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Description: Ikal and Arai victory a scholarship to study at the Sorbonne, Paris. Their comeback in Europe are welcomed by cold weather. They are not acceptable in a temporary shelter, for being late and do not say beforehand. Ikal’s body freezes. Arai tries to rescue him by burrying Ikal’s body with a pile of topsoil. Through the day in Sorbone they sit next to Manooj, Gonjales, and Ninochka. They are members of the Four Pathetic, the most backward group. They work difficult to receive more money: serving in cafes to singing on the streets. So they can send cash to their parents in Belitung. Ikal’s father write to them and hope that his son can be a fertilizer expert or pharmacists. Ikal and Arai already has other dream.
Description: Milan, like Paris or Stuttgart, and like many another European cities, is the theater of the drama of immigration. Demba reconstructs his storyline and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that starts with Yaro’s murder and recounts their departure from the village, comeback in Europe, the work they search selling lighters and picking tomatoes in the south of Italy: the stages each “non-EEC citizen” goes through in Italy.
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Description: Fragments of a Saturday winter day. The Vittenzein brothers are alone at their family house. Mateo stops by to pick up Bruno and Camilo and drive them to the country house where their mother awaits. A sudden break slam brings them into the intimacy of a waste land.
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Description: Akari, a twenty two-year-old girl whose mother has died because of overworking, leaves her factory hometown in her mother’s truck to meet her father, who has abandoned the family. Kota, the seventeen-year-old son of Akari’s father’s fresh family, is weary of his position as the oldest son in a large family and tired of his down-at-heel father. When Kota runs away from home, he encounters Akari in front of his house. Akari senses Kota’s serious mood, and suddenly decides to follow him and to drive him around in the truck. A faltering awkward adventure of a half-blood sister and brother begins.
Description: After the death of their father, 18-year-old Helene Raupe (“coccoon”) and her younger sister Asta come under the guardianship of the youth welfare office in East Berlin. Helene fails miserably as a fishmonger, fashion assistant and bus conductor, all jobs ordained for her by the authorities. The young girl really only “emerges” in her fantasies, where she can escape from her dull, normal life.
Description: Returning home to working class Warwick, Rhode Island, Peter Latang encounters childhood mate Donald Treebeck for what begins as a easy favor and turns into a long van ride into two mates past.
Description: After a three-year stint in prison, an unreasonably optimistic middle-aged boy returns to his stagnant neighborhood to victory back his girlfriend only to search that she and his family have done what they everytime wanted to do — forget he exists.
Description: Three undocumented teenagers, a Dominican girl, an African man and a Peruvian girl, are about to graduate high school in the Bronx, while working with a teacher and a lawyer to test to receive their papers to stay in the USA. Forced to grow up prematurely and navigate issues most adults don't even have to face, they're really just American teenagers who wish to be with their friends, fall in love, and push back vs authority.
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Description: Self-made chemist Sean, a recluse living in an old trailer in the woods, suffers from pill-popping delusions of fortune. When his manic attempts at cracking the ancient secret of alchemy go awry he unleashes something far more sinister and dangerous.
Description: When 11-year-old Gitty discovers that her father, Abe, a nice and beloved farmer, is holding a wealthy boy hostage in their abandoned silo in order to save their suffering farm, she befriends the captive in secret. As the truth unfolds about who he is and what will happen if he escapes, Gitty chooses to confront the thin line between reality and fiction.
Description: When hot shot, Wall Road dealmaker Jai thinks of putting some pleasure into his 48 hour business trip to Mumbai, Sahil, his young, music-producer friend, drops everything, including his reckless boyfriend Alex, to support him execute the excellent getaway. Hiking the hills and canyons of Maharashtra, amidst half-attempted conversations and sudden silences, business calls and old jokes, the mates explore there is more than just time-zones keeping them apart. Things take other turn when Alex shows up with a fresh male-companion at his side, throwing up old conflicts and bringing unanswered questions to the fore.
Description: Starting her senior year in high school, Sara doesn't have many mates and is caught between an overbearing mother, and a more understanding father. With uneasiness at school and tension in the household, Sara escapes to smoke in a tiny alley alone – that is – until Andrea, a fresh classmate, arrives. A close friendship develops to all that can see, but behind closed doors, an intimate relationship unfolds, which, when discovered, throws everything into disarray.
Description: Blaming herself for a tragic accident, Raven Michaels secludes herself at a remote family cabin. She wanders the woods on the verge of a breakdown, seeking peace in isolation. In a last ditch attempt to save her family, Kate Royce takes her two teenagers camping far from the distractions of technology and young romance. When Raven and Kate's worlds collide they offer every another unexpected occasions for intimacy and healing.
Description: A cheerful yet serious Indonesian Romeo and Juliet. A man and a woman from the same district, but with hard childhoods and another reasons not to acknowledge their love. Through the colorful and musical retro style - the 1970s came late to Indonesia - shines a chaotic political and social era.
