See The War You Don't See on youtube.
See The War You Don't See (201 on youtube.
See Documentary - The War You Don& on youtube.
See John Pilger's The War You on youtube.
See The Listening Post - 'The on youtube.
See The War You Don't See (201 on youtube.
See John pilger documentaries on youtube.
See Война, которую вы не видите T on youtube.
See The War You Don't See, a f on youtube.
See The War You Don't See (201 on youtube.
Description: David Vandenbrink seems like a healthy 21-year-old, bright and articulate young man. There is tiny to recommend that while in his mother's womb, he suffered permanent brain damage. His condition, fetal alcohol syndrome (F.A.S.), went undiagnosed for the first 18 years of his life, causing confusion, anger, and pain for both David and his non-Indigenous adoptive family. Fetal alcohol syndrome is a term used to describe a set of symptoms seen in some kids born to girls who drank alcohol during pregnancy. The hurt can be subtle or severe, resulting in a wide range of symptoms in the territories of slowed growth, disfigurement, and hurt to the brain. Associated behavioural issues contain impulsiveness, terrible judgment, and an inability to grasp the consequences of actions. This private story, using video footage shot by David himself, along with the experiences of members of his family, is a difficult look into the serious consequences of a little-known, but widespread, health problem.
Description: Flume first made headlines in 2012 with his self-titled debut album, a glitchy mix of R&B and ambient-leaning electronica that formed his signature sound. His remixes of hits by Lorde and Disclosure made him a global superstar. Here, the Australian DJ/producer lets fanatics in on the agonizing process of writing his second LP, 2016's Skin, a star-studded, mold-breaking album that won a GRAMMY® Award.
Description: Ian Hislop’s entertaining and provocative look at Victorian attitudes to the terrible sheds a sharp light on today: controversial benefits cuts, anxieties about scroungers, sensational newspaper reports, arguments about who does and doesn’t deserve welfare
Description: In 2004, Nathan McLay quit his day job to begin Future Classic, a Sydney record label he hoped would place Australia's burgeoning dance melody stage on the globe map. It quickly became an incubator of local talent and launched the careers of genre-bending artists like Nickname Murphy (formerly known as Chet Faker), Flight Facilities and Flume. This documentary traces the label's growth from a tiny DIY collective to an unstoppable force in contemporary music.
Description: Documentary about western famous melody concerts as bearer tendencies of democracy and freedom in the Czechoslovak zone in period 1965 - 1990. Special and comprehensive view of the cultural and political significance visits of western famous and alternative culture personalities who were brought democratic concept to the former socialist Czechoslovakia.
Description: The Cold Fight and Civil Rights collide in this remarkable storyline of music, diplomacy and race. Beginning in 1955, when America asked its best jazz artists to travel the globe as cultural ambassadors, Louis Armstrong, Dizzy Gillespie, Duke Ellington and their mixed-race band members, faced a painful dilemma: how should they represent a country that still practiced Jim Crow segregation?
Description: When we lived in the house it was surrounded by forest, with a long unpaved driveway leading through the woods to the school bus stop. Growing up, my sisters and I heard voices, saw lights and dreamed of another beings. My mother and I shared a recurring dream of strangers on the driveway, where stonewalls marked the old main street through town. Our dreams and our memories converged into one experience, the experience of living in a haunted house. After the sale of the property in 2001, my recurring dreams returned and the question emerged - were we the ones actually haunting the house? When I ask my father about the past, he answers with the Theory of Relativity, the Laws of Thermodynamics, and the speed of light. He dreams of being on a distant star, with a telescope strong enough to present him how things used to be. Just as we perceive the moon, as it was 1.2 seconds ago and the sun, as it existed 8 mins ago, nice distances let us an occasion to look back in time.
Description: The mysterious appearance of heavy golden bracelets in int'l antiquarian circles uncovers an inside storyline of the looting of a 2000 yr-old Transylvanian golden-hoard. Police investigations...
Description: Where do flying saucers originate? Do they carry aliens from another worlds? Or is the truth now a lot stranger. During Globe Fight II the Nazi's employed scientists to re-imagine the boundaries of scientific thought and practise. Many in the field of advanced weapon design - the programme that produced the V1 and V2 rockets that rained on Britain. But did this same unit produce rudimentary flying saucers? Declassified military documents feature the numerous reports by allied pilots of 'foo fighters', unusual craft with wonderful acceleration engaging them in the skies above Germany. In addition there was the Nazi 'Der Glocke' or 'The Bell' project for a vertical take-off vehicle, which resembles eyewitness reports of a UFO ruin in Pennsylvania after the war. Thousands of Nazi scientists were brought to the US at the end of the war. Are these men, and the projects they continued to work on in America, responsible to tiny green men, 400 UFO sightings a month and even the ...
