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Description: Carol Morley returns to Manchester, where in the early 1980s, five years of her life were lost in an alcoholic blur. The Alcohol Years is a poetic retrieval of that time, in which rediscovered mates and acquaintances recount tales of her drunken and promiscuous behavior. In Morley’s find for her lost self, conflicting memories and viewpoints weave in and out, revealing a portrait of the city, its pop culture, and the folks who lived it.
Description: The movie centres around two aspiring young footballers who have bribed their method into a premier league football stadium to enjoy illicit underground football only to explore that they are trapped in a minigame of survival.
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Description: Three folks from three various worlds... Three Others who become the unwitting cause of every others suffering...Three ordinary lives so tormented that even death seems sweet... Can emotional pain be vanquished through physical pain?
Description: Vicente and Carmen, are spouses, he works in a factory, although he is a womanizer and irresponsible; she sells cosmetics or fayuca. Both dream of owning a home. Vincent did not wish to leave their neighborhood but after few discussions they decide to purchase a land...
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Description: Far East. 70th years. A tiny garrison on the border with China. Here, as everywhere, there are boys and women. Everyone has his own story, his own destiny, his own love. The common thing is that they all came here once on duty and stayed for a long time. Marina Goloshchekina is nice, kind, right. Galya The tourniquet is intelligent, passionate, determined. Albina Raven - extravagant, unpredictable, thin. Three friends, three sisters in happiness and misfortune, officers' wives. They support every another stand in this fully feminine world, where each boy has a gun! And this means that love and danger go hand in hand. Marina quite unexpectedly meets her real love of the young officer Ivan Stolbov. Learn about this fresh secret love girlfriend. On the one hand, you can rejoice over Marina. But how can she rejoice herself, if behind five years of marriage with a strong, strong-willed and very unpredictable Nikita Goloshchekin?
Description: Barcelona, 2002. A coffin is carried to the cemetery of Montjuïc in a chariot drawn by horses. The lifeless is Pep Grau, an old fisherman found drowned and topics to his boat by a complicated knot sailor. The Pep voiceover Grau, portrayed with affection and humor the curious characters he met in life, recounts the hard moments of his childhood during the Civil War, and finally, we are introduced to Lola, the girl of his life , which has a fish stall in the Boqueria Store pretty and, after the death of Pep, starts receiving anonymous gifts. Silvia, a teenage ambitious and attractive, is the attorney for the insurance company. Mario, her boss and lover, asked to investigate the strange circumstances surrounding the death of the fisherman. Silvia's inquiries aa let us to know another characters, like the maverick Dr. Cipriano Mera, Pep old comrade, and his son Gabino Mera.
Description: In 1810 in Buenos Aires, the revolution is at its height, fuelled by Rousseau's ideas. Meanwhile, thousands of miles away, in the south of the country, a rain of ash disrupts a French expedition and a young woman, Marie Archange is left behind. All alone, in her head she hears Rousseau's minuet in G Minor, which gives her the strength she needs to continue on her way.
Description: Around 200 years ago, a meteorite fell in a village in the Tohoku region. There was no instant hurt after the impact, but after some time, the villagers living in the vicinity experienced genetic mutations and a several gained "special powers". An ordinary office worker, Hiroyuki Sano, suddenly exhibits these powers one day
Description: Jo and Agatha are lovers. Both have careers: the Brasilian-born Agatha is an attorney; Jo is a filmmaker, working difficult to finished the shooting of a film called, "Catalina." Agatha may be seeing things: she's jealous, convinced Jo is having an affair with a boy and follows her. But is it Jo she's following, or someone who looks like her? Jo is either too exhausted to pay much attention to Agatha or she's cleverly hiding her affair. We see some of "Catalina," with overtones of melodrama, and sometimes, when Agatha watches the shooting or looks at rushes with Jo, Agatha sees Jo in scenes of sex or violence instead of the lead actress. Can the two of them sort this out?
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Description: Comedy about Frank, a hermit with Tourette Syndrome who is thrust into the harsh realities of the globe when his caregiver dies. After recognizing that Frank is despondent, the caregiver's teenage daughter, Laura, drags a reluctant Frank along on a life-changing street trip with Laura and her friends. - Garrett M. Brown, Rachel DiPillo, Mary Kate Wiles
Description: Drama - When Laxmi, headmistress of a tiny orphanage in Nepal, is visited by a rich socialite attempting to fix her photo through charitable acts, a chain of happenings is set in motion that affects everyone involved. Ajit, the western-savvy bush pilot, Colt, the American photojournalist and chaperone, and even Elizabeth, the spoiled British heiress, all explore their own reasons to ultimately change for the better. - Rachel Hurd-Wood, Gunner Wright, Suesha Rana
Description: Journey - A heartfelt storyline of an estranged brother and sister who gotta place aside their differences in order to solve an elaborate treasure hunt, left for them in the will of their eccentric father.
Description: A newlywed photographer is stalked by a dark boy in a brimmed hat who followers her from her nightmares. Sanity slipping, she meets a mysterious boy claiming to know the shocking secrets of the Hat Man.
Description: Dim Sum Take-Out shows how the heterogeneity and complexity of Asian American experiences can be erased. It was literally slash together from movie that was shot for Dim Sum, which was conceived as a movie about the methods in which five girls of the Chinese diaspora—three American-born, a naturalized citizen, and a newest immigrant—try to balance their private targets and the expectations of the Chinese American community in which they live. The original storyline line was thought to be too complicated and ambitious, and, ultimately, significant portions of Dim Sum were rewritten and reshot to focus on Geraldine, a second-generation Chinese American woman, and her relationship with her immigrant mother. However, footage that had already been shot for the movie was edited together to make Dim Sum Take-Out, an eleven-minute movie made up of narrative segments intercut with melody video style segments, set to English- and Chinese-language versions of the song "My Boyfriend's Back."