Description: Jim Young of Youngstown, Pennsylvania, reads of the German fight atrocities and decides to enlist in the British army, thus becoming a forerunner of the American forces that are subsequently to leave for the battlefields of Europe. He starts active training at a camp outside London. While enjoying a several hours of leave, he meets Susie Broadplains , a young girl from Australia. She is flattered by his attentions and their friendship later blossoms into love. However German plotters plan to destroy an arsenal at night and Sir Roger is inveigled into driving an automobile along a London street with its lights turned skyward to tutorial the Zeppelins. Jim, wounded and home on furlough, detects Sir Roger on the lonely road, follows and traps him in his cottage. Sir Roger turns his pistol on himself rather than be taken alive. Susie finds the "great love" in service for the cause of democracy and her country, with a greater love in sight.
Description: Leo Peret has a tiny quiet tobacco store in Greenwich Village. Edward Livingston, a wealthy young clubman and man-about-town, comes in frequently ostensibly to purchase cigarettes but in reality to talk to the daughter Jeannette, and he is later in love with the tiny store girl. Leo is homesick for his native France, but lacks the funds to create the passage. Edward, learning of their plight, sends $1,000 with a note telling that the cash is payment for a nice deed. Leo accepts the cash and he and Jeannette embark at once.
Description: In the riverside neighbourhood of Oporto, all the kids prove their courage by jumping from the stunning bridge Luis I into the Duero river. Leo has never done it before. He is various but he is getting tired of everyone thinking he is a coward.
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It is real to tell that Smiley is no Bourne nor Bond but Tinker Tailor Soldier Spy is a beautifully played and observed spy film. Could you expect vehicle chases, spills, thrills, gadgets galore and closely-choreographed war scenes then you WILL be disappointed. Set in smoke-filled, sepia-tinged 1970s, the movie centres around the uncovering of a mole 'right at the top of the circus'. The 'circus' is the British Intelligence Services and is made up of a who's who of British acting talent - Firth, Hinds, Cumberbatch, Hardy, Powerful and Hurt. For the most part, the action takes zone in the brown-suited and wall-papered globe of England but we are given brief glimpses of the spy zone in Budapest, Paris and Istanbul. Smiley, played inscrutably by Oldman, is tasked with uncovering the mole and is ably assisted by Guillam, the ever-watchable Cumberbatch. Admittedly this is a slow-burn of a film, full of meaningful looks, pregnant pauses and one that tips at deeper and more complex plot strands but it has an authentic air and it is a fascinating to observe a build-up of tension and cold-war paranoia which culminates in a dramatic if subdued fashion. Being slightly too young to have watched the original Alec Guiness TV series, I cannot create any direct comparisons and I imagine that a TV series allows much more time for plot and hero development. The movie gotta be judged on its own merits, and whilst I am sure that this will not be to many mainstream movie-goers' tastes, it is one for those who are looking for a movie of a various type, time and pace.
There is a certain snobbery with movies that require more than a tiny amount of attention – an opinion that if you even ask about a tiny feature that you missed that you could then go watch Transformers and leave true movies to the grownups. It is unpleasant superiority and it is mostly undeserved because to be honest this is a difficult movie to follow and it does demand attention. Those wishing to insult me via personal message can do so, but I did struggle few times to understand how things fitted together and what relevance certain scenes had. This didn't limit my enjoyment of the movie though and mostly I still followed the broad stroke of the plot, even if some bits of it did lose me.I've not read the tome of a ebook or seen the BBC mini-series, so I can't comment how well it compresses down to this two-hour film, but for me it did at times seem to be cramming a lot into a tiny time and occasionally it felt like it was unnecessarily convoluted or confusing. If you stay with it as greatest you can, it is intriguing and rather dramatic considering that much of the movie is folks talking to one other as opposed to chases and gun fights. The success of this is mostly down to the atmosphere and tone created by director Alfredson, because there is a constant tension to the movie – cold perhaps, but very tense at times, certainly not bored even if it can look that method from a distance.This is not what he does greatest though, because to there was an aspect to the movie that was perfect and this was the feeling of outdatedness, of an unnecessary function and a pointless "war". This feeling is in the characters, in the set-decoration and in each shot. The boys we follow had the height of their import many years ago – actually it appears they are mainly fighting their equal numbers on the another side simply because they exist. I really liked this overarching sense of smallness that sat across the movie and I enjoyed finding it being employed in even the smallest feature – in the attitude of a minor hero through to the cheap "do not unplug" text scrawled on the wall (those that work in older offices will know this feeling). Alfredson is bang on the cash with this feeling, it is part of the storyline and it is brilliantly delivered throughout.Speaking of brilliant delivery, the cast is deep in British talent and unsurprisingly they deliver. Oldman may not have won the Oscar but he is nice here – working with restraint and doing so much. He does so much with minor reactions and movements and he is a nice character. He is the lead here but alongside him is a cast that is difficult not to just list – Cumberbach, Hurt, Jones, Firth, Burke, Graham, Hardy and so on; British all perhaps but it tells a lot that almost all of the helping users here will be recognised internationally. Everyone gives powerful performances and everyone seems to understand what Alfredson is doing.Overall, this is a nice movie albeit one that is not as simple to follow as those impatient snobs would have you believe. It is OK to struggle with some aspects and it is still simple to play the film. The plot engaged me but what stayed with me more than anything else was how it all seemed so unimportant, how those involved were all working to ignore the irrelevance of their work and how very tired this globe seemed – this aspect was very well done and made the movie as much as Oldman's powerful central performance.
