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Description: Clotilde and Aude are 18. They have everytime been greatest friends, growing up together in the same tiny village in the South of France. Despite their differences, they have a powerful and exclusive friendship. With their contrasts they attract every other, and they seem to be enough for one another. But Clotilde, looking for something else, decides to leave to study in Paris the following year, after the baccalaureate. She takes Aude along with her in this departure far from their roots. Refusing to admit that their paths are separating tiny by little, Clotilde and Aude persuade themselves that their friendship can survive anything.
Description: Melody, 28 years old, a confused kid born under the name X, decides to rent out her body in order to receive the cash she needs to realize her dream: opening a hair-dressing salon. To do so, she accepts to carry the kid of Emily, a rich English girl 48 years old who can no longer have children. To create sure everything goes well and hold an eye on her future child, Emily decides to welcome Music into her home and stay by her side throughout the pregnancy. Although they first appear to come from fully various worlds, the two girls end up adopting every other: Music finds in Emily the mother she never had, and Emily sees in Music the daughter she everytime wanted to have. Evidently, the bonds that emerge during this double maternity make all sorts of doubts and questions.
Description: This incredibly disturbing storyline follows the exploitation of an apprentice butcher, Hermógenes, and his trial after he murders his boss in broad daylight. Hermógenes, a farmhand from northern Argentina, relocates to Buenos Aires in find of a better life for himself and his young wife, but later finds himself at the mercy of a corrupt boss. The movie is based on a thorough investigation of a true happening that happened in Buenos Aires 10 years ago. Almost each stage in the movie is inspired by true facts or based on well documented everyday practices of the “meat business” and its environment. Both a shocking exposé of unscrupulous practices in the meat industry and a heart-wrenching private story, El Patrón became one of the most successful Argentine movies of 2014.
Description: Cristina (49) has spent her life taking care of her mother Carmen. Single and without a trade or friends, she grows older, year after year in her hometown. A several days from her birth- day, Cristina reconnects with Sandra, a former schoolmate who will present her another methods to live, freely and without prejudice.
Description: The storyline takes zone in Tundra. The local camp is preparing for a wedding, if it can be named a wedding in Nenets traditions. There are no guests, no closest or distant relatives, no feast, no songs, no smiles. The bride arrives to the groom’s camp without any attributes of a celebration. Young Alyoshka marries because his mother insists – the chum could not go vacant, the family could not die out. His heart though longs for Ilne, the daughter of old Petko. Ten years ago Ilne left the camp for the mainland. Each day Alyoshka checks the street hopelessly waiting for his love to return.
Description: The omnibus detail SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Every one of them created a piece of a several mins in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a famous newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Movie Museum.
Description: Forough is a middle aged girl whose husband has temporarily married with other woman. Even though that was kept secret from her, but his action is considered legal in Iran. Actually the husband is in prison, due to not being able to pay second wife’s “Mehrieh” (the bride’s marriage portion).The second wife intends to obtain her Mehrieh by asking the court’s permission to sell his house. Forough, the first wife, in order to not lose her home, intends to sell all she has to pay for her husband’s debt and release him from the jail.
Description: A man has been fishing for some time in a grounded ship at the zero mission border. He has selected the zone for his seclusion and serenity when the appearance a stranger takes away his peace and his work.
Description: Marie leads a calm and satisfied life withe her boyfriend in a great suburban neighborhood. After a night out in a bar with her colleagues, she wakes up dizzy, in a cab, with no memories of the night. What should Marie tell to her boyfriend Richard, when he suspects her of cheating on him? What if Antoine, a easy auto parts delivery man, has the key to this enigma.
Description: A lost film, buried beneath Cambodia's killing fields, reveals various versions of the truth. A contemporary storyline about love, family and the ghosts of Cambodia's past.
Description: Director Abdoulaye Ascofare's drama follows Zamiatou (Aminata Ousmane), a mother who struggles to help her family in the wake of her husband's unjust incarceration. Life is already hard in the desolate desert of Mali in Africa, but when her husband returns from prison a mentally and physically reduced man, Zamiatou will do anything to hold her two sons and daughter alive.
