Park certainly had moments of nice tenderness, often between shocking moments (the concluding sex scene, which has been hailed by some as the most moving sex stage in cinema, certainly comes to mind), but Wassup Rockers has a various sense of tenderness. This portrait of punk-rock Latino solidarity, of Salvadorian and Guatemalan refugees in South Central Los Angeles, who belong only in their own worlds, is poetic and inspiring, like all of Larry Clark's movies it is most pretty in its portrait of the ugliness with which the globe treats the wretched of the world, perhaps because it provides us with a sense of reality that we recognize. Like Kids, Wassup Rockers is set during one eventful, symbolic or fully meaningless day, in which they decide to visit the white man's world, of which they can only imagine, like all oppressed folks think of their oppressors. Just wanting to skateboard (a fetish of Clark's) in the luxurious parts of Los Angeles is enough to change their world, as they war bigot after bigot and are exposed to the extreme violence that lies beneath the surface of bourgeois comfort. There is one extraordinary stage between one of the men (who, like all of the another main actors in the film, is a non-professional more or less testing himself, whose character, like the others, even has his own name) and a wealthy woman that he meets, both test and have a conversation with one another, but they are never really able to communicate, to penetrate and to break through the walls of social class that separate them, they speak various languages, one speaks of constant struggle, the another of comfort, one speaks of death, the another speaks of knowing only life, one speaks of friends, the another speaks of brothers, of comrades in arms. The images, sometimes extraordinary for the sake of being so real, are made even more strong by the blaring punk rock which provides an wonderful rhythm for the film, instilling in the movie an unmerciful and energetic musical counterpart to the proletariat struggle depicted in the photos of the film. As everytime though, a easy analysis of a Larry Clark movie tends to never really capture his wonderful sense of ambiance, because his objective is not to create a statement about anything that can be easy understood cerebrally, but to understand these kids, who live in constant marginalization without realizing it, who didn't select the conditions in which they live but face them fearlessly, collectively, like a tribe going into battle, fighting together.
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