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Un uomo, un cavallo, una pistola 1967
Description: The Stranger happens across a murdered postal inspector and a gang of bandits set on a prize of stolen gold which could be transported in a stagecoach. The Stranger, a sharpshooter called En plein and a treacherous postal agent test to receive their hands on the gold. Source: SWDB www.spaghetti-western.net
Released: 01 Aug 1968 Director: Luigi Vanzi Writers: Tony Anthony (original story), Roberto Infascelli (screenplay), Giuseppe Mangione (screenplay) Actors: Tony Anthony, Daniele Vargas, Ettore Manni, Marina Berti Genres: Western
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Un uomo, un cavallo, una pistola Reviews:

This second installment of the Stranger series is significantly better than the first film, and is a cute average/middling entry to the Spaghetti Western genre. Its an nice testament to the popularity of the Spaghetti Western that the first bland Stranger movie was able to spawn any sequels at all. .As the Stranger appears, riding a black horse under a tattered umbrella, my first thoughts were of El Topo, but this isn't an Existentialist Western. This sequel is much more lighthearted a more easygoing tone than the first film, with some bits of humor (like his horse called `Pussy') and a more upbeat score. This time the Stranger is a bit more like Trinity than the Boy with No Name, but the movie still suffers from overall clumsiness and Anthony's lack of presence (and terrible hair). Once again the Stranger tangles with a group of bandits after gold, their leader being a nice cold-hearted villain, who is known for never missing a shot. The bandits and the Stranger are after not a wagon carrying a load of gold, but one now made out of it. In this and the first Stranger movie (Stranger in Town), they borrow the Fistful of Dollars/Django device where the Stranger is caught by the terrible guys and beaten badly only to escape and exact his revenge, but it doesn't work in the same way. When Eastwood or Nero is captured and beaten, its like they have taken down an unstoppable giant, whereas with Anthony's Stranger he just comes off like a luckless weakling. To his credit, Anthony did co-write The Stranger Returns and it is a cute nice Spaghetti story, but why he allowed the pink shirt I'll never know.The finale is, once again, rather clumsy in its execution, with some badly composed action- for instance, a boy follows the Stranger into a room only to quickly give up looking for him and begin goofing off in front of a mirror, or the Stranger disguising some water barrels that a villain cant say are water barrels even though he is only about two inches away, and an awkward face off at a table full of meal that is supposed to be humorous. Overall though, it is better in style, story, and characters than the first Stranger film, and gets a 6/10 for the genre. Nothing unique but well worth a look for the Spaghetti fan.


Tony Anthony returns in his "Stranger" guise, in a movie that fully eclipses the qualities of its predecessor, "A Stranger in Town".To the sound of Cipriani's magnificent score, the Stranger rides horseback (astride the interestingly called "Pussy") through the desert, protecting himself from the sun's rays with a pink parasol, and greeting a passing traveller. The sound of gunfire alerts him to a nearby ranch, where he finds the traveller lying dead. A nice gunfight stage ensues, and three dead bodies soon he learns of a bandit gang's gold heist plot.The gang, led by En Plein (Dan Vadis) are known as the Treasure of the Border, on acc of the size of the bounties that rest on their heads (although quite how some of his goofy comrades manage to generate such a vast reward is beyond me). They successfully ambush a stagecoach, which is later revealed to be made of solid gold. The Stranger tracks down the gang, in an effort to claim the bounty, assisted by a deranged local preacher with a pocketful of fireworks.The storyline itself is very simple, but delivered in a nice style. Like the another movies in the Stranger series (well, those that I have seen), it combines the feel of the Leone movies (in its poncho clad protagonist and its morricone-mimic soundtrack) but injects an additional dosage of humour. This humorous side is particularly well crafted (such as the enjoyable stage at the beginning of the movie, when the Stranger is forced at gunpoint to dig a grave both for the dead traveller and himself). "Returns" does not borrow so heavily from the Dollars trilogy as "A Stranger in Town", but still its clear where its influences lie. And why not - it does it very successfully and makes for nice viewing.Anthony is never going to exude the same lvl of cool as Eastwood's Boy With No Name, and therefore deliberately plays the role in a more clumsy comical fashion. But there is still no denying his character's appeal - or his fast-draw and accurate gun-play. The helping characters also really add to the enjoyment, with Vadis particularly well suited to the role of the merciless gang leader.Perhaps the highlight of the movie though is Cipriani's score which, as mentioned earlier, owes more than a passing nod to Ennio, but aptly captures the mood and feeling as the action unfurls. It's one of those soundtracks that should create even a terrible movie worth watching.Anthony's Stranger series eventually collapsed into the medieval farce that is "Get Mean". But this particular episode of the Stranger's journeys is a truly enjoyable and highly watchable western. And one that nearly reaches the highlights of Anthony's finest hour - Blindman. "Returns" is the greatest of the Stranger movies that I have seen, and one that I would definitely recommend.


Enjoyed the first movie with Tony Anthony, "A Strange in Town" and this movie is quite related except there are girls being raped and one shot dead while trying to hang out her laundry. There are a entire gang of laughing bandits who simply love to tease, torture and slay in cold blood. The Strange meets up with a rather crazy preacher who has all kinds of secrets to support the Stranger war off this gang of bandits who are after a gold shipment and the Stranger assumes the identify of a murdered postal inspector. The Stranger is captured and given a nice beating and was pulled by a rope behind a stagecoach and was then kicked and punched in the face constantly. The melody in this picture added a nice deal of sound results throughout the whole movie and I gotta tell some of the gals in this picture were very nice looking and sexy.



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