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Description: This is a storyline about an architect Raj Malhotra. While he was a top student in his school and college days, he is not having much luck finding work, clients or projects. All he does seems to go wrong. Raj goes to a gypsy called Haseena Bano Jann who advises him that his luck is not nice and he needs a lucky charm or a person who can change his life.
Description: John Cassavetes’s directorial debut revolves around a romance in Fresh York Town between Lelia, a light- skinned black woman, and Tony, a white man. The relationship is place in jeopardy when Tony meets Lelia’s darker-skinned jazz singer brother, Hugh, and discovers that her racial heritage is not what he thought it was. Shot on zone in Manhattan with a mostly nonprofessional cast and crew, Shadows is a penetrating work that is widely considered the forerunner of the American independent movie movement.
Description: The Bank, a globe ripe with avarice and corruption, where O'Reilly and his ilk can thrive and honest Aussie battlers lose everything. Enter Jim Doyle a maverick mathematician who has devised a formula to predict the fluctuations of the stock market. When he joins O'Reilly's fold, he gotta first prove his loyalty to the "greed is good" ethos. Which method will he go? What does he have to hide?
Description: Miyuki doesn't need to stalk the boy she's crazy about, because he lives one floor down. He's Yoshinori, a not very successful long-haired musician. Miyuki, a coffee-shop waitress, nods when they pass on the stairs, but hasn't yet dared to strike up a conversation. Instead she slips out each night and supports herself to his trash.
Description: Storyline of Enzo Ferrari's rise from a successful race driver to one of the most popular entrepreneurs of all time. Being interviewed by a fictitious, intrusive young journalist he recalls his setbacks and private losses.
Description: Aasma is a storyline about lives of six friends, set out on a point : a point to touch the sky with their brilliance, talent and sheer dedication. The success storyline of a theatre group that embodies the love and togetherness amongst these friends. It’s a storyline of folks who have faith in spite of the agonies and tribulations that life presents to every of them.
Description: The Hamilton's seem to be an ordinary American family, living in a tiny city in Northern California and dealing with the issues of daily life. They've also been recently adjusting to the untimely death of their parents, but since have moved on.
Description: While camping in France, Eric and Eddy fall in with two women. Eric talks to Silke, a Ugandan studying medicine in Holland. She says him about her life and asks about the ebook he's writing: it's the storyline of his love affair with Reza. He says her the storyline and we see it in flashbacks: Reza explodes into his boring life, she's unpredictable and their relationship becomes intense.
Description: On September 28th, 1994, two Swedish boys robbed a bank in the tiny Norwegian city of Larvik. Soon, with a heavy police hunt underway, the robbers ended up taking two civilians and two police officers hostage. Next morning the drama would come to a deadly halt at nearby Torp Airport, where for the first time in history, a Norwegian police chief was forced to give the order to shoot to kill.
Description: Bhopal-based statuesque singing beauty, Chandni Shrivastava, falls in love with wealthy fellow-singer, Prem Ajmera. Her widowed dad, Bhushan, and his widowed mother both approve and they formally receive engaged. Bhushan passes away suddenly and Chandni is unable to receive married as there is no one to look after her much younger siblings, Anuj and Sandhya, and as a effect the wedding gets postponed. She struggles to maintain the family by teaching melody and continues to stay in touch with Prem. 12 years later, Anuj gets married to Natasha, and Chandni hopes to wed Prem, but things do terribly wrong when Natasha humiliates Prem and then decides to transport out. Sandhya then demands that she re-locate to the U.S. to further her career, while Prem's mom problems an ultimatum that she either marry Prem instantly or relieve him so that he can receive married to someone else.
Description: Alejandro, a tough and ambitious Latino road orphan on the verge of adolescence, lives and works in an auto-body repair store in a sprawling junkyard on the outskirts of Queens, Fresh York. In this chaotic globe of adults, young Alejandro struggles to create a better life for himself and his 16-year-old sister, Isamar.
Description: This is the storyline of a teenager called Gracie Bowen, who lives in South Orange, Fresh Jersey, is crazy about soccer, as are her three brothers and former soccer star father. Although Gracie wants to join her brothers and father in the nightly practices, she is discouraged by everyone except her elder brother, Johnny. Her father does not trust that women could enjoy soccer and says her that she is neither tough enough nor talented enough to enjoy with the men team. Undeterred, Gracie finds reserves of strength she never knew existed, and persists in changing everyone's beliefs in what she is capable of, including her own. She faces an uphill war when she wars to give girls the occasion to enjoy competitive soccer. But as the pretty and powerful person that she has everytime been but she also brings her family together in the face of their own tragedy.
