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Description: Examining high-profile situations which remain unsolved, resulting in agony for families of the victims and frustration for the police. The first episode focuses on the situation of Lee Boxell, a 15-year-old who disappeared in South London in 1988, never to be seen again. Lee's parents have lived without answers for more than 30 years, and long to know what happened to their teenage son.
Description: Elizabeth Vargas takes a new look at the most notorious cold situation murder in American history. By tracking down fresh leads and with fresh DNA tests, this episode takes a deeper dive in hopes of bringing peace to the Ramsey family. Featuring an exclusive interview with John Ramsey, as well as many never-before-seen photos, the documentary also pursues numerous "intruder theories" of the crime. Vargas and retired FBI agent Robert Clark investigate the chance that the assassin may have ties to a group that believed in extra-terrestrial life and the end of the world.
Description: N.E.P. or The Stones God Threw on the Barricades was made as an independent project by TV Bordoshbagn for A1 Independent Tv in Skopje. The movie is of an undefined category and speaks about the Third Globe lies, which renowned 'well-intentioned' missionaries, founders of certain foundations and institutes, have promoted in the countries of the former socialist regime, especially in Eastern Europe. This project is an outsider's look at the paradox about the secret beauty of power and the submission to that power. N.E.P. is a video reflection on the aesthetics of the transformation of power, looked at from the mission of view of the ordinary boy in the so-called transitional countries who, after five years of living in 'freedom' still can't understand why the most democratic system of them all – parliamentary democracy – is better than the one before.
Description: A look behind the scenes at the 1994 recording sessions for the acclaimed album of Julie Andrews singing the nice songs of Richard Rodgers. Musical highlights in the movie include: "This Can't Be Love," "I Want I Were in Love Again," "The Sound of Music," "I Have Dreamed," and "A 'Waltz' Carousel."
Description: A brand fresh retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with cinematographer Dean Cundey, production designer/editor Tommy Lee Wallace, photographer Kim Gottleib-Walker, make-up results artist Steve Johnson, Carpenter biographer John Muir, melody historian Daniel Schweiger, visual results historian Justin Humphreys and assistant Larry Franco
Description: A brand fresh retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with writer Nickname Castle, cinematographer Dean Cundey, composer Alan Howarth, production designer Joe Alves, unique visual results artist/model maker Gene Rizzardi, production assistant David De Coteau, photographer Kim Gottleib-Walker, Carpenter biographer John Muir, visual results historian Justin Humphreys, and melody historian Daniel Schweiger.
Description: A brand fresh retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with Associate producer Sandy King, cinematographer Gary Kibbe, actor Peter Jason, actor Robert Grasmere, composer Alan Howarth, stunt coordinator/Ghoul Jeff Imada, creator Jonathan Letham, melody historian Daniel Schweiger, Blumhouse editor Rebekah McKendry, and visual results historian Justin Humphreys.
Description: A brand fresh retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with Cinematographer Gary Kibbe, actor Peter Jason, actor Alice Cooper, composer Alan Howarth, script supervisor Sandy King, visual results supervisor Robert Grasmere, stunt coordinator Jeff Imada, Carpenter biographer John Muir, movie historian C. Courtney Joyner, melody historian Daniel Schweiger and Producer Larry Carpenters.
Description: Cast and team offer up a great overview piece, discussing the picture's authenticity, true life in the time of Boyz n the Hood, the parallels between Singleton's true life and his film, the process of making the film, the casting process, the quality of the script, the film's reception, its Oscar nominations, and its legacy.
Description: Building Brick is the Behind the Scenes documentary for the movie Brick (2006). Brick was written and directed by Rian Johnson in San Clemente, CA in 2003. The movie stars Joseph Gordon-Levitt, Nora Zehetner, Lucas Haas, Noah Segan Building Brick was filmed and edited by L Jean Schwartz (Disclaimer: I shot most of this footage when I was 17 with my family camcorder, edited it when I was 19, and this is not a very high res version, but it has only been accessible on the German DVD so I wanted a method that my mates should see it) Also, I am endlessly immensely grateful to Rian Johnson for giving me the occasion to be part of Brick.
Description: A unbelievable retrospective supplement that details much of the basic cast cast as well as Writer/Director John Singleton looking back at the picture's history and legacy. They speak on the themes of the film, the casting process, its importance then and now, its reception upon release, the project's novelty, its placing in the National Movie Registry, and more. There's no shortage of nice insight here and the piece does a fine job of encapsulating what Boyz n the Hood is all about.
