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Description: Mada rebellious to God, because it's already claimed her mother. He also lost the love that made her heart broken. He was mad at the fact, then decided to be a backpacker and live free. In fact he also left God, family, and Friends. In the outside globe that is free, Mada search happiness to physical, but feel empty spiritually.
Description: A wealthy, cheating husband is found murdered in his penthouse apartment. The police later arrest a suspect, but the victim's downstairs neighbor believes the boy is innocent and sets out to prove who really committed the murder.
Description: A day in the mind of Geoffrey Oswald Dodd, a seemingly kind, gentle and sane high school teacher. As we follow Geoffrey through the course of a typical school day we gain an eerie insight into the darkest corners of his soul and beyond. Beneath the carefully constructed veneer of Geoffrey Dodd lies something wretched, insidious and foul rotting him from the inside out.
Description: Has Danny's life now divided into two parallel existences - age 17 and 39? And if so, will he be able to regain the power of choice that was taken away from him, and select his own path in life?
Description: František Vláčil lost with the advent of normalization occasion to work at Barrandov - in the former Gottwald, few medium-length movies in which exercised its poetic perception of and experience with a kid character. The legend of the Silver Fir was a screenplay by Vladimír Körner and says the storyline of a man from Beskydy forests, which romantically admires demanding and risky work of seed gatherers who come out each day into the crowns of mature coniferous trees
Description: ASP Razlan, Inspector Farah, Detective Inspector Razif and Sally, a member of the Task Force Unit Royal Malaysia Police led by Superintendent Mansor, was given the task to beat a drug syndicates and international gun smuggling. Masta a widower apply Farah Farah for the happiness of their kids but not the final say. Farah also having issues with her sister Ella, a rock singer who led his brother out of the house and stayed with Eddie kids tycoon. Farah and Razlan relationship more closely. They plan to marry as later as the situations handled completed. They both were subjected to unexpected accidents that occurred before Razlan and Farah married
Description: A Hungarian soldier returning from fighting in the Second Globe Fight marries the girl he believes to be the widow of a former comrade who he thinks died in the Prisoner of Fight camp in which they were held. The movie was banned in Hungary because of its depiction of the controversial trouble of Hungarian prisoners held by the Soviets.
Description: Benjamin is a young poet from Turkey, works in Bosnia as a volunteer to support the extrication of dead bodies from the mass graves. He comes to Bosnia in order to escape from his past. A childish minigame of Benjamin causes Joseph's lover-Zeliha's dead. The psychological pressure of his job revives his past in his dreams. Zrinka is Serbian-Bosnian psychologist who is supporting to the folks in post fight syndromes.Benjamin meets her committing suicide on Mostar Bridge.By the time they fall in love. She releases Benjamin from his qualms of conscience. Benjamin goes back to Turkey to face with his brother and past. Zrinka saw a dream something terrible happened to Benjamin. She goes to Turkey but she finds secrets and fresh description of love.
Description: Because Dan McDowell is unable to operate the fresh mechanized fire equipment, he is retired with a tiny pension; his son, Johnny, quits school to work in the fire department; and his old horse, Bullet, is sold to a dirt-hauler. Dan is charged with stealing Bullet and is jailed, but he is cleared in time to give valuable aid in a fire that traps Johnny's sweetheart, June Rutherford.
Description: First one stranger, then another, arrive at the presidio, every with a government pass and every claiming to have been robbed by the notorious Captain Fly-by-Night and his highwaymen. The troops and Señorita Anita trust the first to be Fly-by-Night and the second to be Señor Rocha, Anita's fiancée and emissary of the governor. But the first stranger, to whom Anita is drawn, proves to be on a government point and exposes the second stranger as Captain Fly-by-Night.
Description: Nelli, the icy, introverted farm girl, needs to search a husband following her father's death. She accepts the attentions of the noisy Takaró Sanyi, although she is more attracted to his silent and modest younger brother.