Forty-six year old Swedish director Tomas Alfredson came to prominence three years ago when he directed the movie adaptation of John Ajvide Lindqvist's novel 'Let The Right One In'. After the initial success of the vampiric romantic drama, Alfredson became attached to an international adaptation of John le Carre's espionage-novel 'Tinker, Tailor, Soldier, Spy'. Based on aspects of le Carre's (also known as David Cornwell) experiences during his time as a member of the British Intelligence service sectors MI5 and MI6 during the 1950s and 1960s, Alfredson creates a fine, absorbing picture which engrosses from beginning to end.Control (John Hurt), the leader of an unknown sector of the British Intelligence service, is ousted along with his long-standing companion George Smiley (Gary Oldman) due to a botched operation in Budapest, Hungary which saw the officer Jim Prideaux (Mark Strong) murdered in public. Control was under the impression that there was a mole among the top ranking members of the service, referred to as the Circus by the another top ranking members due to its zone in Cambridge Circus, London, and Smiley is drawn out of retirement to pinpoint the culprit after Control passes away. Alongside the young Intelligence officer Peter Guillam (Benedict Cumberbatch), Smiley has four basic candidates to focus his investigation upon; they are the last remaining members of the Circus, Bill Haydon (Colin Firth), Percy Alleline (Toby Jones), Roy Bland (Ciaran Hinds) and Toby Esterhase (David Dencik).Utilizing an all-star, established cast, Alfredson allows the movie to unfold at an almost flawless pace. Each sequence includes a tiny snippet of notification which allows the viewer to conduct their own investigation alongside that of Smiley's. While the narrative is also driven along by powerful performances from the primarily male cast, Gary Oldman, Colin Firth, Toby Jones, Ciaran Hinds, David Dencik, Stephen Graham and Kathy Burke all give strong, commanding performances. While the real artists of the piece are Benedict Cumberbatch, who plays the young, and somewhat naive clever officer assigned to support Smiley. John Harm as the aging, instinct-driven leader of the British service, and Tom Hardy, who is Ricki Tarr the dirty cleaner for British intelligence's most fowl operations. Their performances go above and beyond in their helping roles, and at times eclipse Gary Oldman's subdued portrayal of a boy drawn back into the murky globe of corruption, betrayal and treasure.Alongside the narrative and its cast, one of the more surprising aspects of the film, is Alfredson, Cinematographer Hoyte van Hoytema and Editor Dino Jonsater's test of stylistic nuances that further enhance the viewing experience. Lingering close-up shots of seemingly insignificant objects and shallow focus shots constantly evoke the nature of mystery and intrigue which surrounds such clandestine organisations. Alfredson never rushes any moment, instead he allows for the audience to become accustomed to their surroundings and appreciate their beauty. Wide angle shots and long lenses are used for interior and exterior locations, showcasing the breakdowns of their interiors, while close-up shots are used to examine objects and characters in their most frail states. During the opening sequence involving Prideaux's botched secret mission, a easy concoction of jump cuts and lingering static shots concentrating upon different characters within the vicinity creates a sense of the tension, suspense and vulnerability of the case and this is how Alfredson constantly keeps the audience engrossed. By providing those observing the action on screen with just enough notification that they themselves become entwined within Smiley's investigation as he moves forward.Once the credits and a dedication to the movies screenwriter Bridget O'Connor who passed away last year finish, the viewer is left with an overriding sense of satisfaction. Smiley's globe is a far cry away from the glitz and glamour that the espionage category has become accustomed to. There are no martinis in sight, but only reel upon reel of bureaucratic wrangling, childish bickering and greed-induced deal-making, where it seems everybody is working for themselves and their reputation rather than the nation's government that is employing them. Since its premiere at the 68th Venice International Movie Festival 'Tinker, Tailor, Soldier, Spy' has been touted as an Oscar contender and it is simple to understand why, Tomas Alfredson has taken a solid source novel, utilized an established cast and infused the final concoction with elements from his own visual repertoire to make a wonderfully crafted movie that does the original BBC televised series justice.
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