See The Mother 2003 Anne 2003.
See The Mother / Téléfilm 2003 VF.
See The Mother (2003) trailer.
See Popular Videos - The Mother.
See DANIEL CRAIG/ANNE REID - TALK .
See The mother.
See Сыны (Сыновья) Some Mother'.
See James Murray in Sons and Lover.
See Nito 2003.
See Jan dara.
Description: When his brother disappears, mentally disabled Langston Bellows (Gbenga Akinnagbe) is left without a protector in Brooklyn's housing projects. Actually under the control of his abusive mother (Alfre Woodard) Langston gotta take his future into his own hands. He sets out to search the one doctor he believes can cure him, a celebrity magazine columnist who touts questionable prescription drug cocktails. If Langston can become "mentally excellent", it will mean moving into an apartment of his own with his girlfriend, who may herself be a creation of his wishful thinking. Landing in the unscrupulous globe of pharmaceutical marketing, the find for his mysterious doctor and character leads to some unwanted discoveries. Langston strives for independence from his prior life; from his mother, from his neighborhood and from his fractured mind - while all around him folks are not who they seem.
Description: Maria, a prostitute, meets Cesare in a police station, a drunkard reporter. Cesare falls in love with her and wants to save her from her bleak life but the woman refuses any help.
Description: Cheaters: A seductive romance about husband and wife Greg & Shawnda, who after six years of marriage search themselves straying outside their union. Shawnda discovers that she has feelings for a woman, and dives into a globe of sex, lies, and confusion. Believing that she has mastered living a double life, she fails to realize that Greg has also found someone else. Sensing that the relationship between Greg and Shawnda isn t going as planned, Shawnda s sister Sammy flies to Los Angeles to offer some guidance. Once there, Sammy manages to bring Greg and Shawnda back together but just as things begin to look up, the couple discovers that they ve been sleeping with the same woman! Is their love powerful enough to overcome any obstacle?
Description: 'Terror of Frankenstein' is an exercise in extreme meta-fictional tragicomedy. Presented as the commentary track of a rushed reissue of a forgotten (but 100% genuine) Frankenstein film's DVD (because of unspecified 'recent events'), this project transforms the movie into an entirely new, very human horror story. Featuring Clu Gulager as the director of the 1977 original who is happily exploiting the unmentioned tragedy linked to the film, the recording session unravels a mystery as he clashes with the screenwriter (Zack Brown) and, ultimately, its star (Leon Vitali from Stanley Kubrick's Eyes Wide Shut and Barry Lyndon, testing himself.) 'Terror of Frankenstein' is Mystery Science Theater 3000 by method of Sartre, an icy satire of the creatures onscreen, behind the camera, and in the audience.
Description: Tolongai was born and raised on Kyrgyz soil. Her husband and three kids were killed in the second globe war, but strength and courage have not abandoned her. The world teaches Tolongai to war and gives her strength to live on.
Description: Set in a tiny village in the Moroccan countryside, Alyam, Alyam says a storyline culled from the lived reality of young boys almost forty years ago while still remaining very much of the show day. A young boy called Abdelwahed pins his dreams of a better life for himself and his family on travelling to France and finding work there. As the eldest of eight children, he becomes the principal caretaker and breadwinner for his family after his father passes away. He fills out forms and waits for his work permit to arrive. Meanwhile, Hlima, his recently widowed mother who’s reticent to allow him go, tries in vain to dissuade him and enlists the support of Abdelwahed’s grandfather too. As the days flow by to the cadence of life in the countryside, marked by the hardships of farming, Abdelwahed waits. All he can do is wait. Straddling fiction and documentary, Alyam, Alyam is Ahmed El Maanouni’s first narrative feature, and the first Moroccan movie ever to be chosen at the Cannes Movie Festival.
Description: Elbab Elmaftouh, Known in English as "The Launch Door", other nice film about women's right in their various role and life and thier struggle between her father with his old style and her husband that doesn't understand her.
Description: Mada rebellious to God, because it's already claimed her mother. He also lost the love that made her heart broken. He was mad at the fact, then decided to be a backpacker and live free. In fact he also left God, family, and Friends. In the outside globe that is free, Mada search happiness to physical, but feel empty spiritually.
Description: A wealthy, cheating husband is found murdered in his penthouse apartment. The police later arrest a suspect, but the victim's downstairs neighbor believes the boy is innocent and sets out to prove who really committed the murder.
Description: A day in the mind of Geoffrey Oswald Dodd, a seemingly kind, gentle and sane high school teacher. As we follow Geoffrey through the course of a typical school day we gain an eerie insight into the darkest corners of his soul and beyond. Beneath the carefully constructed veneer of Geoffrey Dodd lies something wretched, insidious and foul rotting him from the inside out.
Description: Has Danny's life now divided into two parallel existences - age 17 and 39? And if so, will he be able to regain the power of choice that was taken away from him, and select his own path in life?