Description: Hillbrow, a Johannesburg district bristling with buildings, on whose concrete reverberates the incessant maelstrom of road sounds. This overpopulated suburb, where life is cheap, is the playground of Tebogo and Karabo. Aged around fifteen, not very interested in school, in conflict with their mothers who are raising them alone and leave them a tiny to themselves, the two mates spend the summer relieving their boredom as greatest as they can. When they are not mixing with the groups of their elders, dancing in underground vehicle parks or drifting through the urban hell, they seem to watch over the town by seeking refuge on the roof of their block.
Description: Where does one draw the line between 'art' and 'theft'? Art and artist? A criminal and aesthetic investigation into the creation of incognito artist Pavel Novak, virtuosi counterfeiter wanted by the FBI for his 1978 "Stolen Art" exhibition in Fresh York, which caused international stupefaction… some pieces proved to be stolen originals. Simon Backès takes us on a trek across Fresh York, introducing us to professionals who unveil and question our relation to art- a matter of cultural legacy, but also, quite simply, merchandise. Does beauty exist without copyright?
Description: A documentary fairy-tale about the struggle for identity in the Hunza Valley set in a village located in the Northern-Pakistan somewhere between the past and the future. A superb turquoise lake in between rough, steep cliff surrounds the tiny village. But the lake hasn’t been everytime there. One day, an enormous landslide blocked a river. In a several months, this river turned into a large lake, which is actually up to 30km long. Thousands of homes and fields were flooded. Whole villages disappeared forever. Thousands of folks got dislocated and had to look for various territories where to live. What is left are the stories of those that once used to live there which are passed on from generation to generation.
Description: Instantly after a Palestinian boy signs an online petition, he is thrown into a panic-inducing spiral of self-doubt. Over the course of a conversation with an understanding friend, he analyzes, deconstructs and interprets the meaning of his choice to publicly help the cultural boycott of Israel.
Description: In Egypt, 1888 Flinders Petrie finally broke in to the burial chamber of Lord Amenemhat III one of the wealthiest monarchs from the middle kingdom. After a year of digging, he finally peered into the resting zone of the old king, only to search that the zone had been stripped of everything. Four experts have been brought together to reopen the situation to solve the mystery.
Description: BIPOLARIZED is about one man's private adventure to heal. Diagnosed with bipolar disorder, Ross' psychiatrist said him he would live with the disorder for the rest of his life and that he would have to take lithium to control symptoms. To Ross, taking the drug everyday felt like a chemical lobotomy, leaving him in a foggy, drug-induced haze. Ross ultimately decided to resolve his symptoms outside of conventional medicine. He progressively reduced his test of the psychotropic drug lithium, at an experimental clinic in Costa Rica. What ensued was a self-exploration into alternative treatments to treat his condition and a adventure delving into the root cause of his mental breakdown. The movie uses Ross' private experiences to say a larger storyline about medication. It will reveal how we are labelling more and more folks with mental illnesses and how, in tandem, we are prescribing more and more toxic psychotropic drugs to treat these illnesses.
Description: Exploration of the internet and our actual era through YouTube videos. Dominic Gagnon reconstructs the south as seen through vlogs, found footage, video games, raging storms and burning palm trees.
Description: Seventy-year-old Horacio is a nice conversationalist with a prodigious memory. He lives poorly selling pigs with the only company of thirty dogs, two cats and a sheep in the heart of the Argentinian humid pampa. This year, his only neighbour and mate Hugo has made up his mind to transport to the town as later as the autumn arrives, after spending his entire life in the countryside. Horacio is deeply affected, and more sensitive than ever about his own solitude. That summer, memories from the past will come after him while he tries to persuade Hugo to stay.
Description: 'The Real History of Marijuana' digs deep to expose a world-wide conspiracy, led by the petrolchemical industry, that has outlawed one of the most helpful plants known to mankind. Cannabis has been used for thousands of years, in almost each culture, in methods you may never have imagined. This shocking documentary will change the method you think about marijuana forever
Movies Like Der Hauptmann 1971
Movies Like El aviso 2018
Movies Like Der Gürtel des Namajo 1969
Movies Like Fast ein Poet 1968
Movies Like Namoro A Distancia 2018
Movies Like LIGHTNING 1980
Movies Like Postlagernd Opernball 1967
Movies Like Optinen ääni 2005
Movies Like Damo & Ivor: The Movie 2018
Movies Like The World of Peter Sellers 2009
Movies Like Projektion X 2005
Movies Like Lady Be Careful 1936
Movies Like The Real Apes of the Planet 2014
Movies Like Asian Girls 2018
This is, I agree, compulsory viewing. This is the first documentary about the corruption of fight by propaganda which serves to progress the argument beyond the usual hysteria. Pilger has, with this film, moved away from the slew of similar-themed documentaries which add tiny to the debate but more circular arguments. Instead, Pilger goes straight for admissions of guilt. He manages to receive some truly frank disclosures of global conspiracy and madness from the most relevant folks he should realistically receive access to, and for this he deserves the praise.It can be argued, and it will be no doubt, that there is very tiny material to act as a counterweight to his position in the film. But after you finish watching it, you will hopefully realise what a stupid criticism it is to create in the first place, considering what this documentary is designed to rally against.I won't receive into the moral position it presents, as that's up to you in the end, but I'd be difficult pushed to search anybody not moved, repulsed or outraged by this film, or all of those things simultaneously. Just watch it. Do it now.