Description: Part of the By Herself series of individual dramas created for Channel 4, A dancer explores the emotional moment when two former lovers, separated by their profession, meet again.
Description: Bobby Giovanni is a distraught police detective and father over the edge. Plagued by his past and mourning the death of his wife he compensates by taking Vicodin and another prescription drugs. Upon discovering who murdered his wife he seeks revenge as social services takes his kids away!
Description: In a chaotic Latin American town a religious housewife starts an obsessive sexual journey that will create her pay the highest price. At the same time, her husband lives a secret long-term-relationship that will turn him into a murderer.A popular super-model used to the excesses of celebrity life falls into a dishonorable media scandal. A gynecologist jeopardizes his career by a growing fondness for gambling. A corrupt and ruthless businessman avenges the kidnapping and murder of his six-year-old-son.And a fierce social activist, obsessed with the mysterious death of his parents, faces the darkest pressures and influences of political power.These six connected-stories will reach the edge of the abyss and will remind us of Octavio Paz wise words 'the essence of all human life is solitude'.
Description: In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage globe of first-sex, vodka and possible-love in Fresh York Town when he is traumatized by the stroke of his housekeeper (and only real maternal figure), a sixty-five-year-old Chilean girl called Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage - diving into the exciting, fast-paced globe of first experiences - quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by girls - his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent's divorce; and Aida, his silver-haired emotional focal mission on the verge of death in Lenox Hill Hospital - Oliver struggles to maintain his role as "man of the house" and his sanity.
Description: Herbert Marshall and Edna Best, husband and wife in 1933, star in the British drama Faithful Hearts. Greatest plays the daughter of Marshall, who years earlier had run out on his family. When Edna re-enters Marshall's life, it causes him to reassess his values-and to end his engagement to his judgmental fiancee. When Faithful Hearts was released in the US, all the voices were redubbed by American actors; even Herbert Marshall, a fixture in Hollywood movies since the dawn of the talkie era, was submitted to this electronic augmentation. Original titled The Faithful Heart (Americans gotta have more of everything!), the movie was based on a enjoy by Monckton Hoffe.
Description: The storyline unfolds during The Ming Dynasty, as Japanese pirates wreak havoc along the Chinese coast, laying waste to whole towns. The case becomes even more desperate when bands of ninjas begin appearing and goal the Chinese military commander, General Chi (Ti Lung). The Master of the Three Arts (who possesses a ebook illustrating different ninjitsu techniques) is the only one who can combat this fresh enemy, so he pledges that his students Chau (Chiang Sheng), Mao (Kwok), and Tung (Lu Feng), will join Chi's units in their war to wipe out the killers. - From site Hong Kong Digital
Description: Linda has a seemingly excellent marriage with her rugged and handsome husband Tag and an adorable 8 year old daughter, Chloe. But when Chloe is injured by an elderly babysitter who has slipped into dementia, Linda wants to ensure that her kid is never harm again. Initially, Heather, the fresh babysitter, seems like the ideal addition to this practically excellent family. But Heather is a schemer who exploits the cracks in Tag and Linda's relationship, and delights in the resulting chaos. As Linda soon learns, to her horror, Heather's intentions go far beyond the mischievous.
Description: Investigative journalist Alf Winters (Morrison), meets his American girlfriend, Melissa Jones (Eilbacher), at Auckland airport. As they park outside Alf's house, it explodes. It is later apparent that persons unknown wish them dead, but the police are either skeptical or in the pay of those responsible. They enjoy hide and seek around Fresh Zealand with the stalkers, all the while coping with vehicle chases, plane crashes, bullets and explosions.
Description: When a brother dies in a vehicle accident, blame and bitterness take their toll as love and loyalty are inspected amongst mates and family. Nevertheless, it is still possible to fall in love, to laugh again, to enjoy soccer and to sing. But it takes courage to transport on and unless you take the first step, you can't take the next.
Description: Adapted from a storyline in 1001 Nights, the storyline concerns the death of an actor and the comical incidents that occur as various folks come into possession of, and attempt to dispose of, his body.
