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Description: At the age of 5, Hannah Taylor spotted her first homeless person in the back alleys of Winnipeg. This experience not only troubled her, but it drove her to do nothing less than change the world. The Ladybug Foundation, the charity Hannah helped establish, has raised over a million dollars to date. With her large heart and can-do attitude, she preaches a easy message of "Share a tiny of what you have and everytime care about others."
Description: When it comes to sex, America is a country of contradictions. They are the highest producers and consumers of porn in the world, brothels are legal and large business in Nevada and yet in conservative states like Texas, sex and sexuality are demonised and abstinence encouraged. In the last several years, a wave of puritanism has swept parts of the country and many trust that abstinence is the solution to issues such as unwanted teen pregnancy and the spread of STDs. Folks are scared to talk about sex and consequentially many teenagers are growing up ignorant about condoms and contraception; resulting in a teen pregnancy rate of 8% (4 times higher than that of France). On the another side of the coin students at the prestigious Yale university, organise a controversial annual ’Sex Week’ including discussions, workshops and provocative plays. They are demanding sexual freedom, the right to notification and denouncing the hypocrisy in American society on this subject.
Description: In 1972, during the military government, a group of prisoners is confined to prison Trelew, considered max safety . However, few of those detained had their method free, while 19 prisoners were recaptured.
Description: Gérard Courant gave his most avant-garde outburst by relating for the first time the shattering experiences that took zone in the second half of the 20th century (such as the Lettrist and Situationist Internationals) with the rock culture that clamored that same concept of rupture. There aren't many movies with such emergence as this one, which dared to mix Lou Reed and the noisy Velvet Underground with Guy Debord's détournement techniques, drawing a line that included the Sex Pistols but also Lettrist initiatives of tampering the celluloid, based on Isidore Isou's style.
Description: Movie consists of shots of Belgrade Zoo, animals inside it, and the medieval fortress it was built within. Details a bizarre soundtrack of experimental music. It also details cinematography by Ratko Vladic, popular Serbian cinematographer.
Description: "The festivities in honour of Sao Pedro,August 8th and 9th 1975. A complement to Gente da Praia da Vieira, isolated from the entire movie material, because of its specificities and thematic unity." (José de Matos-Cruz)
Description: Throughout the Islamic world, every year hundreds of girls are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a girl is raped or merely the victim of gossip, she gotta pay the price. Crimes of Honour documents the poor reality of femicide – the belief that a girl’s body is the property of the family, and any recommendation of sexual impropriety gotta be cleansed with her blood. We meet girls in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of girls who have committed themselves to the security of young girls in danger of losing their lives.
Description: In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian movie collective Gogol’s Wives follow every step of the feminist punk band’s war vs Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Help comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be gratis and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit happenings and leave viewers to draw their own conclusions.
Description: Robert Mapplethorpe gets his nipple pierced while his boyfriend lends his help in person. Patti Smith lends her help via voice over as she rambles on about her childhood, her transvestite brother, her breasts and Bob Dylan?
Description: A year in the life of CEO, NAACP ambassador, Duke University professor, husband, father, son and Grammy Award winning producer 9th Wonder. The movie follows one of soul music’s most dynamic figures from his childhood home to late nights in the studio and everywhere in between. Featuring: Drake, DJ Premier, DJ Green Lantern, J. Cole, Murs, Phonte, Sha Cash XL, Young Guru, The Alchemist & more.
Description: Kain Carter aka Hotdamnirock is a Youtube Personality who brings nice and funny perspectives on Relationships and Life issues. He everytime has a various witty perspective on an trouble most folks wouldnt think about in such a comedic way. This Documentary is about his daily life, dating, and many another life issues.
Description: In marked contrast to "Color Me Obsessed," director Gorman Bechard's dangerous yet rewarding 2011 Replacements documentary that featured no songs or appearances by its topics matter, his upcoming "Every Everything: the music, life & times of Grant Hart" doc fully flips the formula: It's 100% unfiltered, unrestrained Grant Hart. The former Husker Du co-songwriter/singer/drummer welcomes you into his world, instantly addresses any HD reunion chances in an old interview, and is shown wailing behind his kit during that renowned middle-American punk band's heyday.
Description: Cartoneros follows the paper recycling process in Buenos Aires from the trash pickers who accumulate paper informally through middlemen in warehouses, to executives in huge corporate mills. The process exploded into a multimillion dollar industry after Argentina's recent economic collapse. The movie is both a record of an economic and social crisis and an invitation to audiences to rethink the value of trash.
Description: A detail documentary about the adventure of mankind to explore our real force and who we truly are. It is a quest through science and consciousness, individual and planetary, exploring our relationships with ourselves, the globe around us and the universe as a whole.
Description: Hotdamnirock Documentary brought to you by Kain Carter of Youtube. A Documentary on the trials, tribulations, & daily bullshit of Kain Carter. He talks about life lessons, experiences, and why some shit just happens. All while giving you a laugh and making you understand that everyone goes through some shit.
Description: Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from different sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
Description: What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to respond these questions with candid interviews from musicians and fanatics of the vibrant and, many times controversial, punk melody stage in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that says an necessary part of the history of the nice dysfunctional family that is "el punk boricua".
Description: A young evangelical filmmaker is granted unprecedented access inside a controversial Christian behavior modification tool for teens, where she discovers shocking secrets and young students that change her life.