The Fight you Don't see is a British documentary produced and directed by Australian journalist John Pilger that focus on the dangers of embedded journalism in fight times. If journalists do not do their job, we are misinformed and more easy manipulated, we don't see the suffering of innocent civilians and, therefore, we don't oppose the involvement of our governments and Units in those conflicts. The documentary presents many situations in History to proof the point, specially focusing on the Iraq Fight but showing examples that go from the help of Cigarettes in the media in the 1920s, to the Vietnam Fight to the Israel-Palestinian conflict, to Wikileaks. It is not as much a critic to those who begin and carry out unjust wars, but a warning call to the Journalists, who could be doing their job properly, asking the right questions, investigating things when needed, so we know the truth and act upon it. I loved the documentary. I thought that the Libyan fight is showing more of the same, other oil fight masqueraded as a gratis the folks war. Pilger makes the right questions, upfront, and does not let his interviewees to bullshit the public. Pilger is not complacent with his colleagues, not even with the massive weights of journalism. He does what he asks them to do, and that makes the documentary honest, thrilling, entertaining and informative. However, to be honest, we knew already much of what it is told in it. In fact, there were thousands of folks demonstrating vs the Iraq Fight in Australia (and the USA, UK, and the rest of the Western World) calling the arms of mass destruction "arms of mass distraction" despite those embedded journalists believing USA-UK's lies and contributing to their spread. Folks are sometimes wiser that one should think. The trouble is that, once the fight starts, and civilians are slaughtered each day, we need to know what we are fighting for. Pilger shows us the nitty-gritty of it, the details, the Monica Lewinski's sort of proof. On the another hand, we do not wish to see deceased chopped bodies in our news bulletins in certain countries (I'm just remembering the airbrushing of one of the iconic photos of the Madrid Bombings showing severed limbs in most Australian media). I thought that not only the media is guilty of that, but we are guilty too, for not wanting to know the true human drama behind any war, especially if the deceased are not ours.Too many folks swallow the news (TV or newspapers) as if they were God's Gospel, without thinking that perhaps the channel they are watching is owned by a filthy rich disgusting guy who is not interested in the truth, but in controlling its spread, so his corporation or businesses do better. Lies create them richer. We have to be honest with ourselves. Lies in the news are easy spread because the lvl of education of the population is not high enough (in fact, cash is more valued than education nowadays), and because independent thinking is not promoted in school, University, or anywhere. Quite the contrary. Everybody wants to be in tune with the social network in vogue. Everybody wants to belong to a flock. So, the trouble is not just the sort of journalism we have nowadays, or that the news lie to us regularly, but also the sort of viewers we have nowadays - Viewers who don't question what they hear or see on the news when fight is on, or when there isn't even a war. I missed a tip of this mission in the documentary, which I consider very important. That would have been moving a step forward from the usual blaming of the Empire, as if our society wasn't to blame for letting others think for us, or swallow crap without any sort of resistance.Said this, the documentary was great, as it proves that we are certainly being lied each day, intentionally or by default, in fight times or not. We are said that we are fighting for the freedom of the people, but that is never the case.A wish. I would like Pilger to focus on the crap of ours, the Australian one, and examine closely which sort of news are shown in our TV stations each day, or which sort of crappy newspapers we have in Australia regarding local issues. Why is so? Who are the responsible? What are the lies? Who are the liars?Compulsory watching!
Although the U.$. is currently bogged down in half a dozen fights across the globe, Der Homelanders are being spared the bloody details: news coverage since 9/11 has amounted to nothing less than a self-imposed blackout. If not for folks like Pilger and Palast and Amy Goodman (of DEMOCRACY NOW!), we'd STILL be in the dark. Just a week or so after the suicide of Aaron Swartz, we learn that Truthteller Julian Assange is having health problems- related, perhaps, to his confinement (were he to be extradited to the U.$., he would be **** out of luck, indeed: he actually has what's euphemistically named "a pre-existing condition" and would no doubt be denied medical treatment here). Swartz was facing a possible 35 years in prison for treason, and opted out. His situation bears examination because, even as I write this, legislation is being introduced to create any journalist who makes public any notification that a terrorist might read guilty of Espionage. Assange, whose Wikileaks made public the COLLATERAL MURDER video, is THE prime example of a journalist being hounded by an irate government. While several news outlets mention the record number of suicides of veterans or the record number of rapes of female troops in the field, journalists who expose such notification to the globe are being hunted. And tv has become a software of SUPPRESSION. "TV," as Harlan Ellison points out in THE GLASS TEAT, "... is a more effective riot control weapon than tanks or mace or troops." What's wrong with this picture...?
New York, NY 10013
Similar Film Search Engine
+44 20 7336 8898
Mon - Sun 09:30 am - 05:30 pm