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This is a very strange film from begin to finish. We follow a bunch of characters that we know tiny about. We have no reason to root for them or hope they receive the treasure/make it out alive/whatever. Then the leader (Rena Winters) goes out of her method to be distant, cold and boring. The another male leader of the group is just basically there for exposition, so the only hero interaction is between the ridiculously terrible overacting of a guy called "Sally". There is a fourth member of the squad Phillipe, but rarely tells or does much (or even appears in shots) unless they need a Spanish translator or a fourth vote.Sally is supposed to be crazy, but he just seems to be an annoying idiot, but a harmless one at first. Eventually we learn a tiny about Sally and Phillipe, but not much, and not enough to care about either of their fate, or to justify or explain Sally's soon actions.There seemed to be at least one stage missing from my DVD (Mill Creek "Drive-In Classics" 50 film pack) because Rena Winters' narration stops mid-sentence at one mission and the stage changes. Maybe that was the stage where everything is explained so we care if she makes it out OK. The chance of more missing scenes would explain why when our group of four meet a group of Mexicans, none of them acknowledge or seem to notice that they'd already met one of them in their travels, even though he'd been the source of much suspicion and discussion afterward.The local Mexicans they encounter encompass each terrible stereotype imaginable. I admit I've never been to Mexico, but I'm cute sure that even by the 70's the stereotype of "banditos" with sombreros, covered in bullets and swigging tequila was already long outdated and offensive.Pretty boring up to this mission (I was about to give up) the film suddenly jumps to unprovoked bloody violence. Back to total boredom for a while, then even more killing, beating, whipping until cute much everybody is dead. None of the deaths really seem to have meaning or are presented with any sense of emotion at all.Between all this oddity there's some cute bizarre camera work with the "passage of time" montages using sometimes triple, sometimes quadruple exposures to have sunsets, mountains, closeups, and our four "heroes" walking all in the same frame. Cute arty items for such a dumb movie.The appearance of on-camera storyteller/narrator at the beginning and end was also very strange.
Joking aside, this is a competently made, if rather weak budget, thriller about a bunch of gringos (and Fillipe) who trek off into the Sierra Madres in find of . . . the treasure of Tayopa. Duh. Despite the cowboy hats and six-shooters it's less of a western and more of a '70s survivalist movie, with Trapani stealing the present as crazy ass Sally . . . though all of the actors are good, especially Rena Winters, who I should swear I've seen elsewhere, though the IMDb lists this as her sole credit. Numerous spoilers follow.After being introduced to our main characters the movie jumps into a bit of back story, with "host/star" Gilbert Roland's narration accompanied by murals of the (fictional?) 17th century Tayopa mission, where Jesuit priests mined gold until they were massacred by Indians. Quickly enough we segue back into our tale, where, as already mentioned, Sally proves himself to be one messed upped mutha, coming on to Rena with increasing frequency and intensity, harassing Fillipe the guide, and locking horns with the ineffectual Stoppard. Along their merry method to Tayopa Sally murders some bandito types ("They pushed my horse - nobody does that" is a cheesy line, but Trapani made me trust it), resulting in the party being stalked by the ruffians' former employer, a sinister looking fellow dressed all in black. And he has a scar. But he's great to his horse. Upon reaching their destination Sally snaps completely, attempts to rape Rena, kills Stoddard and Fillipe, and finally dies laughing maniacally, after his head is bashed in with a rock. The sinister fella only shows up to witness the aftermath. He is NOT the villain of the piece after all, despite what Mill Creek's product write up states. Really, most of the action centers on Rena and Sally, as individuals and as antagonists to every other. Rena shows herself as particularly resilient, at one mission eating raw rattlesnake to stave off death, only after crawling out of a creek half-drowned and covered in welts. In her dying moments, she hallucinates (as I interpreted it) a priest, who offers her water. She dies. The end.After all that unpleasantness, Roland again addresses the audience, restating his assertion that "Tayopa's past will continue to drive folks to find today, and plan to find for tomorrow." ---Spoilers end---Despite its weak budget, Treasure of Tayopa makes nice test of editing techniques and cinematography. I really can't see why it's as obscure as it is, or why nobody connected to it went on to bigger and better things.
"Treasure of Tayopa" is a true obscurity; though I am well versed in B cinema, I hadn't even heard of this film until I purchased a Mill Creek 50 film DVD set and found the film among the 49 others. It doesn't take long to figure out why this film has been forgotten. It's a true old fashioned movie, coming across like it was made in the 1950s instead of the 1970s. But that's not a fatal problem. The large trouble is that the film is incredibly slow and boring. It takes forever for the film to show the first true obstacle to its lead characters, and further obstacles are slow and infrequent in coming. As for the entire treasure- hunting portion of the movie, there's hardly any of that as well; most of the film is just folks struggling their method through the desert. I won't mention what eventually happens in the end, but it's a true head scratcher moment. In fact, the entire film will have you puzzled as to what audience it was aimed for. I can't see that anyone on world would be entertained by this.
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