Description: František Vláčil lost with the advent of normalization occasion to work at Barrandov - in the former Gottwald, few medium-length movies in which exercised its poetic perception of and experience with a kid character. The legend of the Silver Fir was a screenplay by Vladimír Körner and says the storyline of a man from Beskydy forests, which romantically admires demanding and risky work of seed gatherers who come out each day into the crowns of mature coniferous trees
Description: ASP Razlan, Inspector Farah, Detective Inspector Razif and Sally, a member of the Task Force Unit Royal Malaysia Police led by Superintendent Mansor, was given the task to beat a drug syndicates and international gun smuggling. Masta a widower apply Farah Farah for the happiness of their kids but not the final say. Farah also having issues with her sister Ella, a rock singer who led his brother out of the house and stayed with Eddie kids tycoon. Farah and Razlan relationship more closely. They plan to marry as later as the situations handled completed. They both were subjected to unexpected accidents that occurred before Razlan and Farah married
Description: A Hungarian soldier returning from fighting in the Second Globe Fight marries the girl he believes to be the widow of a former comrade who he thinks died in the Prisoner of Fight camp in which they were held. The movie was banned in Hungary because of its depiction of the controversial trouble of Hungarian prisoners held by the Soviets.
Description: Benjamin is a young poet from Turkey, works in Bosnia as a volunteer to support the extrication of dead bodies from the mass graves. He comes to Bosnia in order to escape from his past. A childish minigame of Benjamin causes Joseph's lover-Zeliha's dead. The psychological pressure of his job revives his past in his dreams. Zrinka is Serbian-Bosnian psychologist who is supporting to the folks in post fight syndromes.Benjamin meets her committing suicide on Mostar Bridge.By the time they fall in love. She releases Benjamin from his qualms of conscience. Benjamin goes back to Turkey to face with his brother and past. Zrinka saw a dream something terrible happened to Benjamin. She goes to Turkey but she finds secrets and fresh description of love.
Description: Because Dan McDowell is unable to operate the fresh mechanized fire equipment, he is retired with a tiny pension; his son, Johnny, quits school to work in the fire department; and his old horse, Bullet, is sold to a dirt-hauler. Dan is charged with stealing Bullet and is jailed, but he is cleared in time to give valuable aid in a fire that traps Johnny's sweetheart, June Rutherford.
Description: First one stranger, then another, arrive at the presidio, every with a government pass and every claiming to have been robbed by the notorious Captain Fly-by-Night and his highwaymen. The troops and Señorita Anita trust the first to be Fly-by-Night and the second to be Señor Rocha, Anita's fiancée and emissary of the governor. But the first stranger, to whom Anita is drawn, proves to be on a government point and exposes the second stranger as Captain Fly-by-Night.
Description: Nelli, the icy, introverted farm girl, needs to search a husband following her father's death. She accepts the attentions of the noisy Takaró Sanyi, although she is more attracted to his silent and modest younger brother.
Description: The storyline recalling the spirit of Gilgamesh, the Sumerian lord quarrelling with his approaching death, takes zone in a cancer hospital in Budapest. Dávid, the young ethnography scientist resigned to his lot and is indifferent to his approaching death. His specialist reckons, however, that such a searching and stubborn mind with thorough knowledge of the nature of his own illness, will be able to war death.
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Children - of whatever age - do not wish to know about their parents' sex lives. And grown-up kids are often seriously baffled and disconcerted by any evidence that aging parents possess an active libido. Lastly, many moviegoers are very uncomfortable watching a dowdy, frumpy widow who would pass unnoticed almost anywhere explore her aching capacity and need for raw passion with a handsome boy half her age."The Mother" is a provocative look at a scarcely filmed reality - a girl who isn't ready to stay home, watch "the telly," and vegetate after her husband of nearly three decades, and a controlling, dominating chap at that, packages it in with a heavy heart attack.May (Anne Reid) and her husband have two children, every dysfunctional in his or her own way. The male son lives with a pretty wife who may well be driving him to the Bankruptcy Court with her extravagant commercial venture. Paula (Cathryn Bradshaw), is a teacher with aspirations of succeeding as a writer. She's attractive, not pretty, and she seems to have a close relationship with mum - at first.Back at her house after burying her husband, May determines to not stay there. Rejecting typical widowhood with its legacy of boring days and no adventure, she goes to stay with Paula who has a young son. Paula's boyfriend, Darren (Daniel Craig), is a ruggedly handsome contractor who seems to be taking an awfully long time to finished an addition to May's son's house. May is quite taken with hard-drinking, coke-sniffing Darren whose treatment of Paula ought to have alerted May that he was, for sure, a Fellow of the Royal Academy of Cads.What follows is a torrid affair between Darren and the besotted and actually bubblingly alive (dare I tell reborn?) widow. The love scenes are graphic but take second zone to amateur artist May's pen and ink sketches of their trysts which then enjoy a role in the enfolding drama (or debacle, take your pick).The theater in Manhattan was packed for today's early afternoon showing with well over half the audience in the range of May's age. That some were shocked or disturbed to see her disporting herself with erotic abandon in the arms of a much younger boy is an understatement. This blindingly