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The Redemption of Vincent Young 2017
Description: After the sudden death of his twin brother, aging slacker Vincent Young returns to his hometown to look over his nephew, Greg and sister-in-law, Cate. But suburban life proves to be too much for the puerile player as he struggles to keep a job and pursue his dreams of creating a virtual reality console while fighting for the affection of his fresh family when Cate's revered co-worker moves in. After a string of disastrous confrontations and on the verge of a mental breakdown, Vincent befriends a mysterious homeless boy and re-unites with his greatest mate in a frantic attempt to connect with his nephew and prove himself as a worthy successor to his late sibling in this outrageous comedy.
Released: 08 May 2017 Director: Michael Fredianelli Writers: Michael Fredianelli Actors: Michael Fredianelli, Matt Monaco, Juliana Folk, Sarah Jean Allen Genres: Comedy
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The Redemption of Vincent Young Reviews:

A lot of folks criticize Adam Sandler films for having $80 million dollar budgets with no discernible clues onscreen as to where that cash went. Here we don't receive to indulge in that past-time with a related movie done with at least four less zero's in the budget. Writer / Director Fredianelli himself plays multiple characters in the film, a brave choice for sure as well as putting much of the opening flashback act in the hands of kid actors and setting it in the 1980's. For the most part, I didn't notice any anachronisms and appreciate that the production designer took such nice lengths to track down so many working old school nintendo games.Much like Adam Sandler's PIXELS, the actually grown-up lost souls of the video minigame generation will have a lot in common with the directionless character of the film. In a related stage to the opening of the 1982 "Marco Polo" TV movie, video minigame addict Vincent's dying mother asks him to go take care of something, in this situation to reconcile with the widow and kid of his deceased twin brother. Twisted motives, romance, and male bonding ensues, most of which involves the testing of old school video minigames in some way.After an O.K. start, the subsequent raunchy humor and awkwardness didn't receive a lot of laughs out of me. Fredianelli somehow manages to hold Vincent fairly likable despite having no redeeming qualities. At one mission Vincent becomes a homeless vagrant mentored by a veteran transient played by small-time actor James Allen Brewer.An aside note here: while a lot of the actors here place in some nice work, James Allen Brewer fully OWNS this movie. His performance as a washed up alcoholic bum finished with slurred speech and soiled clothing might be one of the most spot-on characterizations of our time! The movie is worth watching simply for him, in certainly a large step up and turnaround from his workmanlike present as a "tough guy gangster" in the only another movie I'd seen him in previously, AMERICAN MOONSHINE. Brewer also puts in nice work in other movie made the same year BLOOD RELATIVE in which he goes back to testing a gangster character, but his performance here is truly a sight to behold. It's a shame that he isn't in the movie more.Much of the movie revolves around a very awkward dinner stage with a reasonable amount a tension. I kept anticipating things to receive a lot more wild and crazy than they ended up going, leaving me a bit cold and underwhelmed by this viewing experience. THE REDEMPTION OF VINCENT YOUNG is a mixed bag for sure but includes some of the most surprisingly nice acting you'll search in such a weak budget movie.


Despite a powerful start, VINCENT YOUNG is largely a misfire for Wild Dogs Productions. The film shares many of the same traits we've seen in previous dark comedies from director Fredianelli, but instead of scoring again with a related formula and characters, the effects are mostly sterile. The film doesn't manage to go anywhere particularly interesting by film's end and doesn't have enough stand out scenes to justify its brand of what amounts to mostly nihilism for nihilism's sake. Sure there's humor, but most of the film's comedic beats are inane and focus on bodily functions.Let's talk about what the film does receive right though. The aforementioned opening act is a lot of fun. It's a prologue set in 1989 with all the fun art direction touches you'd expect to see for the time period. We receive some fun insights into the lead hero and his twin brother's childhood. The film then jumps forward to the show with a blitzkrieg montage featuring the twins. Some great production values are shown off including a Hawaii zone and a hilarious shot involving multiple hookers and mountains of cocaine. The film utilizes a fun video minigame motif that starts in the flashback and carries over to the rest of the movie. The retro 8-bit melody and games add some great flavor along with some intelligent parallel editing that uses the minigame enjoy on screen to illustrate a key mission in the plot. There's also a nod to YouTube's The Mad Video Minigame Nerd soon in the film with Fredianelli providing his own AVGN inspired shtick that surpasses even the Nerd's own review of TEENAGE MUTANT NINJA TURTLES for the Nintendo Entertainment System. While this is all well and good, it's unfortunate so much of the film hinges on including so much unlicensed intellectual property. While the movie does have another issues similar to watchability, it's a shame it set itself up to probably end up reaching no further than becoming a YouTube upload itself because of this.Another powerful mission worth mentioning about the film is its cast. Everyone performs at the top of their minigame with Fredianelli (his funniest moment involving him clad as Santa Claus with minigame controller in hand and pillow-enhanced belly obscuring half of his face) proving capable once again of making the viewer feel sympathetic to an otherwise unsympathetic main character. The helping users also stand out particularly well and are headlined with a group of actresses that are as charismatic as they are cute (despite being largely the butt of the movie's bodily waste based humor). Though granted tiny screen time, an almost unrecognizable James Allen Brewer manages to outshine everyone as a grubby, homeless boy with booze induced slurred speech.As it stands, VINCENT YOUNG has some nice ingredients, but never makes much of an impression as a cohesive narrative film. With what it does have going for it, it's too terrible the sum of the movie's parts couldn't yield a more satisfying and funny movie.


Not to start with a dramatic over-statement, but why not? The "Redemption of Vincent Young" is director Michael Fredianelli's greatest work since "The Scarlet Worm."Namely, because there is a magnificent cast. They listen, they achieve a warped chemistry, they make magic. This opposed to sermonizing embellished dialogue while trapped in master shots with no escape, Also, despite a nihilistic plot screaming for the Fredianelli signature massacre and suicide resolution, there is a balance of drama and poignancy--even if the latter gets very wet.Most striking, aside from some unforgivable insect murders, there is rampant, orgiastic and liberating vulgarity involving sex, flatulence and doo-doos. Some of these moments sincere homages to Depth Charge, others elegiac and reflective of the depths of the human condition. No irony here. They carry their own symbolism, be it empathy toward victims of Turret's, or the eternal frustration of sex roles. Maybe too challenging a film for viewers uncomfortable with the suffering of 37 year old dysfunctional outcasts. But Fredianelli, himself, anchors the film and puts to rest any notion he can't carry a comedy. The performance is bulgy with animation, yet gut- wrenching due to Fredianelli's many tics and outbursts. All truthful. Precision counts when portraying mental anxiety--whether it be punching pillows or surrendering to the company of hobos called Terry (an exceptional performance by James Allen Brewer). Equally impressive is Matt Monaco as a wise-cracking misanthrope who endures humiliation as a Chuck E. Cheese employee.Lots of effective, improved production qualities to enjoy, with powerful sound and montages, including some Hawaii decadence and unexplained drug and sex abuse. Movie's most penetrating question: are there really millions of borderline mentally retarded, upper middle-class Americans addicted to TV and video games? And if so, are they worth saving? Depth Charge rewards with 5 out of 5 potato sacks! Bravo!



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