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Description: A team of young military-school cadets are enjoying their first weekend in Paris. Frank Harrington, a girl-shy cadet, wins the lottery which "They" have organized, an Frank wins the right to woo the star of the Folies Bergere, Gaby Aimee, with her garter serving as proof of conquest. Meanwhile Frank has found the one girl-of-his-heart, Patty, and this serves to complicate matters.
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Description: Count Dracula, taking on the fresh identity of Vladimir, leaves Transylvania and goes to Brazil in find of his son Rafael. This vampire romance was conceived to be a potential telenovela, but only ended up running as a TV miniseries with four installments because the network that financed it went under.
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Description: Life is nice for marketing professional Allison, she’s well on her method to earning a stellar promo all while dating equally successful co-worker Bryce. Her largest rival for the position, Vanessa, has the boss’ eye, but Allison has a plan. To victory the promotion, she needs to impress her boss, Nathan, at their annual company retreat. Of course, she has a head begin since she used to be a camp counselor. The only caveat, this year’s trip happens to be the website of Allison’s first heartbreak: her old camp. And who could still be working there but the handsome as ever ex-boyfriend who broke that teenage heart, Cody. But was it all a misunderstanding? Allison’s tasked with navigating not only the obstacle course but her relationships…past and present.
Description: The action occurs in Abasto Store in Buenos Aires, Argentina. A grown up single girl marries a mafia boy who promised her he would change. After they've married, his past come to crash the wife's life.
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I just saw "ToY" Saturday, June 4 at FilmOut, the Queer movie festival in San Diego, and it was magnificent, wiping my cinematic palate clean from the aftertaste of the opening film the night before, "Kiss Me, Slay Me." The odd typography of the game was the deliberate choice of its director and co-writer, Patrick Chapman, who was an artist before he got into filmmaking and so far has made only two feature-length movies. In a question-and-answer session right after the showing that featured Chapman, co-writer Alissa Kokkins and one of the film's two female leads, Briana Evigan, Chapman told that the primary concept of the game was to tell it was a storyline about two folks who "toy" with every other. Maybe that was the original concept, but as he, his writers and his cast developed the project it became something much deeper and richer than that. The promotion line for the movie is, "Love does not heal the broken," and indeed that should serve as a summary of the movie since the central characters are two people, both deeply wounded by the stressors of life, who come together, briefly create every another more or less happy, but then are pulled apart by their own unhealable traumas. The movie starts with Chloe Davis (Briana Evigan), a 20-something artist from a well-to-do family; her mom died some time ago and her father Steven (Daniel Hugh Kelly) is fighting a losing war with her to receive her into rehab — did I mention she has a drug problem? She's a film artist, isn't she? — and to pressure her to sign away her rights to the cash from the family foundation set up in memory of her dead mother. When she isn't escaping rehab and snorting coke, Chloe is working on an elaborate project documenting the lives of girls who create their livings with their bodies — mostly prostitutes but also models as well (and one of the girls she hires as a model gets mad when she realizes Chloe doesn't think modeling and prostitution are all that different). Chloe photographs these folks both for still pictures and for video; the stills are often nude or semi-nude and almost clinical in their apparent detachment, but the films are filmed through smoky or scratched glass that blurs many of the details of the folks in them as Chloe asks them about their lives. Most of the prostitutes she interviews are women, but at least one is a male-presenting boy and one is obviously Transgender. The central intrigue of the movie starts when Chloe meets hard-edged forty-something Kat Fuller (Kerry Norton), who comes into the interview so hostile she won't even give Chloe her name ("Why do you wish to know?" she says), but eventually she opens up while keeping her difficult edge. Chloe and Kat drift into a physical relationship and seem on some lvl to be right for every another despite the fact that the principal thing they have in common is sheer neediness.ToY is a marvelous movie, powerfully directed and written, vividly acted by the principals as well as a fairly huge helping cast (many of whom we only see in the interview scenes Chloe shoots with them); Briana Evigan, who aside from her short hair bears a striking resemblance to Janis Joplin (and judging from her work here she would be an perfect choice to enjoy Janis if she either has a singing voice or they can search her a nice double), really inhabits the part of Chloe, and she and Kerry Norton enjoy brilliantly off every other: the airheaded artist whose well-off family has (mostly) purchased her method out of trouble, and the over-the-hill sex worker twice her age who's had to survive as honestly as possible in a difficult and mean world. I found myself wondering if there had been a real-life model to Chloe's hero — there was: the real-life 1970's photographer Francesca Woodman — and both Chapman and Evigan told they studied Woodman's life as a method of making Chloe a more realistic character. I also couldn't support but draw a parallel between ToY and the newest movie Room, which I had also just seen and found incredibly deep and moving (and, by coincidence, they're not only both stories about female survival under wonderful odds, both star actresses who go by the name "Brie"!). The stories aren't all that related but the intensity and compassion with which they are said are, and so is their common theme of how girls are exploited sexually by boys and the desperation, survival skills and self-hatred they develop to deal with the method they're used.
If you look up "temperamental artist" you will see that a picture of Chloe (Briana Evigan) has replaced my drama teacher. Chloe has substance and emotional problems in dealing with the suicide of her mother, although there is a deeper trouble hinted at and revealed an hour into the feature. Chloe has plenty of cash to pursue her career as a primarily black and white nude photographer. She has decided to create a idea movie (within this idea film) and interviews girls through different filters. She befriends Kat (Kerry Norton) a prostitute nearing the end of her career. Kat has pecuniary issues.I wasn't sure where the movie was going as I watched a ceaseless drama of two lives.The movie has ample sex and nudity without the feel of soft core. The movie makes you feel depressed and drained like Chloe in a bitter-sweet ending. Clearly an art film, not for everyone. Chloe' s idea movie is shown at the end, Guide: F-word, sex, FF sex. FF nudity.
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