honest look at an older woman's awakened passion after decades of dutifully obeying her husband's desire that she stay at home and raise children (she also mentions he didn't like her to have friends-what a guy) surfaces a number of issues. While May's dalliance with Darren doesn't constitute incest, there are true psychological dimensions, and issues, with a mother bedding her daughter's lover. And Paula isn't made of the stoutest items to start with. The affair, once disclosed, allows the peeling launch of the mother-daughter relationship which, from Paula's viewpoint, left something to be desired. Ms. Bradshaw is perfect in the role of a daughter who wants her mother's help as well as her love-she hasn't been dealt a poor hand by life but it isn't a bed of roses either.May is powerful in her resolve to both acknowledge her sexuality and expect, indeed demand, a future of happiness. But she is also inescapably vulnerable. She's fishing in uncharted emotional waters. Who controls her relationship with Darren and why are hard problems for her to understand, much less resolve. In her sixties, she's still a work in progress."Something's Must Give" recently showcased mature sexuality but in an amusingly antiseptic method assuring no viewer would be discomfited. After all it's Jack Nicholson and the everytime pretty Diane Keaton cavorting in the globe of the rich. And to insure that no serious psycho-social problems were explored, Keaton's young girlfriend, Amanda Peet, daughter of Keaton, not only blesses the match but insures that the audience knows she and her old(er) would-be lover never hopped into the sack.No simple out here. Anne Reid's inspired performance forces discomfort on some while drawing respect from others. Her naked body bursts with sexuality for some and appears absurd as an object of physical attraction to others (the comments of audience members leaving today reflected all these views).Kudos to director Roger Michell for tackling a fascinating storyline with verve and empathy.9/10.
A fierce, shockingly clever piece of work from the gifted British writer Hanif Kureishi who wrote "My Pretty Laundrette", (this is the greatest thing he's done since then). It's about clever folks whose lives don't add up to much. They've squandered what they have been given and are largely empty vessels. The only hero on screen who is alive is the mother of the game yet she feels dead inside until a rough handyman shows her some affection and awakens her to the joys of sex. He has his own motives but Kureishi treats him with a nice deal of compassion. This is a movie in which folks and territories feel familiar, where characters exist beyond the confines of the screen. In some respects it's a bit like "Sunday, Bloody Sunday" but it's an altogether tougher piece of work. The director, Roger Michell, allows scenes to build instinctively. And it is beautifully acted.As the eponymous mother Anne Reid betrays her wasted life in each gesture. There is not a false note in her extraordinarily lived-in performance, and that very fine actor Daniel Craig displays shadings to his hero than even Kureishi hasn't tapped into. If the movie strikes a false note it is, perhaps, in the hero of the talentless daughter, caught up in a messy affair with the boy her mother seduces (or could that be the another method round) and even messier life, but she is so well played by Cathryn Bradshaw she hooks you in nevertheless. The movie is also extremely pretty to look at (DoP Alwin Kuchler) and gotta rank, unhesitatingly, as the greatest British movie of the year.
It's difficult to imagine a director capable of such godawful crap as 'Notting Hill' pulling off something as sensitive and as pretty as this, but well, here's the evidence and it's quite compelling. Few have alluded to TV drama, and yes, this does have a seventies Enjoy for Today feel at times, but is everytime a slash above, mainly I think owing to some quite superlative acting from Anne Reid and to a fine script which shadow-boxes with cliché without ever getting one on the nose, except maybe right at the end. (I didn't like either the tracking shot of indifferent goodbyes through the hallway, nor the oh-what-a-beautiful-morning final scene: she deserved a more studied finale than that I think, after all that difficult work. The slippers business was a bit OTT too, on reflection).What I mean about avoiding cliché: well, I for one had a sinking expectation that the "mature" boy May's daughter tries to set her up with would be cast in 2 dimensions as a repulsive old bore, so as to mission the contrast more painfully with the attractive, virile young geezer he is unwittingly competing with. Instead, we receive an unexpectedly subtle and sympathetic cameo of a lonely, clumsy, not entirely unlikeable and very human fellow, who nevertheless doesn't have much of a clue about entertaining a woman. It was around that mission I started to sit up and pay more attention. Here was a script that allow the actors breathe and do something interesting with fairly minor parts. Almost Mike Leigh in that respect (minus the contrived catharses that the latter inexplicably goes in for).And of course I was, as everyone probably was, dumbfounded by what Anne Reid does with her hero and with her body. She's /not/ "the repressed, dutiful housewife discovering herself for the first time", this is far too simplistic for the hero we have. Again and again there are allusions to her having been a "bad housewife", not to mention that thing she does with trays, trying to look nurturing and comely and only succeeding in looking awkward. The daughter accuses her of having "sat in front of the TV all day" instead of, well, whatever her motherly duties might be presumed to have been: she has no answer. She never was a model wife and mother, at least not to herself - that's where a lot of the poignancy comes from, the sense of someone having wasted a life trying to fulfil a role she simply wasn't nice at, ever.
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