Description: The storyline recalling the spirit of Gilgamesh, the Sumerian lord quarrelling with his approaching death, takes zone in a cancer hospital in Budapest. Dávid, the young ethnography scientist resigned to his lot and is indifferent to his approaching death. His specialist reckons, however, that such a searching and stubborn mind with thorough knowledge of the nature of his own illness, will be able to war death.
Description: A boy (Gunnar Hellström) meets prisoner Nils Gustaf Boman and asks him why he strayed from the straight and narrow. The prisoner says: "Put yourself in my position." The boy does and sees before him himself as Nils Gustaf Boman.
Description: In 1999, during the NATO bombing in Serbia, a young tv editor (Boris Milivojevic) in an underground shelter - turned mental institution is having a psychiatric exploration through which he reflects his story...
Description: Drushya is a 2014 Indian Kannada language drama thriller movie directed by P. Vasu and starring V. Ravichandran and Navya Nair in the lead roles. It is the makeover of the 2013 Malayalam movie Drishyam, directed by Jeethu Joseph and starring Mohanlal and Meena. The helping cast detail an ensemble of Achyuth Kumar, Prabhu Ganesan, Asha Sarath, Swaroopini Narayan, Unnathi and Rohith B.
Description: Sudanese filmmaker, Ibrahim Shaddad provides a dramatic and strong acc of the trials and tribulations of a Sudanese villager in an alien, huge city. Shot entirely without dialogue, the film's innovative test of sound supports say the storyline of a shepherd who leaves his wife and herd to settle in a nearby town. Since its premiere at the Alexandria Movie Festival, Insan has been shown in a number of festivals in the Middle East and Europe. This movie is a prime example of experimental Arab cinema.
Description: A teenaged man goes for a ride with his brother and the brother's friends, who proceed to rob a shop and murder the clerk. They are caught and, despite the young boy's protestations, he is convicted of murder and sent to prison. A female social worker assigned to the boy's situation not only believes him, but starts to fall in love with him, and determines to either support him prove his innocence or escape.
Description: On the brink of the 2007 U.S. troop surge, two Units Recruiters face the daunting pressures of recruitment while their own deployment is on the line. Sgt. Harris (Lew Temple) has been stationed in the recruiting office long enough for it to feel like home. On the another side of the world, a roadside bomb rips through a Humvee, and after recovering from the attack, Sgt. Mason (Clayne Crawford) gets reassigned and winds up in Harris's office. Mason wants to go back to the front lines, but he finds out that the fight isn't confined to the battlefield.
Description: Gail Ellis, a secretary, accompanies Professor Silas Griswold and his wife to China on an expedition to acquire antique vases. Curiosity draws her to the Shanghai slums where, unknown to Gail, her driver is participating in a scheme to abduct her. Gail escapes, but in the process is accosted by drunken sailors. Luckily, Rupert O'Dare, a young Englishman, is nearby and rescues Gail. He escorts her back to the hotel where he discloses his identity as a British secret service agent and proceeds to arrest the Griswolds for smuggling opium in antique vases. Gail then reveals herself as a member of the United States Secret Service and the two agents fall in love.
