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Unter Bauern 2009
Description: Drama, based on the ebook "Retter in der Nacht", in which Marga Spiegel says her memories: In Westfalia of 1943 Marga Spiegel, her husband and her daughter are about to be deported. Yet westfalian farmers support the jewish family, grant Marga and her daughter refuge under false names and hide her husband.
Released: 16 Dec 2011 Director: Ludi Boeken Writers: Otto Jägersberg (screenplay), Imo Moszkowicz (screenplay), Heidrun Schleef (screenplay), Marga Spiegel (book) Actors: Veronica Ferres, Armin Rohde, Lia Perez, Martin Horn Genres: Drama, History
Trailers and related videos:

See Unter Bauern Retter in der Nac on youtube.

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See Unter Bauern - Retter in der N on youtube.

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See Unter Bauern - Retter in der N on youtube.

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See Wolfskinder - Ganzer Film auf on youtube.

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See 2 Weltkrieg 3.0 on youtube.

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See Allein unter Bauern (2007) on youtube.

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See Unter Bauern - Retter in der N on youtube.

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See Allein unter Bauern on youtube.

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See Unter bauern / 2009 / Effets n on youtube.

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See Schicksalsjahre Historienmelod on youtube.

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Unter Bauern Reviews:

This movie is a screen adaptation of the memoir of a German Holocaust survivor and, except for the opening and closing scenes is a straightforward narrative, chronicling the family's experiences during the period following their narrow escape from deportation eastward to a concentration camp from which they know there is no return.The first stage sets up the back storyline of the end of WWI, when the Jewish horse trader and German farmer serve their country and are awarded the Iron Cross for valor. A narrative voice explains the central irony of military service being rewarded by country that would soon persecute or exterminate its heroes.The farmer's family faces conflicting loyalties -- a son who goes off to fight on the Eastern Front at the same time as the parents take in the horse traders wife and daughter, along with different another displaced persons; a daughter in the first blush of romance with a Nazi activist and his cause. The Jewish husband and wife, meanwhile, suffer the separation and perils of an assumed identity (in the situation of the wife and daughter) and isolation, hiding, constant vigilance (in the situation of the husband).This movie invites the viewer to live through these happenings with the family, and never over-dramatizes - which may acc for the lack of enthusiasm of younger viewers. But the performances have much psychological depth as well as a ring of truth in all its scenes.


Forget Schindler's List, which was over-produced, over-acted, over-directed, over- everything. The horror of Nazism cannot be grasped in its enormity; it can only be filmed from the perspective of a very tiny group of ordinary people, and that is what this movie does, very effectively.The country which decorated a young man, Siegmund Spiegel ( Armin Rohde), in WWI is actually determined to exterminate him, his wife and child, and everyone of his 'kind' it can lay hands on. A former comrade-in-arms, called Aschoff, offers to shelter him and his family on his farm in a rural community, at considerable private risk. Spiegel's wife (Veronica Ferres) and child, who can 'pass' as Aryan, assume fresh identities (the name Spiegel would have been a deadly give-away of Jewishness) and may transport about relatively freely on the farm, but the husband/father, who looks Jewish, gotta stay hidden away in a barn--for years. He can catch fleeting glimpses of his family in the farmyard as they go to work in the fields with the farmer's family and the field hands. Times are hard, meal is scarce, the winters bitterly cold. Some members of the community come to know of the hideaways and support in tiny ways-- providing an additional scrap of meal or a convenient lie when Nazi sleuths pass through hunting for Jews hiding out. Both the Jewish family and their hosts are far from safe, as some members of the community, including some of the local farm hands, are Nazi sympathizers. The penalty, of course, is death if they are discovered.Another father and son search themselves on opposite sides of the ideological divide, and neither one will survive to the credits. It is forbidden to listen to foreign radio broadcasts (the BBC Globe Service, for example, reporting the inexorable advance of the Allies and the real state of the German Wehrmacht). The moment of dawning realization as the farmer's daughter learns the real identities of their guests, and the danger when a young Nazi brown-shirt starts to court her; the Star of David patch (which she had long ago tucked away and forgotten about) falling out of Frau Spiegel's pocket at the most inopportune moment in the pub ... these and a thousand another minutely drawn features fill out the picture of creeping desperation for the family and their protectors. The slightest slip would prove fatal. It is an utterly convincing tale of how paranoia and terror grip a community, how fear and intimidation paralyze people. It is also largely true; based on the memoir of the girl who was sheltered by that farmer's family (yes, they survived the war; you'll meet the true Marga Spiegel and the farmer's wife, Frau Aschoff, in the DVD's unique details section). The ultimate insult is when the Americans march in and the terrible half-deranged father is finally allowed out of the barn, his head shaved (to hold down the lice)--and the American troops accuse him of being a Nazi. The iron cross, awarded him in WWI and which he had hoarded to present to Nazi sleuths as proof of his loyalty to the Fatherland, is suddenly damning evidence. The farmers, who had successfully hidden him from the Nazis for years, are powerless to prevent the 'liberators' from dragging him out to shoot him. If that doesn't create rage rise in your throat, you're catatonic.The movie has a gritty, Steinbeckian realism about it. The pacing is deliberate and methodical, unlike Schindler's List which was a deliberately manipulative (and exhausting) emotional roller-coaster. Don't expect cinematic fireworks from Unter Bauern; but you may not be able to sleep afterwords. The cinematography is subduedly realistic and shows what it gotta have been like in rural war-time Germany: mucky, cold, poor, and hungry. The cast is superb, delivering utterly convincing performances.My only criticism is not of the movie as such but merely of the title, "Saviors in the Night", for English-speaking audiences, obviously to create it 'marketable'. "Among Farmers" would be literally correct and renders the tone of the movie perfectly adequately.The film's message, conveyed in straightforward narrative without having to browbeat it into you, is this: civic courage does not require superhuman dimensions (which is how Liam Neeson's hero was directed to be in S.L.). All it requires is for decent folk to do what is right. What this movie shows, brilliantly, is how difficult that is sometimes.


The original game of this movie may be very short in German lenguage, but it explains a lot of facts: German farmers protected a Jewish family during the Second Globe Fight !! Courage, humanity, friendship,ethics !! This movie is based on the real storyline of Marga Spiegel. Unter Bauern is an perfect dramatic film.



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