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Tramp, Tramp, Tramp the Boys Are Marching 1926
Description: “Tramp, Tramp, Tramp the Men Are Marching” details a song that dates back to the Civil War, one which was still familiar to audiences of the 1920s. The cartoon starts as Koko the Clown emerges from an inkwell-- an iconic photo for animation buffs --and then steps over to a chalkboard to draw an orchestra. The band, “Koko's Glee Club,” marches to a nearby cinema (accompanied by a dog who beats cymbals with his tail) where they lead the audience in the game song. (IMDb)
Released: 01 Jul 1926 Director: Dave Fleischer Writers: N/A Actors: N/A Genres: Animation, Short
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Tramp, Tramp, Tramp the Boys Are Marching Reviews:

There's a memorable stage in the 1963 drama "Hud" where the lead characters go to the movies, and before the detail starts they're treated to one of those ever famous Follow-the-Bouncing-Ball cartoons. The entire audience sings along, even crusty old Melvyn Douglas. I wasn't old enough to see any Bouncing Ball cartoons in a theater myself, but they were a staple on TV when I was growing up, and singing along at home was not unheard of; in fact, it was cute difficult to resist. The tunes were usually upbeat and peppy, and that hypnotic tiny ball would bounce along at just the right tempo, pausing when a note could be sustained then zipping along when it was time to speed up. The backgrounds were everytime selected to match the song, of course, and there were funny visual puns to suit the words. It was a brilliant formula, but as a child I took the series for granted. Much soon I was surprised to learn that this long-running series was originally a product of the Fleischer Studio, the people who brought us Betty Boop, Popeye, and a slew of nice Pre-Code cartoons featuring off-color gags, nice jazzy music, and weird helping characters on the periphery who mumble amusing non-sequiturs, sometimes in Yiddish. More surprising still, the Bouncing Ball series began in the early 1920s, back in the silent days. Theater musicians would supply the music, and audiences would supply the singing. The series was wildly successful from the start. On occasion, I gather, the cartoons would be run twice to satisfy famous demand."Tramp, Tramp, Tramp the Men Are Marching" details a song that dates back to the Civil War, one which was still familiar to audiences of the 1920s. The cartoon starts as Koko the Clown emerges from an inkwell-- an iconic photo for animation buffs --and then steps over to a chalkboard to draw an orchestra. The band, "Koko's Glee Club," marches to a nearby cinema (accompanied by a dog who beats cymbals with his tail) where they lead the audience in the game song. I love the concept that Koko, an animated character, has the power to animate his own co-stars, and that they march from the animation studio to the very theater where the viewers of 1926 were watching this film; this is the type of Funhouse mirror idea one finds in the most imaginative cartoons.The song itself starts on a sad note, as the narrator is addressing us from a military prison, but the chorus expresses hope for rescue and ultimate victory. As rendered here the sentimental verse portion of the song is played straight, but the chorus details a tiny guy in convict stripes who runs along the lyrics and occasionally illustrates them (i.e. waving a flag on the words "our country's flag," etc.). Eventually, he and other convict leapfrog over every another to freedom.This charming cartoon has recently been made accessible as part of the DVD set "More Treasures from American Movie Archives," a veritable goldmine for buffs. A musical score has been recorded for this short that sounds very much the method we'd imagine a theater pit band of the period would sound. The DVD also offers an informative commentary track by historian Donald Crafton, though I have one quibble to make: Mr. Crafton implies that this song dates from Globe Fight I, but never mentions that it was now composed in 1864 and was one of the most famous songs of the American Civil War. But that's a minor point; this is a very enjoyable tiny treat and I hope more of them will create their method onto DVD for fanatics of early animation.


Everytime the innovators, the Fleisher brothers were making synchronized sound cartoons two years before Disney. The first portion of this cartoon is a primitive (and somewhat naughty) bit of animation. A soldier dog is visiting his woman friend. After testing some bed springs like a harp and dancing for her, he climbs in her window. When the bugle calls him back to camp he jumps out the window, his woman mate leans out to tell good-bye and then his pants jump out the window to join him. The sergeant catches him and marches him to jail - apparently he is guilty of desertion. While working on the rock pile he discovers that he can enjoy tunes by banging on various rocks. He then fashions a ball out of one of the rocks and it becomes our bouncing ball for the sing-along portion of the movie where we are invited to sing the American Civil Fight song, "Tramp, Tramp, Tramp, the men are marching." The animation in the sing-along portion is typical Fleisher - drawn well and very clever.


Dave Fleischer was responsible for many gems. Ones that were amusing and charming, though over-cuteness did come through in some efforts and the stories were everytime cute thin, with appealing characters, outstanding melody and visuals that were inventive and with innovative animation techniques.Ko-Ko similarly was an everytime amiable hero to watch and among the better recurring characters in Fleischer's early work. Likewise, his series of Out of the Inkwell cartoons were among the greatest early efforts of Fleischer and silent cartoons in general. Fleischer may not be at his very finest and there are far better Ko-Ko cartoons than 'Tramp, Tramp, Tramp the Men are Marching'. It is still cute nice though as long as not too much is demanded.The storyline is as thin as ice, not really one at all. Sometimes it's a bit pat and with tiny surprises. Ko-Ko should have had more to do.However, there is a nice deal to like. The animated sing-along portion is fun and charming and the hero interplay likewise. One expects the animation to be primitive and very weak quality, judging by that it's the 20s when animation techniques were not as many, as refined, as ambitious and in their infancy. While Fleischer became more refined and inventive soon certainly, the animation is surprisingly nice with some great visual wackiness and wit.Everything is bright and breezy and there are amusing moments, though never particularly imaginative. The characters are likeable. In summation, cute good. 7/10 Bethany Cox



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