Description: Portland, 1988. Filmmaker Gus Van Sant shoots Drugstore Cowboy, the project that will bring he and his collaborators a formidable explode of mainstream attention. Starring Matt Dillon, Kelly Lynch, and Heather Graham, the movie follows a roving quartet of drug addicts — and, consequently, drug thieves, especially from the businesses of the game — who wash up in Portland's then-gritty Pearl District. A death among their own spooks the leader of the package into trying to clean up, and an encounter with a sepulchral junkie priest does its part to convince him further. Or maybe we could call him a Junkie priest, portrayed as he is by a controversial cameo from writer William S. Burroughs. "I'm going back to the old days," Burroughs tells of his role early in the above documentary on the making of Drugstore Cowboy. "The old days when they used to give folks morphine in jail. The old days before the methadone programs."
Description: This fascinating making-of documentary investigates the controversy and political atmosphere surrounding the production of Salt of the Earth, movingly chronicling the filmmakers' defiance of the blacklist. (BAM)
Description: Behind the scenes documentary of Gus Van Sant's "Paranoid Park." Felix Andrew: director, cinematographer, editor. Dane La Chiusa: games and original drawings. Joel Shelton, composer. Extra music: "Songs" by Ethan Rose, "Sangue de Bairro" by Chico Science e Nacao Zumbi. Made in 2006. Length: 27 mins
Description: ‘Still Ill: 25 Years of the Beastie Boys’ Ill Communication’ details Michael “Mike D” Diamond and Adam “Ad-Rock” Horovitz diving deep into the making of the band’s epic 1994 album – and, arguably, one of their high points as artists and generational touchstones.
Description: A adventure into art, madness and the unconscious. An exploration of visionary artists and the constructive impulse, from the Flemish Masters of the Renaissance to the avant-garde movement of Surrealism and the unsung geniuses of Art Brut and Outsider Art.
Description: Sculpting Memory territories Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual transport that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images.
Description: Pulitzer Prize -- winning journalist John Hersey caused a sensation when he published "Hiroshima", the first acc for American readers of the horror experienced by victims of the 1945 Hiroshima atomic bomb attack. "Hiroshima" stunned readers with its descriptions of the poor aftermath of the bombing, yet Hersey never spoke about his experience in Hiroshima.
Description: Explore why J.R.R. Tolkien's King of the Rings has become an icon of the 20th century culture. This film details stunning fresh 3D computerized animations of Middle-Earth, a host of illustrations by the Brothers Hildebrandt, rare archive footage of the creator himself and in-depth analysis by leading Tolkien scholars from around the world.
Description: Greatest known as the powerhouse of the legendary Hart Foundation, Jim "The Anvil" Neidhart dominated the tournament throughout the 80s and 90s along with his brother-in-law, Bret "Hit Man" Hart. From his early days in Calgary's Stampede Wrestling, to capturing the Globe Mark Squad Championship at SummerSlam 1990, "The Anvil's" larger-than-life persona and infectious energy entertained the masses. Relive many of Neidhart’s most memorable moments with this WWE Network Collection.
Description: Chronicles the 2005 tour and production for the Rhapsody of Fire albums "Symphony of Enchanted Lands, II" and "Triumph or Agony". Contains recordings from the band's first tour through US and Canada as well as their performance at the Eartshaker Fest 2005.
Description: An interesting featurette which has some nice behind the scenes footage, including early zone scouting, table reads and interactions with the often near out of control kids.
Description: The Life & Times of Bobby Keys ... decades-long Sax user with The Rolling Stones, greatest mate to Keith Richards, and session user with John Lennon, Eric Clapton, Delaney & Bonnie, George Harrison, Dr. John, Joe Cocker, Harry Nilsson, Ian McLagan, Keith Moon, Etta James, Ronnie Wood, Sheryl Crow, Ringo Starr, Joe Ely, Warren Zevon, Billy Preston, Donovan, Marvin Gaye, Lynyrd Skynyrd, Carly Simon, Barbra Streisand, John Hiatt, Yoko Ono and B.B. King.
