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The Million Eyes of Sumuru 1967
Description: Frankie Avalon and George Nader (that guy from "The Robot Monster") are a couple of wise-cracking, swingin' secret agents. Their opponent is Shirley Eaton as Su-Muru, who plans to remove all of the boys who are currently in power and replace them with her units of women.
Released: 17 May 1967 Director: Lindsay Shonteff Writers: Kevin Kavanagh (screenplay), Harry Alan Towers (original story) Actors: Frankie Avalon, George Nader, Shirley Eaton, Wilfrid Hyde-White Genres: Action, Adventure
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The Million Eyes of Sumuru Reviews:

Sumuru (Shirley Eaton) is a girl bent on globe domination. Her plan is to have her units of girls receive close the world's most strong men, slay them, and assume their power. But standing in her method are two secret agents – Agents Tommy Carter (Frankie Avalon) and Nickname West (George Nader). They convince a couple of Sumuru's followers to come over to their side before leading a raid on her island. But will they receive Sumuru? The Million Eyes of Sumuru is just quirky enough for me to really play it. It's the type of film you can't take seriously – you have to go with it. I just love these 60s spy-type films with their armies of scantily clad women, secret island liars, and groovy secret agents. What an nice time it was! And, the fact that The Million Eyes of Sumuru was shot in China with a cast that contains Eaton, Avalon, Klaus Kinski, Maria Rohm, and Wilfrid Hyde-White (of all people) only adds to the already bizarre feel of the movie. Films like this may not be for everyone (just take a look at the IMDb rating), but for me their just too much fun.I would love to see a cleaned-up, legitimate, Region 1 release of The Million Eyes of Sumuru. I'm convinced I would have rated the movie higher than a 6/10 had I not been watching the MST3K ver of the film recorded off of Minneapolis public access tv in the late 1980s. The Million Eyes of Sumuru deserves better than that.


Just as Prehistoric Girls is the ultimate car for Martine Beswick and the favourite movie of her cult following, so is this the ultimate for Shirley Eaton - and many of us who are Eaton cultists are also Beswick devotees, as one was a brunette and the another a blonde, but all difference ends there - slinky, sophisticated English lovelies who in the 1960s every had a second female lead in a bond movie (Beswick in Thunderball, Eaton in Goldfinger) and every went on to enjoy deliciously decadent terrible girls, particularly in their greatest remembered films. Here's the pity - while Prehistoric Girls can easy be picked up on video or DVD, Su Maru remains hard (to tell the least) to find. Even among those semi-secretive distributors of great-bad B films on the Net. Anyway, the old Sax Rohmer storyline is modernized and given a 60s feel, with George Nader as a flimsy James Bond wannabe and Frankie Avalon (?!), new from the Beach movies, as his sidekick. (By the way, about 20 years ago, Avalon swore to me that Eaton was the most pretty single girl he'd ever seen in his life, and that as wonderful as she is on film, cinema doesn't do her justice - looking at her in person, at least back then, made you wish to pass out. I trust him!) She's the leader of an all (gorgeous) woman conspiracy to take over the world, and at one mission hangs George Nader in a jail cell and whips him. (Leather whip, of course - this may be where 'mainstream kink' all began). Every of her associates is a knockout, all wearing black satin and leather costumes, and they seduce then slay men. This is a decidedly anti-feminist vision, made perhaps in response to the then-recent publication of Betty Friedan's The Feminine Mystique, which kicked off the modern woman's movement. Lots of near nudity, as this was made just before the ratings system fell apart and full frontal would be allowed about two years later. A tease, but lots of fun, very campy, and played with tongue firmly in cheek.


Shirley Eaton, who earned some screen immortality as the babe covered in gold in "Goldfinger", plays the game Sax Rohmer hero in this patently ridiculous, very tongue-in-cheek international-intrigue action flick. Teen idol Frankie Avalon and George Nader of "Robot Monster" infamy enjoy some sort of unique agents who gotta foil the efforts of our villainess, a feminist looking to replace globe leaders with her ladies. She has the entire shebang: an island stronghold, secret passageways, an armoury, etc.Featuring variety of gunfire but very tiny blood, "The Million Eyes of Sumuru" is a hoot and a half. You realize very quickly that it's not meant to be taken seriously, with its goofy performances and acres of really dumb dialogue. For this viewer, it never really induced belly laughs, but it place a smile on his face a number of times. Certainly it's difficult to go wrong with a bevy of sexy female baddies. The sensual Maria Rohm got an "introducing" credit here, testing the role of Helga, a woman who's not too far gone, and is able to rejoin the forces of good. Nader and Avalon are amusing, with Nader making for a horrible dime shop ver of James Bond - but a very upbeat one. Unique guest stars Wilfrid Hyde-White and Klaus Kinski are most welcome; the former almost everytime has a smile on his face, and Kinski is priceless as a leader called "Boong". But the performer to really see this film for is Eaton, who does like she's relishing this moment in the spotlight.The exotic settings are of course a plus (this is set in some fictional Asian locale, but was filmed in and around Hong Kong), and the picture is gorgeously photographed in 2.35:1 by John von Kotze.One thing gotta be told before this review concludes: this script, as silly as it is, contains some surprisingly "meta" moments for 1967.Eaton reprised her role in "The Woman from Rio", which was directed by Euro-cult favorite Jess Franco.Six out of 10.



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