Description: From birth to death each topics remains intact. Three ages, three women. Daughter, mother, grandmother. Every of them before and after still and always. And the boys too, those they meet those they love.
Description: Following the death of her husband, Katherine travels to Brussels, where a several loose ends become a entire web of secrets as she untangles her late spouse’s mysterious last days alive.
Description: Academy Award® nominee Ralph Fiennes (The English Patient, Schindler’s List, Oedipus at the National Theatre) plays Jack Tanner in this exhilarating reinvention of Shaw’s witty, provocative classic. Jack Tanner, celebrated radical thinker and rich bachelor, seems an unlikely choice as guardian to the alluring heiress, Ann. But she takes it in her assured stride and, despite the love of a poet, she decides to marry and tame this dazzling revolutionary. Tanner, appalled by the whiff of domesticity, is tipped off by his chauffeur and flees to Spain, where he is captured by bandits and meets The Devil. An extraordinary dream-debate, heaven vs hell, ensues. Following in hot pursuit, Ann is there when Tanner awakes, as fierce in her certainty as he is in his. A romantic comedy, an epic fairytale, a fiery philosophical debate, Boy and Superman asks fundamental questions about how we live.
Description: Young Anita's life consists of working as a servant to a wealthy family, leaving her tiny time for anything else. Her servitude (which some would call slavery) provides an insight into a frighteningly common experience for kids in Haiti.
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This film is about many things teen angst, race relations, and poverty. But what it's *really* about is teased hair, massive eyeliner and miniskirts. And the game song, of course. Who should ever forget the gushing sentimentality of Lulu warbling about crayons and perfume? It is a charmer of a film with life breathed into it by a new cast of young Brits. Released at a time when the globe was captivated by all things British, it was relatively daring at the time it was made. A low-budget movie that raked it in at the box office, Poitier, as in *Lilies of the Field*, wisely agreed a weak salary in exchange for a share of the profits. But the largest profit of all is his portrayal of the East End school teacher, Tag Thackery, who quickly learns that his students need a various type of education than that of a textbook. It has been, unfairly or not, relentlessly compared to *The Blackboard Jungle*, and it is a blood-relation to *Up the Down Staircase* and *Dangerous Minds*. But none of them have the sweetness of Judy Geeson, as Thackery's irrepressible student Pamela Dare. At the end of the movie, when Thackery and Dare dance together, racial, social and philosophical barriers are smashed, and hope springs eternal.
Recorded on a budget of just $640,000, To Sir, With Love was drafted, as with Lilies of the Field, to give Sidney a share of the gross profits to acc for his diminished fee. Writer-director Clavell also received the same arrangement, a writer who was selected for his love of the source material. The rights to the source, an identically-named novel by E. R. Braithwaite, had passed from studio to studio, and been offered to numerous stars before finally getting the green light when in the hands of Columbia President Mike Frankovich.Poitier noted in his autobiography the similarities in terms of racial problems between America and England. Filmed in London, the picture featured a number of minorities, many of whom, he observed, would be unable to search work outside of the confines of the movie. However, for his time spent with the cast, he was delighted with their company. Sidney played Tag Thackeray, one of his most popular characters, an engineer taking a teaching post as a stopgap between jobs. Eventually the relationship he develops with the students causes him to question his loyalty to the profession.To Sir, With Love is often frowned upon nowadays due to its sentimentality. While not wholly condemned as a film, it is certainly regarded as the terrible relation of Poitier's three 1967 works. This is an unfair assessment of a film that commits the only crime of having its heart on its sleeve. And, though the late sixties would see an increase in the political situation, To Sir, With Love was the only one of the three Poitier cars that year that did not rely upon his colour for its subtext. Instead, a several bigoted remarks were inserted, largely from a fellow teacher (Geoffrey Bayldon as Mr. Weston) than the pupils. Compared to his another overshadowing works that year, direction paled, too, the camera-work at times almost static. However, the scope for Poitier as an actor was broader than in the another '67 roles, and certainly broader than in the 1996 TV sequel. Where there the plot would be propelled largely by one pupil, here multiple characters would be guided through numerous cases over an whole term period. Over the course of the lengthy movie the viewer can feel as though they have experienced the timescale too. And who would argue that the sheer amount of silly moves Sidney and Judy Geeson perform in the final ball didn't directly influence Travolta and Uma Thurman in Pulp Fiction?
The school film vs which all another school films are measured. Sidney Poitier was on a roll in 1966-67(A PATCH OF BLUE, GUESS WHO'S COMING TO DINNER, IN THE HEAT OF THE NIGHT)and TO SIR, WITH LOVE crowned that succession of nice films. Poitier's Thackery is meticulous and elegant, something of a revelation to the unwashed juvenile deliquents and teen sluts who populate his class. Yet this unemployed engineer has his work slash out for him, as his motley team will test just about anything(including burning tampons in the classroom stove!)to run him off. Instead of exploding like the children wish, Thackery takes a various tack; treating them like adults and talking about things they have questions about. The ploy works, and along the method Thackery learns to deal with indifferent fellow teachers, racism, lovestruck female students, and a difficult decision that will determine his future . . . A nice inspirational movie, TO SIR, WITH LOVE also boasts British songstress Lulu in her first movie role, as well as prominent soundtrack artist(The Mindbenders are the others). The process by which Thackery molds these wild, rebellious teens into mature and thoughtful adults--and the teens' resulting respect for Thackery, quite possibly the first respect they've ever felt for an adult--is touching. Definitely a classic movie worth seeing.
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