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The Marrying Kind 1952
Description: Florence and Chet Keefer have had a troublesome marriage. Whilst in the middle of a divorce hearing the judge encourages them to remember the nice times they have had hoping that the marriage can be saved.
Released: 01 Apr 1952 Director: George Cukor Writers: Ruth Gordon, Garson Kanin Actors: Judy Holliday, Aldo Ray, Madge Kennedy, Sheila Bond Genres: Comedy, Drama
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See We're Not Married! (1952) on youtube.

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See PAT AND MIKE [1952 TRAILER] on youtube.

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See Dean Martin & Judy Hollida on youtube.

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See Narrow Margin 1952 Trailer on youtube.

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The Marrying Kind Reviews:

It's widely known that Judy Holliday was the best comic actress of all time, but did you know she was also a subtle and moving tragedienne? This film starts as a screwball comedy about a sparring couple, and all I'll say you is, it turns into something quite various -- and it pulls it off. Judy's pretty testing has much to do with this, as does Cukor's deft direction. Aldo Ray is a revelation: You may not think of him as a leading actor of his generation, but with Cukor's touch, he hits all the notes of tenderness, childishness, and bewilderment written into his character. Husband-and-wife screenwriters Kanin and Gordon supply funny lines, ingenious dream sequences, a "Rashomon"-type narrative, and much hard-earned insight into marital discord. Also, unusual for a Hollywood movie from the '50s, the children come off as true kids, not synthetic tiny dears or bratty tiny monsters.Despite all the high-priced talent, it's a cheap-looking movie, with almost verite glimpses of 1952 Fresh York. And the abrupt shift of tone may be off-putting to some. Me, I appreciated the movie for treating adults like adults, and for suggesting that life and marriage are not wrapped up in neat tiny packages. An offbeat movie, and very rewarding for those willing to agree it on its own terms.


Chet marries Florence and for a while all is swell. But due to private tragedy and Chet's inability to keep on to a job, they search themselves in divorce court.Time has fully forgotten this truly masterful piece of cinema art. 'Marrying Kind' begins out as a screwball comedy, evolves into gentle and then starker realism, takes a drastic turn towards tragedy, only to test and search its method back. Veteran director Cukor invited all sorts of problem with this extremely challenging format, with a drama very obviously inspired by Lord Vidor's ground-breaking late silent 'The Crowd'.It is a virtuosic and deeply, deeply affecting film, as written by Garson Kanin, directed with an almost uncanny ear for dialogue by the underrated Cukor, and acted by newcomer Aldo Ray and the ever-brilliant Judy Holliday. The ending to this movie testifies to an unexpected emotional maturity in Hollywood in the early 50's, and the transfer is perfect.I daresay nobody with an launch mind is ever liable to forgot this film, and remember, before you begin moaning about the mixing of genres, Life does its own mixing of tears and laughter each day to each single one of us. In that respect no movie ever was more organic than this one!


This is a true gem of a film. It is a comedy/tragedy, but in such a method as to be able to flow easy from the two formats. Thus the viewer is never totally laughing or crying throughout the film, but at various moments. It works. The movie is said in flashback, and every of the remembrances are said in short vignettes. Judy Holliday is unbelievable in her role, and the much underrated Aldo Ray is also brilliant, they are a excellent match. The acting by both the leads is terrific and believable, and there is some unbelievable zone photography of early 1950s Fresh York. A really nice movie worth seeking out.



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