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The Rape of Europa is a slick, well shot, well directed, interesting, highly informative and still entertaining documentary from the directorial triumvirate of Bonni Cohen, Nicole Newnham and Richard Berge. The documentary uses the ebook by Lynn H. Nicholas of the same name as a type of runway for its exploration of the Nazi's systematic plundering of Europe's art. The movie incorporates interviews, voice over narration. vintage footage images and documents that all work cooperatively in making this documentary work in each respect. The movie takes its viewers on an in depth adventure of the topics through seven European countries, most notably France, Italy, Poland and Germany.The movie sheds light on Hitler's own private art career, from his rejection of Vienna's art Academy to his plans to amass the world's biggest art collection in his ideal city. Interesting and relatively unknown facts are uncovered that relate Hitler's art career to his actions as dictator. Hitler's antisemitism, as one interview topics suggests, was likely fueled by his rejection from Vienna's art Academy as the academy's panel was largely Jewish. Hitler also created a "hit-list" of popular works he wanted for his collection, most of which directly correspond to his invasion of different European countries. Art collecting was a highly necessary pastime among Nazi officials for a tons of reasons, as discussed largely with Herman Goering and Hitler himself who had amassed enormous, unparalleled private collections, largely through theft.Another highly interesting portion of the movie shows the perilous and miraculous adventure many of these works underwent. As a Nazi invasion loomed, hundreds of people, in France's globe popular Louvre for example, gathered and worked tirelessly, packing the priceless art and transferring it to castles throughout the French countryside. The daughter of the boy entrusted with the Mona Lisa is interviewed in the film.The movie examines the seventy-year plus struggle to restore and reclaim these stolen masterpieces, many of which remain unaccounted for. The allied position of fighting while simultaneously trying to maintain the hostage art is also discussed in detail, as well as the Allied efforts to return the art after it was repossessed. The movie is a must-see for art or WWII historians as well as those simply interested.
I have just returned from this movie and am other pleased customer. It everytime feels a bit strange going to the cinema to see a documentary, but docs everytime turn out to be so much better and more fulfilling than the blockbusters. A true whirlwind of emotions, the Rape of Europa is something in which everyone living in the western globe has a stake. The destructive force of fight on human beings and those things which are crucial to our humanity, our art, is place into a perspective that is about as balanced as we can hope to get. Many positive things I would tell have already been said, so I will offer one criticism: the town of Dresden, once named the "Florence on the Elbe," was not mentioned in the film. As perhaps the worst bombed town of the war, and a town which had no military value whatsoever but was of incalculable worth culturally, I felt this was a major omission. Of course, the movie covered an nice amount of ground, and the Dresden bombing remains a touchy topics for many, so I can comprehend the constraints of time and the need to avoid charged tangents. However, as someone who has lived in that town (many parts of which remained ruins until only recently), I still would have liked to have heard it mentioned. That said, the movie was unbelievable on a whole. If only everything they showed in the cinemas were half as good.
Greetings again from the darkness. Watching the 2014 release of The Monuments Boys inspired me to re-watch this fascinating documentary on the same subject. Thanks to the interviews of true life Monuments Boys like Harry Ettlinger, Kenneth Lindsay, Charles Parkhurst and Bernard Taper, we better understand the overwhelming point these people were on, and how even today, some wars wage on over the rightful owners of artwork.To drive home the mission that there is more at stake than just pride, the situation of Klimt's "Portrait of Adele Bloch-Bauer I" is studied. Adele's niece continued her litigation vs Austria until a court finally awarded her the painting (and 3 others). She sold "Adele" for $135 million to a collector. So clearly the cause is not just for mother country. Economics enjoy a large role. Regardless, the more interesting portion of the storyline is the relentless pursuit of stolen artwork, artifacts, furniture and collectibles, and the attempts to return them to the rightful owners. That, combined with the devastating architecture destruction brought on by WWII, really create it a bittersweet story.The breathtaking photographs and archival movie footage deliever a clear understanding of the breadth of destruction. Seeing the before and after of the Monte Cassino monastery is just crushing. Gaining perspective on the damaged frescoes, some dating to 1360, when Pisa's Camposanto was bombed drives home the significance of culture and history. Seeing the aftermath of the bombing of Florence's iconic bridges brings tears to the eyes. The most impressive piece is that so much of Europe has been rebuilt in the past 7 decades. Maybe that goes to respond the question of whether a human life is worth protecting art. Folks survive and search a method ... even if Rafael's "Portrait of a Young Man" is still missing.This is based on the ebook by the Lynn Nicholas, and the movie does a terrific job of presenting how the fight impacted Russia, Germany, Italy, France, Austria and Poland. It's also tough to reconcile, as one of the Monuments Boys attempts, the concept that the Nazis were so attentive with the stolen artwork while simultaneously exterminating so many Jewish people. Maybe things would have been various if a young Adolph Hitler had been agreed to art school.
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