Description: Is the tale of a boy and a woman, both boat people, who meet in a transit refugee camp in Indonesia. Years later, they live in Paris, married with a child. One day, the husband discovers that his wife happens to be his younger sister.
Description: When Michael Fitzwater, a thirty something minor league pitcher, finds out that he has tiny hope of moving up to the majors, he is forced to create a critical decision on whether or not to stay in or leave the minigame of baseball.
Description: The cinematic tale recounts the storyline of a girl whose husband has left for war. When night comes, she pretends to her kid that the shadow projected on a sheet is his father. When the father returns, two years later, the kid rejects him, saying him that his father only returns at night.
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I can remember when this movie came out I was adamantly vs seeing it. I had my preconceived notions that it would be some another heroic Jewish Holocaust movie where nice triumphs over evil and in between we would see some brutal atrocities committed by the Germans to add some flavour.How wrong I was.This is one of the greatest movies I have ever seen and what it did to me I cannot describe in words. But in a nutshell, it moved me, made me cry, made me feel like I was in the Polish ghetto in 1940, and ultimately made me kiss the sidewalks as I walked out of the theater and thanked God that I live in the gratis society that I do. Roman Polanski has proved that he is a nice director with movies like Chinatown and Rosemary's Baby but this is his crowning achievement. I think the fact that this won the awards that it did at this years Oscars goes a long method to validate the brilliance of this film. I trust that the Oscar's are rigged for the most part and movies and actresses and such victory based more on their pedigree or business associations than anything else, so when it won greatest actor and director and adapted screenplay this year, it says you that it could have won greatest picture but the Weinsteins seem to have a spell over everyone, hence a charlatan like Chicago takes top prize. Sorry for the digression here but when you compare a "film" like Chicago to a masterpiece like The Pianist, there really is one clear slash winner. They handed out the statue to the wrong movie.The Pianist follows up and coming piano user Wlad Spielzman from his days as a local character to a prisoner of fight to his time in the ghettos, surviving only by the kindness of strangers. I think many folks have touched on this before but what makes this movie so nice and well crafted is because Spielzman is a boy that we can all relate to. He is not a hero, he is not a rebel and he is not a kamikaze kind that wants and lusts after revenge. He is a easy boy that is doing everything in his power to stay alive. He is a desperate boy and fears for his life and wants to stay as weak as he can. Only from the succor he receives from others does he manage to live and breathe and eat and hide. And this is how I similar to him. If place in his position, how would I react? Exactly the method he did. This is a boy that had everything taken from him. His livelihood, his family, his freedom and almost his life. There is no time for heroics here. Adrien Brody embodies the spirit of Spielzman and his victory at this years Oscars was one of the happiest moments I have had watching the festivities. His speech was even better but that is a subject for other time.Ultimately it is his gift of melody that perhaps saves his life and the final stage that he has with the German soldier is one of the most emotionally galvanizing scenes I've witnessed. With very tiny dialogue, it is in the eyes, the face, the mouth and the sounds that chime throughout their small zone that say you all you need to know. I think it is this stage that won Brody his Oscar. This is one of the all time nice performances.I think Polanski spoke from the heart here. He has taken a palette of memories and amalgamated them with what he has read and given us one of the greatest movies of our generation and any other. I think The Pianist will go down as one of the greatest movies of this century and when all is told and done, Chicago will be forgotten the method Ordinary Folks was forgotten and when folks talk about the movie The Pianist, they will do so with reverence and respect. This is a cinematic masterpiece.10 out of 10
