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Description: Cathy and Frank partner with a pretty insurance investigator to recover a stolen masterpiece. Frank is smitten with her, even though it becomes more apparent she may be the mastermind behind the theft. Stars Lea Thompson, Joe Penny and Billy Moses.
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Description: Philo Vance, the infuriatingly brilliant amateur detective created by S. S. Van Dine, hadn't been seen on screen for seven years when PRC decided to open a fresh "Philo Vance" series in 1947. William Wright plays the game role in the first entry, Philo Vance Returns, while Alan Curtis would take over the role for the remaining two films. This time around, Vance investigates the murder of a much-married playboy. With so many of the victim's former wives and sweethearts still around and about, Vance has quite a selection of suspects to select from.
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Description: A young boy is accused of rape and murder and placed on trial. His father doesn't trust that he is guilty, so in act of desperation he grabs the bailiff's guns and takes the entire jury hostage and insists that the prosecuting attorney re-investigates the crime that his son's accused of.
Description: Samuel, father of two young women who he loves deeply, is an official of a public transportation agency. Taking advantage of his influences to receive illegal money, he allows some wrecked minibuses operated by minors to circulate without even caring. Much worse, Samuel is indifferent to the many accidents where innocent folks receive hurt. However, life will give him a nice lesson.
Description: Jose Manuel Gomez Perales, "El Jaro", lives alone in Madrid, with no another company than his band and his "girlfriends." One day he meets Mercedes, a prostitute of Mexican origin. Mercedes falls for him and offers him her home to take him apart from his life of crime.
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Description: Ivón, a chorus girl, and Hugo, a failed writer, turn up at a provincial hotel on a stormy night. They have come from Madrid with Carlos, Hugo’s son, born nineteen years earlier after a casual affair. They decide to lean over the cliffs to look at the mad waves down below – and Carlos falls to his death.
Description: In Sao Paulo , young Sergio works in a bank in which her rich uncle is the president. Using his name to borrow money, Sergio takes a wasteful life frequenting nightclubs and dating the sophisticated starlet 's revues Margo. His uncle refuses to pay the loans and Sergio finds himself in difficulties that lead down a dark path.
Description: A stalker tackles three girls in London. First 23-year old likable schoolteacher Zoe Haratounian, who beats off a thief and gets declared a local heroine by the press, gets scary anonymous letters, but because she runs off from the police station when the desk officer cheerfully calls her 'our poster girl' to a colleague when recognizing her on a press cutting, it takes days before the police can even send over PC Andrew Stadden, a detective in training. She breaks up with her 'not sensitively supportive' hunky boyfriend, gardener Fred, who even gets investigated as a suspect and only has his soccer friends Maurice 'Moz' 'Hack' ...
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I type of like gritty films about the drug underworld. This one was just OK. All the elements were there but the film didn't really do much for me.My main trouble is I didn't like any of the characters. Even the protagonist. They all made such dumb decisions. And even the scenes of the protagonist's home life which felt like they were supposed to earn her sympathy ended up just being sad.Not a terrible film by any means. But certainty not a nice one. I suspect younger audience might like this more than those over 30. For me the film was difficult to connect with. In a month or so I'll probably forget this film fully and that is it's worst sin- being unmemorable.
There are few things that "Thumper" does remarkably well, and that's telling a lot—in the past decade or so, movies (and, indeed, tv shows) on drugs, drug use, and the fight on drugs, have steadily become more staple, enough to establish their own set of tropes and pitfalls. But "Thumper" does enough to both validate and subvert expectations, by allowing organic hero beats to drive the plot, and intimate human relationships to steer us into unfamiliar territory.The film's leads—Pablo Schreiber as menacing meth cook Wyatt, Eliza Taylor as shrewd undercover cop Kat—hurl themselves (occasionally, quite literally) into their complex roles with ferocious commitment. From the opening scene, Schreiber brings a furious volcanic intensity into the frame, threatening to burst in a wave of fire and ash. Taylor adeptly matches his performance with what she's given, brazenly going toe-to-toe with him—a notable feat, considering he turrets an whole foot over her—and talking back when others fall silent.But it is Daniel Webber's vulnerable, downplayed Beaver—his arc mirrors Kat's in a number of ways, one of the reasons they are drawn to one another—whose agency and actions becomes crucial. And it is Beaver's relationship with Wyatt—in all its sad shades of fear, respect, anger, humiliation, and the need for validation—that changes everyone's lives, for better or worse.Other gritty performances contain Grant Harvey as Wyatt's cousin, Troy, who brings to mind a mild, not-so-far-gone Sick Boy, Jazzy De Lisser's hard-boiled addict Gina, and Lena Headey's overbearing, sneering Ellen. It goes without telling that "Thumper" owes much of its praise to its cast—although there is noticeable unevenness with the writing, particularly for the female roles.Despite that unevenness, by the conclusion of the film, we are left with Kat, forced by her ordeal to take a difficult look at who she is, and how what she has done has changed her. For a movie that initially gives the impression of a creeping cynicism bordering on overwhelming pessimism, Kat's recognition of the drug fight for the vicious, violent cycle it is, and her firm decision to break away from it, speaks volumes. Taylor's remarkable performance confirms her ability to bring to life characters with evolving moralities—I hope she continues to discover similarly challenging roles in another independent efforts, which may wisely recognize, and create the most of, her talent.The film's dedication to naturalism makes apparent director-writer Jordan Ross's roots in documentary filmmaking, with the whole movie shot with a hand-held camera, setting the film's uncompromising tone. Effective movies often affect emotionally and physically, and "Thumper" is one such film, evoking an undeniably visceral reaction, even on my second (and frankly, far more critical) viewing. It doesn't matter if you suspect, through the film's occasional familiar beats, or muted foreshadowing—or certainly know, as I did that second time—what comes next; how the movie takes you there will leave you momentarily breathless, at times, shaken, and by the end, entirely struck.
I started watching this with tiny expectation as the plot has all been done before, however as later as you receive a tour through the seedy meth lab in the LA zone that feels light years from Disneyland it felt very real. It wasn't until I read about the cast afterwards on IMDB that it all made sense? they are not just from the U.S but from Canada, Australia, Wales, Bermuda - that is what makes this film separate itself from the rest as they are unknowingly bringing another dimensions to a movie that has been done many times before. This film is worth visiting, not just to see life on the another side of the tracks but to admire the nice acting that this group deliver.
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