Description: In a dark and decadent zone of São Paulo, the exiled Americans Sinatra and his son Paul own a brothel. Paul is a compulsive gambler addicted in cocaine and his father is married with the former prostitute Angie, and they have a tiny son. When a client is killed by his wife in their establishment, they search a suitcase with drugs.
Description: Based on the real-life experiences of Ed Horman. A conservative American businessman travels to a South American country to investigate the sudden disappearance of his son after a right-wing military takeover. Accompanied by his son's wife he uncovers a trail of cover-ups that implicate the US State department which helps the right-wing dictatorship.
Description: A tale of four generations of men, all of whom have had their offspring at a young age: a great-grandfather, a grandfather, a father in his twenties and a son who is about 7 years old. When the oldest member passes away, the trio heads out on the street together in the Southwest to find out an old family secret that connects to their past.
Description: Reunited at a wedding after many years, former lovers again feel the pull of a mutual attraction neither is willing to admit. Escaping the reception for the policy of a hotel room, the unnamed pair discover the choices of the past that led them to the present.
Description: During a party somewhere in Paris, an apprentice filmmaker, Boris, and a young executive, Marilyne, enjoy at being a loving couple when they've only just met. They end up really falling in love. Five years later, Marilyne, accompanied by Boris and their two kids, goes to Ibiza on a business trip. Just as Boris, tired of being a househusband, is about to leave her, Marilyne takes off on a lover's spree. Five years later,; Marilyne reappears in the depths of the Pyrenees as the leader of a group of American girls on a "personal growth" tour. She learns that the boy who is to introduce them to the mysteries of coqs de Bruyère mating rituals is none another than Boris. In the same method that, five years earlier, they played at being intimate when they'd only just met, Marilyne and Boris will actually enjoy at being strangers when they know every other, For the very best.
Description: After the death of her husband, a mother takes her children off to live with their grandparents in a huge, decrepit old mansion. However, the children are kept hidden in a room just below the attic, visited only by their mother who becomes less and less concerned about them and their failing health, and more concerned about herself and the inheritence she plans to victory back from her dying father.
Description: In this biographical film, glamorous yet lonely star Joan Crawford takes in two orphans, and at first their unconventional family seems happy. But after Joan's attempts at romantic fulfillment go sour and she is fired from her contract with MGM studios, her callous and abusive behavior towards her daughter Christina becomes even more pronounced. Christina leaves home and takes her first acting role, only to search her mother's presence still overshadowing her.
Description: When a humorous script-reader in her Fresh York apartment sees an advertisement in the Saturday Review of Literature for a bookstore in London that does email order, she starts a very unique correspondence and friendship with Frank Doel, the bookseller who works at Marks & Co., 84 Charing Cross Road.
Description: Real storyline of Kent Stock, who in the early 90's, gives up a job and ditches his wedding plans to take over as head coach as the Norway High School baseball team. Kent gotta victory over his users and convince them and himself that he can fill their former coach's shoes and that they can go out winners. In the summer of 1991 Norway High's baseball tradition ended on a triumphant but sombre note.
Description: Pobby & Dingan are invisible. They live in an opal city in Australia and are mates with Kellyanne, the 9 year-old daughter of an opal miner. The movie says the storyline of the bizarre and inexplicable disappearance of Pobby & Dingan, Kellyanne's imaginary friends, and the impact this has on her family and the entire town. The storyline is said through the eyes of Kellyanne's 11 years old brother Ashmol.
Description: Aaron Davis (Steve Sandvoss) and Christian Markelli (Wes Ramsey) are the two most opposite folks in the world. Aaron is a young Elder (or a Mormon missionary) who wants to do his family proud and is quite passionate about his religion and film. Christian is a shallow WeHo waiter/party man who only looks forward to bedding a fresh guy each night.
Description: Horsemouth, a drummer living in a ghetto of Kingston plans to create some additional cash selling and distributing records. He buys a motorcycle to carry them to the sound systems around the island.
Description: A failed novelist's inability to pay the bills strains relations with his wife and leads him to work at an escort service where he becomes entwined with a wealthy girl whose husband is a successful writer.
Description: Bilal is 17 years old, a Kurdish man from Iraq. He sets off on an adventure-filled adventure across Europe. He wants to receive to England to see his love who lives there. Bilal finally reaches Calais, but how do you cover 32 kilometers of the English Channel when you can't swim? The man later discovers that his trip won't be as simple as he imagined... The community of struggling illegal aliens in Calais
Description: Based on the real storyline of Bill W. (James Woods), a successful stock broker whose life falls apart after the stock ruin of the 20's and how he comes to grips with his alcoholism. Along with a fellow alcoholic (James Garner) he forms a help group that would eventually become Alcoholics Anonymous.