Description: A Man Called Sue chronicles the transformation of a transsexual called Theo from a girl to a boy over the course of six years. Following Theo's physiological and psychological changes during the process, as well as their results on his lesbian lover and community of close friends, A Man Called Sue says a storyline about gender identity, relationships, and how even things that seem permanent can change.
Description: the definitive storyline of one of pop music's largest ever all-female groups, as 15 years after they first took the globe by storm, a fresh musical about the women named Viva Forever! is about to hit the West End. The programme looks at the constructive process behind the present that is produced by Judy Craymer, author of the West End hit Mamma Mia!, and written by Jennifer Saunders in collaboration with the Spice Women themselves. The documentary traces the five girls' adventure in their quest for fame, a storyline which is now in parallel with the plot of the scene show. Featuring contributions from the Spice Women themselves, some of the folks who shared their experience including two of their mothers, and some of the songwriters who helped them with hits such as Wannabe, Stop and Who Do You Think You Are. The cameras also go behind the scenes at rehearsals as Viva Forever! prepares to open.
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Martin Scorsese's documentary has been labelled a time capsule of an era, and whilst this kind of reference usually sounds overstated, there is no doubting the accomplishment of this movie as an event. Many test the documentary 'Woodstock: 3 Days of Peace and Music' as the ultimate example of a music-doco, but whilst the melody in The Last Waltz is now on par with the nice performances of Woodstock (bar Jimi Hendrix[there's no substitute]), the thing which elevates The Last Waltz is the photography. This was the first melody doco to be shot on 35mm and watching the concert, you'd think that every performance was carefully choregraphed over a several weeks of shooting rather than over one night. Unique thanks gotta be given to Cinematogrpaher Michael Chapman for his efforts on this film. The look of the movie is what elevates it's overall appeal, because the melody was everytime going to be epic, especially with the cavalcade of nice names performing. This is just nice filmmaking from contemporary cinema's most accomplished filmmaker. And how about that haunting theme that both begins and ends the film. Just great.
This film was only a name to me until I saw it last year. Immediately, I was riveted by everything about it. I've everytime been a casual fanatic of The Band, and of Levon Helm in particular. However, I'd never been bowled over by Bob Dylan, except as a songwriter, so much of The Band's work remained unknown to me as well. I wouldn't tell I've become a rabid fan, but I am much more interested in their work, now.It's a Scorsese film--how should it not be beautifully photographed, but Scorsese managed a hard feat: he keeps himself out of the movie, except as interviewer during those sequences. This is not really Scorese's vision of a rock concert. It happened mostly organically, certainly with mistakes, gaffes and grit. This is part of its charm. There are better singers than the guys in The Band, but several better musicians. This can be illustrated with Robbie Robertson in the Clapton song: Clapton's guitar strap comes off and Robertson, with one beat, picks right up on the solo. It looked planned, but wasn't. Joni Mitchell was notoriously difficult to back up, due to her original guitar tuning, and ragged song phrasing, but bassist Rick Danko fills in each zone with intricate bass figuring. Perhaps we have become too accustomed to the overwrought, over-hyped, overproduced, overexposed, shiny gack that passes for famous melody to appreciate the raw, the imperfect, the sheer humanness of this music. Scorsese shows it all. The guys in The Band were largely worn out and sometimes strung out in the interviews. They are tired, scrawny, empty-eyed from the excesses of the road. Rick Danko is hovering on the ragged edge, as his band is dissolved, and he tells his target is to "keep busy." Richard Manuel looks lost as he tells "I just wish to break even." These are two musicians who desperately required the music, but who were murdered by the road. We see their bleak destinies in their eyes in this film. It is bittersweet certainly, but also a moment in time, crystallized into something nice by the music, the love of friends, the willingness of the director to simply stand back and let the melody to happen. It also reminds us what nice melody used to sound like and makes me want should exist again.
In the words of Robbie Robertson, "The Last Waltz" began as a concert and turned into a celebration. There is no word that can be used to describe "The Last Waltz" better than 'celebration'. This is a celebration of The Band, and of music, specifically American music, which The Band loved and played so many styles of."The Last Waltz" is a concert film, and there's a common sentiment outside of the rock fanatic community that such movies can never be real art films. If proof exists that this is not true, "The Last Waltz" is it. The movie is brilliantly directed by Martin Scorsese, who captures this incredibly strong and remarkable performance with skill that can't be described as anything another than amazing. This movie looks absolutely stunning. What else can one ask for another than a movie that looks pristine and beautiful, and includes some of the greatest melody ever written? Scorsese is a smart filmmaker and knows that he should add to the movie by including short interview segments with the members of The Band, all of which are relevant to and enhance the film.The beauty of "The Last Waltz" is its simplicity. The Band were probably the most unpretentious major musical group there has ever been. They were interested in nothing another than testing nice music, and Scorsese, at least in this instance, is not interested in doing anything another than creating a simple, real document of a memorable, nice musical event. That's what he does, he captures a brilliant concert where the addition of celebrity musical guests does not cheapen it at all, but makes it a real celebration of music. Muddy Waters, Paul Butterfield, Joni Mitchell, Neil Diamond, Van Morrison, Eric Clapton, Dr. John, Neil Young... the list goes on and on. Phenomenal musicianship, phenomenal film-making, a phenomenal movie all around. One of the greatest and most joyous movies ever made. 10/10
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