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The Principles of Lust 2003
Description: Crippled by his writer's block, Paul enters into a new, exciting relationship with risk-taking Billy and super-sexy Juliette. As it becomes increasingly tangled, however, he gotta select one of them over the other.
Released: 12 Mar 2004 Director: Penny Woolcock Writers: Penny Woolcock Actors: Alec Newman, Sienna Guillory, Marc Warren, Lara Clifton Genres: Drama
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The Principles of Lust Reviews:

At last, a British film with a degree of ambition, even if the ambition remains unfulfilled by the film's fade-out. Basically, this is the old tale of the blocked male protagonist becoming enervated by an encounter with his dark side before ultimately realising the error of his methods (see also FIGHT CLUB). As a meditation on machismo and the male psyche, this certainly passes muster, with the dark side manifestation Billy (a truly scary and, hopefully, career-defining performance by Marc Warren) proving that the devil really does have all the greatest tunes (literally, as the soundtrack really rocks when the characters receive down to their darker doings). However, the invention and insight runs out around the halfway tag leaving us with some sub-Georges Bataille musings and a conventional wrap-up which seriously detract from an interesting set-up which promises much but delivers merely a light cuff when a sucker punch is needed. Still, it's dark, challenging and occasionally disturbing work (the corruption of innocence theme is particularly well handled, as is the direction of all the kid actors), and the explicit sexual feature will almost certainly effect in a truncated or unrated ver being released Stateside. On the basis of this, director Penny Woolcock and saturnine star Marc Warren look to be emergent talents well worth watching. Recommended, albeit with reservations.


I watched this movie primarily as a fanatic of Sienna Guillory. To be honest, she was the only thing worth hanging around for, the movie became so boring at stages I felt myself drifting off to sleep. It feels incredibly long, especially once you reach the end of the film and realise not a entire lot has now happened. It doesn't feel original (the same concepts have been dealt with in countless better films), the acting was hardly top notch, and the characters were thoroughly unlikeable and unoriginal. Unless you're really into these types of films, or you have a *really* powerful fascination with one of the actors involved, I wouldn't suggest it. You're not missing much.


I found the philosophy of what this movie was after very persuasive. Looking at the schism that forms in any artist serious about their work, and the agony of the private choices that come out of sacrificing for one's work. The movie looks at how artists create this choice. The characters are well defined and the acting is compelling. I felt the tension of the central character's choices palpably. The motivations behind the actions of every hero were well exposed and added depth to what, in less able hands, would have resulted in inexplicable behavior. This central theme of choice, the choice of what kind of life we pursue and the conflicts that emerge between desire for journey and comfort are beautifully drawn in this film.



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