Man, I can not receive this movie out of my head. It is so rare that a film can affect me the method "The Pianst" did. The last film that did that was "Casino". I was really tired when I was watching the movie. It was almost midnight, so I was thinking that I'll begin watching and I'll finish it in the morning. Did I? No, indeed I did not stop watching. I couldn't stop it. I just wanted to see what would happen next. I cried during "Schindler's List", I sobbed in this film. Everything that happens in this movie is so sad. Adrien Brody does a remarkable job of acting in this film. I would very highly suggest this film. Especially if you are a history buff. Please, I think this movie could be in the top 10 greatest movies of all time.I looked on the message boards you know and some another player comments that didn't play this movie much, they criticized Adrien Brody's performance and tell that he was boring and only showed emotions that are simple to act. Please, you have got to be kidding me. This boy portrayed the total feeling of hopelessness, being alone, being hated. I one time had an audition in high school like this to see if I should improvise, and the method I imagined this feeling is like in dodgeball where you have no one else on your squad and you're the only one left standing, yet on the another squad there is 20 large boys that are just waiting to wack that ball at you. Adrien couldn't have done a better job, I was so frightened for him and cried for him during the entire movie while he was one the run.Roman Polanski as the director, he himself escaped the terrors of being a prisoner in The Holocaust, yet he lost his mother and another family members. Yes, I'm sure this movie gotta have been difficult to re make for him, but he was probably the only director that should have done this film as brilliantly as he did. He created this storyline and made it so effective, I named up my mom and said her that I loved her so much because we take so many things for granted. True, this isn't the 1930's or 40's, and we are in America. But it's still frightening to think that human beings are capable of that much hate and being so brutal to other human. Globe Fight II is one of the most frightening fights in history, if you read more about The Holocaust, you receive more into it and you should. If you are not interested, then watch this film. It's a gotta see, otherwise how else will we learn from our mistakes? The Pianist is a pretty and extremely dark tale about a boy and the struggle to survive. The ending is so strong and moving to know that sometimes one boy can create a difference in a crowd of so many and I'm not talking about Adrien Brody's character. You'll see what I mean.10/10
The Pianist is an acc of the real life experience of a Polish pianist during WW2, in the context of the deportation of the Jewish community to the Ghetto of Warsaw, a setting virtually absent from all movies inspired on WW2. Polanski (himself a kid survivor of the Krakow and Warsaw ghettos) should have described in more feature the legendary, desperate fighting of the Jewish resistance in the ghetto of Warsaw, or the horrific mass extermination in concentration camps. Instead, the movie gains in intensity by displaying the fight from the pianist's own mission of view (through windows, half-opened doors, holes in the walls - with large emphasis on the test of "point of view shooting" by the cameraman). One cannot support feeling disturbed by the most enthralling scenes of the film, as the isolated pianist tries to ensure his survival in the ghetto and ruins of Warsaw, hiding and fleeing, moving from one bombed house to the next, gradually becoming a shadow of his former self, hungry and scared (merit largely attributed to the extraordinary performance by Adrien Brody, who visibly loses half of his weight throughout the film).Does the pianist raise any sympathy from the audience? Not immediately, in my view. The pianist is more than often a drifting character, almost a witness of another people's and his own horrors. He seems to float and drift along the movie like a lost feather, with folks quickly appearing and disappearing from his life, some supporting generously, others taking advantage of his quiet despair, everytime maintaining an almost blank, dispassionate demeanour. One may even wonder why we could care in the least about this character. But we do care. That is, I believe, the secret to this film's poetry.In one of the strongest scenes, towards the end, a German officer forces the pianist to enjoy for his life, in an episode that suddenly brings a much lighter, beautifully poetic shade to the movie (this German officer will be probably compared to Schindler, although his philanthropy does not quite share the same basis).This is also a unbelievable tribute to Polish artists, through Chopin's music, with the concert at the very end of the movie and the opening performance by the pianist at the local radio station (with the sound of bomb explosions in the background) forming an harmonious url between the beginning and end of the movie (following Polanski's usual story-frame).Overall, The Pianist is one of the most detailed and shocking accounts of the treatment of the Jews by the Nazis, with the atmosphere in Warsaw well captured and believable. Quite possibly, The Pianist will remain in the history of film-making as the most touching and realistic portraits of the holocaust ever made.Polanski's movie deserves a powerful presence in the 2003 Oscar nominations, including a nomination for Adrien Brody's nice performance, Polanski's sublime direction, greatest adapted screenplay and, obviously, greatest picture. This should be, at last, Polanski's long awaited, triumphal arrival to the high and mighty Hollywood.
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