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Description: A retired police detective dedicates his life to preventing deaths at Japan’s suicide cliffs, providing emergency assistance and counseling even as tourists flock to the site, attracted by its notoriety as a famous suicide destination.
Description: Ache- B is a consecrated artist, gives his perspective on migration and art and how these two have influenced his life and have allowed him to leave a tag for each corner of Latin America he has visited. Through his paintings and his passion for her, he manages to rescue the various cultures he met in his travels in Latin America, acquiring a connection with the folks and the place.
Description: It's 2002. Israel has intensified its military operations in the West Bank and Gaza Strip as a effect of the fresh Intifada. Citizens from few countries traveled to Palestine to witness the situation. This is what they saw...
Description: Tool One KILAUEA: MOUNTAIN OF FIRE Ecosystems on Large Island Face No Tiny Challenge Kilauea, violent and beautiful, destructive and creative, continually molds Hawaii's Large Island. Kilauea: Mountain of Fire explores the wonderful power of the volcano and the challenges of like in its shadow. Academy-winner F.Murry Abraham narrates. TV-G Tool Two VIOLENT HAWAII From Rivers of Lava Springs Bedrock of Life Imagine a lost word with lava flowing down mountainsides, violent storms, creature waves, rock sides and even massive snows. This isn't science fiction. It's Hawaii-where spectacular beauty was forged by fire, and created by Turbulent natural forces. Tony Award-winner James Naughton narrates this riveting HD visual journey. TV-G
Description: In Thorold, Ontario in the summer of 1996, a film legend was made when a real-life tornado hit a drive-in theatre during a screening of Twister. But how much truth really lies inside this tale of life (or weather) imitating art?
Description: Stay inside all the time? Never take your shoes off? Feel fatigued? You should have Natural Deficit Disorder. Learn how the world can support neutralize the disease-causing radicals in the body, by doing something as easy as swimming or walking barefoot.
Description: Hotel-Dieu Hospital in Montreal, one of the oldest in North America. In the emergency ward, patients await their diagnosis, foreshadowed by the most private questions from doctors. Others don't have the luxury of worrying about such things. They suffer in pain, war to live or simply wish it all to end, despairing at the body's inability to do what it's supposed to. We cannot face disease, much less face those who suffer from it. But what's left of the human once laid out on the operating table, dreading terrible news or anticipating the end? Something moving, feeling, loving. The heart that beats.
Description: Temporary landscape; visual and sonic messages; blended; the city. Part of the "New Spaces" project, the movie is an exploration of the landscapes and sounds of Hong Kong, seeking its identity between the old China and the new.
Description: Jago says the storyline of an 80 year old sea nomad named Rohani who has spent his life plying the waters of South East Asia’s Coral Triangle. The storyline is said entirely from Rohani’s perspective, vs the spectacular backdrop of the Togian Islands, and recreates happenings that capture the turning points in his life, as a hunter and as a man. We were able to bring Rohani’s past experiences to life by working closely with his family and mates in the village where he grew up. These are the folks you see representing Rohani in the movie at different stages in his life. Storyline saying is a large part of Bajau culture, and a method of preserving traditions through generations, so everyone was very enthusiastic about what we were trying to do and brought lots of concepts of their own, especially Rohani. Although he had never had a camera pointed at him, it certainly wasn’t the first time he’d sat around saying stories. We were just lucky that he allow us capture it on film.
Description: Resorting to the photos that create up three quarters of the last century, Jean-Louis Comolli chose movies that crossed his path fifty years ago, discovering his own history of cinema, and particularly the documentary cinema. Visual score orchestrated by a voice off (his) which lists subject that are necessary to him - the zone of the viewer, the fiction in the documentary, the impact of technical progress on the artistic field ... -, the movie weaves unpredictable wires between the excerpts .
Description: Life Under the Horseshoe is a fun, entertaining and historical look at Spring City, Utah's only live FM scene radio show. The movie teaches us a tiny about history while taking us back to the golden age of radio. The documentary interviews Tag and Vicki Allen, the present hosts while learning more about their interesting, but opposite family history. The movie also highlights the historical Win Hall, a one-hundred-year-old restored vaudeville theater on Main Street, and "Spit & Whittle" Avenue, where Charlie (1885-1936), son of Simon Beck, had a bench the girls of the city named the "Bummer's Bench." The boys claimed it was where necessary community happenings were discussed and decisions made. Simon's son Charlie, paralyzed at an early age, presided at the bench providing tip and wisdom to all comers.