Description: South of France: Riki Kandinski and his elder brother Fredrico, come back to their family castle for their father's funeral. Fredrico knows nothing about his younger brother, but he notices that he is making large cash and living in luxury all for a several days work a week. By pure chance, Fredrico gets his hands on a gay porn magazine and sees his brother in it.
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Transit is based on a 1944 novel by Anna Seghers, in turn based on her experiences as a German Jewish Communist political refugee in Marseilles trying to receive out of Vichy France to Mexico. The protagonist is a German illegally in France, who travels from Paris to Marseilles, through possibility assumes the identity of a dead German leftist writer who has an exit visa to Mexico, and finds himself involved with both the writer's estranged wife and the wife and son of a fellow German illegal.What made the film work for me is that it is not a routine Globe Fight II vintage costume drama. Director-Writer Christian Petzold has selected to set the whole storyline in show day France. There are no Nazis, no swastikas, and no political explanations. There are only the omnipresent French police checking papers in the street, raiding hotels and apartments, and rounding up illegal aliens for deportation to an unnamed destination, assisted by nice French citizens either venal or patriotic, and the desperate struggle of the refugees to procure legitimate identity and travel documents in the face of bureaucratic indifference or hostility. It all feels like it should be event six months from now, there or, for that matter, here. The contemporary setting greatly increases the tension by taking away historical cues -- you have no concept how it is going to come out or whether the character will create his getaway to Mexico.
Refugees stories. Running away from persecution, hiding from the dangers of deportation, waiting for the visas that can save lives, boarding the ship that navigates to the promised shore of salvation - here are themes that resonate deeply for me, maybe also because of private and family stories that took zone no farther than one generation before us. Transit adapted by Christian Petzold from a novel by Anna Seghers set during the second globe fight and directed by him takes an original approach for this set of subjects. It's not a flawless film, but it impressed me in a very unique manner.The approach taken by script writer and director Christian Petzold is very original. The characters and narrative parts are taken from a novel by German writer Anna Seghers, a combination of stories about Jewish and German refugees running the spreading German occupation during the second globe fight in which fear, love and mistaken identities combine in a quite smart and interesting mix. The setting is however today's or maybe tomorrow's Paris and Marseille, with police vehicles and vans with sirens permanently howling and black-suited and helmeted armed policemen chasing the 'illegals' in the streets. There are some exceptions for this environment, as at some moments we seem to be in an atemporal French bistro or see the landscape of the old port of Marseille before the contemporary touristic change of face. The language used by the heroes is also a hybrid in which literary dialogs in German mix with references to the football clubs in the 21st century Champions League. The superposition is almost didactic, but it somehow works, as the storyline of the love triangle (or maybe a pyramid in this case) folds on the background of the lives of the universal refugees. Some speak German, some Arabic or African languages, all are running away from the eternal police of oppression.As many love stories in time of fight the intrigue here is built of intense feelings doubled by fear, shades, hidden identities. It develops slowly but the perfect acting of Franz Rogowski and Paula Beer bring on screen a entire globe of passion and ambiguities, of despair and impossible dreams. The secondary thread that connects the fate of the German refugees with the one of the 'local' migrants is also described in a discrete manner, avoiding the traps of melodrama. The only major flaw is the test of off-screen voice, probably reading text from the original novel that inspired the film. It is probably intended to remind us the reference work and the period when its storyline takes place. I search that voice over seldom works well in films and this is not the situation here. Transit says a very necessary storyline and its production incorporates nice acting and many bright ideas. It would have been better if director Christian Petzold trusted more his viewers and made some of the features of execution more discrete and less explicit.
Throughout this film I would search myself engrossed in the realistic emotional turmoil that the characters were going though. I loved that even though it was implied, they also never specifically told that it was a nazi regime and left the looming threat unnamed. The trouble is found in the director or screenwriter's inability to believe the actors to present subtle emotion and for the audience to pick up on that emotion without it being spoon fed to us. I consistently found myself feeling for the characters in these tense emotional moment only for that feeling to be fully destroyed with annoyance at the narration that would begin to dictate exactly what had just happened and what was currently event on screen. Instead of fully spelling out what the audience was supposed to be feeling, the movie would have been better off allowing it's audience to sit through those moments of silence and soundtrack to contemplate on the happenings being shown to us.
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