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Trafic 1971
Description: Mr. Hulot is the head designer of the Altra Automotive Co. His recent invention is a newfangled camper vehicle loaded with outrageous additional features. Along with the company's manager and publicity model, Hulot sets out from Paris with the intention of debuting the vehicle at the annual auto present in Amsterdam. The going isn't easy, however, and the group encounters an increasingly bizarre series of hurdles and setbacks en route.
Released: 11 Dec 1972 Director: Jacques Tati Writers: Jacques Tati (original scenario), Jacques Lagrange (artistic collaboration), Bert Haanstra (participation) Actors: Jacques Tati, Marcel Fraval, Honoré Bostel, François Maisongrosse Genres: Comedy
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Trafic Reviews:

Tati's final theatrical film, which is often considered his best failure, is in actuality nearly as nice as his masterpieces. In this film, Tati stars for the fourth and final time as M. Hulot. This time he has a job as an automobile designer, and it is his job to receive his company's fresh Camping Vehicle to Amsterdam for a large auto show. Accompanying him is a driver, François, and a public relations worker, Maria (played marvelously by Maria Kimberly, who reminds us of the nice lead actress roles played by Nathalie Pascaud and Barbara Denneck in M. Hulot's Vacation and Playtime respectively). Maria drives around in a tiny yellow convertible with her tiny fur-ball dog. Its quick and maneuverable. It can go cute much anywhere it wants. Unfortunately, François and M. Hulot are driving a huge truck. They often receive into problem when they're trying to follow Maria's car. Each trouble that can happen does. Many observations are made about how folks act when they're in their vehicles on the highway (it's a non-stop traffic jam from Paris to Amsterdam). The jokes in Traffic are everytime hilarious. The first fifteen or twenty mins are somewhat dry of them, which is mainly why I don't rank this one up there with M. Hulot's Holiday, Mon Oncle, and Playtime (it's about even with Jour de fête). But when it gets going, it never stops. And it's beautiful, too, just as all of his another films. The final sequence is sublime, and the final shot will stay with me forever. 9/10.


I didn't know what to expect when I went to see this film many years ago. I was delightfully surprised. This is a very funny movie, but it is subtle in it's kookie-ness.Two boys have developed a fresh camping van and have set out to take it to an outdoors show. This could be an ordinary trip full of coffee, donuts and long boring stretches of road. But no, this does not take zone in America; it begins in Paris and the target is Amsterdam. Much can happen along such a route, and in this case, just about everything does.Will they create it there before the present has ended? Will their dreams of being successful come to pass? These are the driving questions of this movie. They seem rather uninteresting goals, don't they? Nevertheless, these characters will likely victory you over and have you rooting for them as they create their bumbling stab at entrepreneurship. Or, just as likely, you may search yourself enjoying each obstacle that steps in their way, as I did.Much is unexpected in this film and that's what makes it fun! Share this one with your mates and they will thank you.Note: this is a comedy, there's not much gore or road fights, shoot-outs or bombs taking out town blocks, so be forewarned, this film with not shake your subwoofer.Although not a spy movie, it somewhat reminds me of the original "Tall Blonde Boy with One Black Shoe": other unbelievable French comedy.


Whilst not Tati's greatest by any stretch of the imagination the genius of the boy still shines through. Having lived in France for a while I see more humour in this film, particularly in the comedic observation, than before. The French may be fanatical about cinema and may well have produced some of the world's best movie makers but out and out comedy probably ranks well down in terms of output. Maybe it's something to do with the French sense of humour (whatever that may be). Unlike British, and to a lesser extent US comedy, self-parody is not a French strength. It should be something to do with their history and education but the culture, so powerful in literature and the arts seems not to demean itself with pure laughter. Most cinema fanatics would probably be difficult place to list 10 French comedies - another than perhaps drama with the occasional comic undertones. Les Visiteurs (the original not the newest re-make) is probably one of the better examples but here again there's tiny or no self-mocking.So it was left to Tati to mine the seam - and how well he mined it. Here he takes the smallest of French (dare I tell Parisian) mannerisms and extends them into lengthy scenes of beautifully observed comedy. Whether it's the windscreen wipers in tune with the occupants or the nose-picking drivers, he asks the French to at least smile, if not laugh out loud, at themselves. Yes, the movie does transport at rather a slow pace and there are times when the comic observation sags, but the sight of dear old M Hulot in his mackintosh, loping along with pipe jutting from his mouth will ever remain one of cinema's delights.



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