See "Una mujer"/ pelìcu on youtube.
See Raphael - Una mujer de la vida on youtube.
See Primer capítulo: La Mujer Mara on youtube.
See Mi Mujer (1975) on youtube.
See MANOLO GALVAN - Mujer - 1975 on youtube.
See Sandro 1975 Esa mujer donde es on youtube.
See A ti, mujer (1975) on youtube.
See A TI MUJER - JUAN CAMACHO - A on youtube.
See JUAN CAMACHO ( A ti Mujer - 19 on youtube.
See 10 Curiosidades de la serie de on youtube.
Description: A woman goes to visit her sister who has been impossible to reach since being released from a psychiatric ward. When she arrives, things are much worse than she should have imagined. But to her surprise, her sister claims that she has never been happier since she turned her back on the outside world.
Description: It's past midnight. Zhao goes down to smoke, leaving his drunken wife to murmur her erotic dream upstairs. Neighbour Lee jumps off the building in front of Zhao, and his suicide reveals a sex video taken by phone. Sanqing falls in love with her tutor. She wants to strengthen her relationship with Professor Sun on a seaside trip, but finally realises her efforts are in vain. Hai Long is an old acquaintance of Sun. He tries to bring Sanqing and his client Wang together, giving Sanqing the occasion to take revenge In the dark tunnel on the island, Wang says Sanqing a nightmare that reveals the entire story.
Description: Olivia is a young undocumented immigrant who works as a maid in a Parisian hotel. Her illegal status compels her to remain invisible in order not to draw any suspicion. As Olivia begins to suffocate under these constraining life conditions an irrepressible desire is growing within herself.
Description: Storyline of the movie takes zone in the Coastal Karnataka of Indian peninsula. Movie elaborates the result and repercussions of the reservation privacy on the different segments of the society .
Description: In the rapidly economically developing South Korea of 1983, a young teenage man called Jaeyoung, who is struggling with a strained relationship with his rather remote father, has two dogs called Jinjin and Akida. It later becomes obvious that Jaeyoung’s father cares more for the two dogs than he does for his son. In an attempt to gain his father’s attention, Jaeyoung releases one of the dogs into the wild, and this changes everything.
Description: The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a storyline about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for boys to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life storyline of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to safe his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.
Description: Adam unexpectedly visits his family house at Christmas after a several years of working abroad. No family member knows about his secret plans and the true reasons of his visit.
Description: Salma, a well-respected, Arab American professor, is stunned into silence after her globe is shaken in the wake of an unthinkable tragedy. She is forced to rethink the relationships with those closest to her. How she reshapes her life will alter all she understood and trusted. With the love of her family, Salma regains the hope and strength she needs to ignite future change.
Description: Ray is a loner until he meets the mysterious Paul whilst exploring the woods, a zone he can see in his dreams. As their love deepens Ray starts to suspect that Paul may not be who he seems and that the sinister figures that haunt the woods may be coming for them both.
Description: A hilarious comedy about a Bengali patriarch Banku Babu who dominates his whole household in fully averse to changes until he meets with an accident which effects in about of amnesia. When a local promoter demands his ancestral house, Banku Babu denies and gets injured in a squabble, starting to behave strangely, sometimes like his matinee idol Rajesh Khanna.
Description: Actor who used to be a celebrity once upon a time, when he played in number of movies and theatre shows, lives his elderly days monotonously... Up until he meets a woman wanting to become an actress. In their encounters actor revives his love affairs from his young age...
Description: Two couples separately recall a years old romance that urls them all. Friendship, trust, morality, love - everything is questioned, everything is tested. When do you forget? When do you transport on? When does love allow go?
Description: Olavi, an aged and shabby art dealer, is planning to retire. Accidentally he finds an old painting that he suspects being much more valuable than his colleagues have priced it. He decides to test to prove for the last time for himself, his colleagues and his estranged family that he can create it.
Description: Eli Johnson struggles through high school challenged by his self-loathing and the pressure to be "normal". The newest passing of his mother due to terminal cancer leaves Eli and his father disconnected and in the dark. Bullied by his peers, Eli turns to prescription drugs to cope with his suicidal thoughts. Falling hopelessly for the famous Addison McKnight, he looks to his love for her as an escape out of his deep depression.
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During the 70s, many Argentinean movies were devoted to the exploration of female trauma and frustration. We may cite the examples of _La Mary_ (Daniel Tinayre, 1974), _Boquitas pintadas_ (Leopoldo Torre Nilsson, 1974), and Raúl de la Torre's films, most of which starred Graciela Borges (_Crónica de una señora_, 1971; _Heroína_, 1972). The lesser-known _Una mujer_ is other paradigm of this tendency.As the movie begins, Matilde (Cipe Lincovsky, in one of her most affecting roles) returns home. The viewer does not know from where she is returning, but the features will surface tiny by tiny as the movie unfolds. At first, the pace is deliberately slow. It seems that all we are being shown are trivial domestic scenes. Matilde will then start to launch up, and some of her secrets will be revealed as she interacts with her husband (Federico Luppi, showing his macho facet the method he does in _Crónica de una señora_), her mother, her sisters, etc. The film's tagline was, "There are questions she can only respond to herself." This is a direct reference to the last stage in the movie, which some may search disappointing, but I consider to be flawless._Una mujer_ details a "quiet" screenplay by the nice Aída Bortnik (_La tregua_, _Crecer de golpe_, _La historia oficial_, _Caballos salvajes_), written in collaboration with the popular novelist Osvaldo Soriano. The directorial and editorial work is also worthy of mention. The movie makes ample test of montage, in a successful manner. Juan José Stagnaro, the film's director, was director of photography for Leonardo Favio, most notably in _Este es el romance..._ (1966) and in the beautiful, heartbreaking _Nazareno Cruz y el lobo_ (1975). By pure possibility I watched _Nazareno Cruz_ and _Una mujer_ back to back, without knowing that Stagnaro was involved in both of them. I was sad to search out that same night that Stagnaro passed away last week._Una mujer_ is a memorable hero study, and deserves a much higher rating than it has (5.8 as I write this). One of the hidden treasures of 70s Argentinean cinema.
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