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After my third viewing, I can finally admit that this movie has me. I enjoyed it during its theatrical run, enjoyed it more the second time around, and now, I can only tell that I love it. The cast is exemplary. Tom Cruise is so nice in this movie that it is very often simple to forget he is Tom Cruise. Easy his most strong role and greatest performance since Jerry Maguire. Ken Watanabe, however, is wonderful in each stage - acting with a rare sensitivity and intensity and breathing life into a hero much larger and more human than the grand storyline of which he is a part. Though the whole cast is excellent, I feel that I gotta also single out Koyuki and Shichinosuke Nakamura for, respectively, the female lead and the emperor, for the subtle strength and believability they every give their very challenging roles.The storyline takes zone during the early modernization of Japan, in the 1870s and 1880s. The Emperor's power has been weakened by the political and economic power of his cabinet, by his young age, and by the political influence of the United States and another western powers pulling the strings of his cabinet and supplying modern weaponry and strategies to the modernizing Japanese army. Cruise plays Captain Allgren, an alcoholic veteran who has seen and participated in too many massacres of innocent people, and is offered an occasion to reclaim some of his honor by supporting to train the Japanese military in the test of firearms. When he arrives in Japan, we learn that the first use of the Japanese units and its fresh weapons will be vs a rebellious group of samurai who trust themselves to be in the service of the Emperor and Japan, but resist the Emperor's cabinet and the influence of western nations. In the power void left by a passive emperor, Japan seems poised to enter into a civil fight vs its own values, faith and honor. During the first attack on the Samurai, Allgren is captured by the Samurai and starts a spiritual, physical and philosophical adventure which will bring him a lvl of self-respect his own culture should never supply.My interpretation of this adventure is that Allgren has found a zone and folks that offer him redemption, where, in his own world, he can search none. But Allgren's is only a tiny part of the storyline - which ultimately revolves around what is right for Japan, for the subjectivity of a entire nation, and how to portray such a topics from its own perspective. Traditional Japan is treated with empathy here, not aggrandizing exaggeration, as some of the film's critics seem to suggest. This is not a movie about what is objectively right and wrong, but a movie about struggling to understand and empower tradition as a means to control and benefit from change. I search no grand moral statement here, but rather an intense, sympathetic, human drama with a powerful sense of honor and sacrifice.Edward Zwick has made a movie which operates well at each level, carrying easy but profound philosophical ideas, but avoiding the mistake of making these concepts and the characters that express them super-heroic. Ultimately, this beautifully shot movie conveys strong messages about war, tradition, ethics, honor and culture, which, though not particularly original, are sensitively and intelligently brought forward. There is a lot of action, including some remarkably well-acted sword fighting and martial artistry, but none of it seems unnecessary and the entire movie is truly tightly woven. My highest recommendation.
The Last Samurai is a brilliantly crafted aesthetic pleasure, studded with supernal performances from Ken Watanabe and Tom Cruise. In fact, Tom Cruise unarguably gives his greatest ever performance, surpassing his portrayal of Jerry Maguire in the eponymous flick. His plaintive portrayal of Nathan Algren, not only evokes pathos but also seeks sympathy of the contemporary viewer, who can vicariously relate to Algren's disconcertion, owing to his inner conflicts of patriotism vis-à-vis humanity.However, it is Ken Watanabe, who steals the present with his mesmerizing and poignant portrayal of Katsumoto, the leader of the last guild of Samurai. His screen presence and delivery is truly nice and even outshines that of Tom Cruise, which is a compliment in itself. The scenes between Watanabe and Cruise are pure gold, depicting fluctuating feelings of hostility, compassion and camaraderie. Watanabe's intense and strong performance in which he displays a wide range of emotions, is definitely worthy of the coveted statuette, but the academy never fails to disappoint. Watanabe's brilliant portrayal, not only mesmerizes the viewers, but also convinces the critics of his acting abilities. The tacit adoration between Algren and Taka (subtly played by Koyuki), enormously adds to the beauty of the movie. All this coupled with some brilliant cinematography and a mesmerizing score, makes it a treat to watch and a truly surreal experience.http://www.apotpourriofvestiges.com/