Description: Your Job In Germany is a short movie made for the United States Fight Department in 1945 just before Win in Europe Day (VE). It was shown to US troops about to go on occupation duty in Germany. The movie was made by the military movie unit commanded by Frank Capra and was written by Theodor Geisel, better known by his pen name Dr. Seuss.
Description: “It’s not my memory of it” is a documentary about secrecy, memory, and documents. A former CIA source recounts his disappearance through shredded classified documents that were painstakingly reassembled by radical fundamentalist students in Iran in 1979 following the takeover of the U.S embassy. A CIA film—recorded in 1974 but unacknowledged until 1992—documents the burial at sea of six Soviet sailors, in a ceremony which collapses Cold Fight antagonisms in a moment of death and honor. A single photograph pertaining to a publicly acknowledged but top secret U.S. missile strike in Yemen in 2002 is the source of a reflection on the role of photos in the dynamic of knowing and not knowing.
Description: “The Glass System, made from photos shot in Fresh York and Calcutta, looks at life as it is played out in the streets. Each corner turned reveals activities both easy and unfamiliar: a knife sharpener on a bicycle; a small tightrope walker; a boy selling watches in front of a department shop on Fifth Avenue; a hauntingly slow portrait of the darting eyes of schoolgirls on their method home; the uncompleted activities of a young contortionist. The sound in the movie (which is from a Bengali primer written by British missionaries) is a meditation on how the English language teaches concepts about culture which are often incongruous. The disjunction between what you hear and what you see evokes reflections about the impact of globalization and the hegemony of Western-style capitalism.” - ML
Description: This was made back when Episode III had just come out in theaters. ; The infamous “nooo” moment was so terrible, we couldn’t support but create an almost 20 minute documentary about it.
Description: Two children from one of the toughest ghettos in Puerto Rico were filmed during 5 years fighting their method out of poverty and violence using their hands in the boxing ring.
Description: A portrait of North Kolkata (Calcutta), this movie searches the roads for the ebb and flow of humanity and reflects the changing landscape of a town at once medieval and modern. -Mark Toscano
Description: The comings and goings of the late underground filmmaker, Curt McDowell—and the folks and activities that came and went along with him—are the themes that run through this existential diary of everyday life. McDowell was dying from AIDS-related illnesses during the production of the diary. “An elegy for McDowell, the videowork captures Kuchar’s mournful remembrances of his long-lasting friendship with the young filmmaker. But it also has the inquisitive charm, perverse humor, and quirky candor that territories Kuchar’s visual expressions in a gritty niche all their own.” —Steve Seid, George Kuchar in Person (Berkeley: Pacific Movie Archives, 1988)
Description: Ju/'hoan girls often share an intimate sociability and spend many hours together discussing their lives, enjoying every other's company and children. In this short film, Ju/'hoan girls rest, talk and nurse their babies while lying in the shade of a baobab tree. This movie is a nice illustration of "collective mothering" in which few girls help every another and share the nurturing role.
Description: This movie depicts a moment of flirtation between N!ai, the young wife of /Gunda, and her great-uncle /Ti!kay. The two share a "joking relationship," a Ju/'hoan kin relationship which provides occasions for casual intimacy, emotional release, and support.
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The Warriors: Battleground (2005) *** 1/2 (out of 4)This here is an exceptionally entertaining look at the making of Walter Hill's THE WARRIORS, which clocks in at a total of 62-minutes and is broken into four various parts: The Beginning, Battleground, The Method Home and The Phenomenon. THE BEGINNING talks about, as you'd guess, the begin of the production as the concept for the film took off after one of the producers came across the book. From here we receive into the territories being picked as well as the cast coming on board. BATTLEGROUND takes a closer look at the filming of the film and we receive a lot more technical background including the cinematography. THE WAY HOME takes a look at the costumes, the sets and different plot features about the gang trying to create it back home. Finally, THE PHENOMENON goes over the end of filming, the editing and the effects at the box office.If you're a fanatic of THE WARRIORS then you're going to really play this documentary, which covers each aspect of the production and has interviews with most of the main cast members, the producers, editors and of course Hill himself. There are a lot of nice stories said about the production of the film and we also receive to see an alternate opening sequence. The cast members say some very nice stories about their memories of the movie as well as their thoughts on the fact that the movie has still got a large following.
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