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The only reason I knew this film existed is because I was looking up what Eric Stonestreet had done aside from Modern Family, so I decided to give this a shot. The premise of the film is the greatest part about it: Five guys have the keys to a secret loft where they can freely hack on their wives, but one day they search a dead woman on the bed and have to figure out who did it. To this movie's credit, the first half is engaging and curious. They develop some shady history between the guys and present how the loft came to be, but as pieces of the puzzle begin coming together and the more answers we get, the more the film suffers. I mean I've seen botched premises before but The Loft takes it to a fresh low.The five leads in this film do what they can. They are likable actors and they have some moments of conviction here and there, but the script is so horrendous it's astonishing that they can hold a straight face delivering these lines. Wentworth Miller is the low link, and I don't know if it's his fault or his hero just being really weird and uncomfortable but that's other thing: you don't like any of these characters. They're all despicable, cheating, lying, douchebags that are only mates because they all have those sh*tty traits in common. And I test the term "friends" loosely because these guys seem to hate every another as much as the audience does. Half the time they're yelling and arguing at every other, the another half they're just dull and plodding along with the script. It's sad because you wish to like these guys but they really are just sociopathic dickheads. Honestly the only one with a conscious is James Marsden's hero but even then still he's a deceiving slimeball. However the cokehead brother fully embraces the psychosis angle and gives a very great standout performance considering the material he was given.The girls in this film are horrendous. There is not one memorable female hero - they're all either stupid and married to these guys or stupid and f*cking them behind their wives' backs. It's difficult to care about a film where each hero is fully unlikable. Like I said, the first half of the film is very promising. The pacing was appropriate, it was simple to follow what was going on, it gave you time to become invested in the mystery, then all of a sudden things receive crazy. Like unbelievable, ridiculous, stupid lvls of crazy. First of all there are like six endings to the movie; it goes on for a nice 10-20 more mins than it should, and the worst part is that every "ending" is worse than the last. They test over-explaining what happened and it ends up getting so twisted and convoluted that it collapses onto itself. At a mission you just stop caring about who did what - you just wish the damn film to end. The whole third act is a disaster in each conceivable way.This film was watchable, mainly because of the cast, but the ending is so frustrating I had to give it a weak score. I really tried to like it, it's just difficult to care about a film when you're just watching a bunch of stupid folks do stupid things. And the police interrogation scenes were atrocious. If you don't care about plot and just wish to see a bunch of nice looking folks act like finished jerks for an hour and a half, you can receive a kick out of The Loft. If you wish a thrilling murder mystery that makes you think, stay far far away - The Loft does not deliver.
"The Loft" is a makeover of a Belgian film, and focuses on five married boys who go in on a ritzy high rise loft for the purposes of pursuing their affairs and sexual escapades. When a woman winds up dead in a pool of blood in the loft, the five boys panic as they attempt to unravel who she is and where she came from.Taking some cues from Hitchcock (and not exactly with a fraction of Hitch's poise), "The Loft" is an overall entertaining film, but the script at times is the equivalent of a cheap Rubik's cube— it looks fine, it's a fun puzzle, I guess, but it's really just not that impressive overall.The movie shifts between past and present, unraveling the narrative through flashbacks which are sandwiched between the actual dilemma of the four boys arguing in the loft over the corpse of the dead blonde. The pacing is a bit choppy, and the transitions rather abrupt. James Marsden and Wentworth Miller are among the film's best star power here, but the cast overall is really underwhelming, and the performances are at times borderline campy as the boys enjoy up their roles as buffoonish plutocratic mattress hounds.The finale cements my feelings of the movie as an underwhelming thriller that seems more suited for tv than the silver screen, but I still can't tell it was fully not worth the time. In spite of the hammy performances, the disjointed narrative, and the overall sensibility of utter lifelessness that the movie has, it is still by and huge an entertaining flick. Nearly impossible to take seriously, but for entertainment's sake, it's passable. 5/10.
The film started nicely,, with flipping between the moment of actually in the investigation room and the moment where they found the body in the loft and the one year and between flashbacks .. Even though it had five various stories it was now easy understandable.The Concept of the film is new and fresh for Hollywood and the plot flows smoothly in the first half an hour of the film there are no much puzzles to think about but who really between those five guys did it !! until you begin to think maybe it's one of the guys mistresses. then you jump to accuse everyone who speaks Latin, then everyone becomes a assassin in your eyes :D . So to be fair the screenplay writing appears so tight and consistent .. with just a couple of unexpected surprise in the end ;)With the same director as the Belgian ver of the film Erik Van Looy and cute much the same writers i'v heard they kept it just as it went in the original. Even though i kinda preferred to watch the original film because the originals everytime better but i mean who can stand almost 2 hours of translated Dutch film !! :PAs for the cast, the Leads whom i only know from TV they were all engaging and well invested in their roles, Karl Urban, James Marsden, Wentworth Miller and Eric Stonestreet and even the short appearances of Matthias Schoenaerts who was now in the original Belgian film "Loft (2008)".Overall it went fine,, well at least let's tell better than what i'v read in some reviews .
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