I was skeptical about this film because not each high-budget detail with Tom Cruise is guaranteed depth or serious acclaim, although it may gather at the box office. And Warner Bros place me through TORTURE to see this pic - changes of times AND locations, over and over. I felt like was on an survival test, an unbearably annoying treasure hunt over weeks and was frankly ready to give it a negative review (which I'm writing on behalf of a publication). However, I found the film truly and unequivocally remarkable and cannot include my review in 350 words.First, the experience was powerful. Edward Zwick was a masterful director. I was on the edge of my seat the entire time. The action, sets, scenery and storyline - even the dialogue - were riveting. Clearly, a ton of historical and cultural research and care went into the script, sets, costumes, casting. They didn't just Hollywoodize Kurosowa's "Seven Samurai" as a Tom Cruise vehicle. Nor was it Dances with Wolves or Seven Years in Tibet, two PC-preaching pics of yesteryear. It was a lot more like Braveheart meets Seven Samurai with elements of inculturation a bit reminiscent of Wolves and Seven Years.Rarely does a film have perfect acting across the board, but all the Japanese actors were outstanding, and the Americans and Europeans were perfect ... Tom Cruise was at the top of his game. His Independence Day angst combined with his moral nobility in A Several Nice Boys and The Firm. Ken Watanabe as co-star exemplifying bravery, wisdom and nobility was outstanding.In spite of this historical epic being "in vogue" at present, there were surprisingly several cliché storyline elements. Even the requisite (American-made movie) romance with Take (Koyuki in this role was wonderful) furthered the cross-cultural elements of the plot in such a method that neither culture was violated - and above all the `chemistry' was discreet in Japanese fashion, taking a important backseat without overshadowing the main storyline line, now adding richness to the process of "going native" for Captain Algren (Cruise). The subplot went far beyond an added store draw. Very tasteful and artful scriptwriting, with many colorful, developing characters. The thrust of the movie was the Western-Japanese cultural divide, differing ideas of value and valor and the political problems surrounding Japan's efforts to "Westernize." [cross-cultural studies have become a cinematic trend: Lost in Translation, Beyond Borders, The Missing, Japanese Story, etc.] Where most of the another movies fell short (and The Statement was an abomination], this movie succeeded brilliantly. The differences between the two cultures were considered and portrayed without fully bashing one (except in the political arena, but even there, the Japanese seemed to be inviting their own downfall, in many ways). There was no easy scapegoat or cultural domination message. The American Civil Fight captain, Nathan Algren (Cruise) goes abroad as not only a fight character but also a cross-cultural and linguistic expert. Being in Japan, (at first as a mercenary hired to train Japanese in Western methods of war), he takes on the study of the folks and their language. Although Algren's sometimes superhero abilities are a bit of a stretch at times, taking the native language seriously is special in American filmmaking (and American culture, hence our lowly reputation when traveling). Usually the American walks into the foreign stage and the pic automatically shifts to all-English. I was truly grateful to search the dialog half in subtitles because half the characters were Japanese - and Algren was speaking with them. Secondly, this film honors both cultures for their recognized strengths, even in their distinctiveness. For example, when the girl who is hosting Algren (in captivity) makes dinner, he supports her. "Japanese boys don't do these things," she says him. "But I'm not Japanese," he tells (in Japanese). Algren is not ashamed to uphold his homeland customs (although this was 1876... pre-sensitive 90s boy era, long before women's lib allow alone boys entering kitchens) when his own cultural customs or inclinations are methods of caring rather than domination. Other and more necessary example: Algren demonstrates American resilience and perseverance when he rises again repeatedly after defeat. This baffles the Japanese who are accustomed to falling on their swords in shame after defeat, for them a noble death. In these and many another ways, the Japanese Samurai (especially Katsumoto, Watanabe's character) and Algren learn to appreciate every other's ways. In many respects, the movie moves past the usual PC party line [of Dances with Wolves, Seven Years in Tibet and most others of related ilk out of Hollywood] and reflects on the beauty and dignity in the midst of difference between the two worlds, and how much they need to learn from one other without cash or domination as a motive. The dignity of the young Emperor Meiji finding his own cultural center, at the end, was especially moving. Overall, the movie had depth and substance with brilliant work in almost each zone of production and performance. The editing was marvelous - although it's long, there's no unnecessary material remaining. Not a moment of boredom. Props all around!
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