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Description: On the day of her birthday, eleven-year-old Angeliki jumps off the balcony and falls to her death with a smile on her face. While the police and Social Services test to explore the reason for this apparent suicide, Angeliki's family hold insisting that it was an accident. What is the secret that young Angeliki took with her? Why does her family persist in trying to "forget" her and to transport on with its life?
Description: While walking home from her recent OB appointment, a very pregnant Esther Woodhouse is brutally attacked and disfigured by a hooded assailant. This horrible happening seems to be a blessing in disguise when Esther finds consolation in a help group. Her life of sadness and solitude is opened up to friendship, understanding, and even acceptance. However, friendship and understanding can be very risky things when agreed by the wrong people.
Description: A veteran police detective becomes a criminal justice teacher and baseball coach at a local high school, leading him to the most necessary investigation of his life. Inspired by real events.
Description: Handover Law met his girlfriend, Rayna, at the last July 1st march in 2010. This year, they will march again to celebrate their meeting, his birthday and protest the government. This joyful day takes a turn when Rayna runs into her 'mainland Chinese' schoolmate.
Description: Fleeing Troy in the wake of its destruction, fair-faced Helen and her faithful protector Arion run into the pharaoh Ramses, who sets his sights on Helen -- and is subsequently murdered. Actually it's up to Arion to save Helen from those who want her dead.
Description: The third episode of the Towns of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The storyline line of every segment focuses on an encounter of love in a various neighborhood of the city, demonstrating the distinctive qualities and hero of that location. The movie serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating special and universal expressions of love.
Description: Unexpected happenings occur over a long weekend when Pat, a glamorous British born star of American soaps, returns home to plug her auto biography on tv and meets, for the first time since they were teenagers, Margaret her plain, fat and frumpy younger sister. The meeting is painful for both sisters highlighting the vast differences in their lives and resurrecting painful memories of their unhappy childhood with their uncaring mother. The tabloid press smell a juicy storyline and a race ensues to trace the actual whereabouts of the long lost errant mother...
Description: Inspired by a real storyline about a young German girl prepares to leave her war-ravaged town to start a fresh life in America with her G.I. fiance. But standing between her and a hopeful future is a relentless police inspector, determined to prevent her from escaping her past. He pushes her to face the truth about a child, whose secret the girl has kept all this time. Before she can leave for her fresh life, she will be forced to confront the past she has been trying to leave behind.
Description: When a highly-skilled martial artist turned rookie cop loses his greatest mate to a gambling syndicate that runs a to-the-death war competition, he makes it his point to bring justice.
Description: Zaman is a sweet and sad storyline about love and devotion, hope and fear. Zaman (Sami Kaftan), and his wife, Najma (Shatha Salim), have built their satisfied life together in their house of reeds and, though childless, adopted a boy, Yacine (Hussein Imad), orphaned by the 1991 Gulf War. They have lived a quiet, contented existence until Najma falls ill. The local doctor says them she needs surgery or some unique medicine he does not have. And so Zaman sets off in his tiny boat and adventures up the Tigris to Baghdad in find of the precious cure. Thus starts the adventure of salvation and discovery for "Zaman, the Boy of the Reeds."
Description: Tariq's aristocratic family has arranged for him to marry Bilquis, the daughter of a rich judge. However, while out in the town one night, he catches sight of a girl he believes to be Bilquis, and falls in love with her. The girl turns out to be an orphan from the lower class - a henna artist called Ines.
Description: In the early 1960s aspiring scene actor Harry H. Corbett jumps at the possibility to enjoy junk-dealer Harold Steptoe in a tv comedy present 'Steptoe and Son'. However, the show's success proves to be a poisoned chalice for him, type-casting him and thwarting his scene ambitions. Wilfrid Brambell, the actor testing his father, is marginalized in a various way. He is a gay boy in an England where homosexuality is still illegal.
Description: After losing their parents when they were toddlers, twins Sam and Matt form a special brotherly connection to survive their childhood in an abusive foster home. As adults this unique bond is threatened when Matt becomes enamored with a neighborhood girl, leaving Sam behind for the first time in his life.
Description: Ambrosia is the storyline of an Iranian-Canadian couple, Ali and Leila, who dream of an exciting future in Vancouver: Ali owns a pizza store and thinks of expanding and Leila is an up-and-coming clothing designer. However, their cases change dramatically when Ali's store is affected by terrible economy and Leila is hired to work at a fashion design firm.
Description: HELEN OF FOUR GATES was made in Hebden Bridge in 1920 by silent movie pioneer Cecil M. Hepworth. Based on a famous novel of the same the movie had folks queuing round the corner at cinemas when it first opened before soon falling into obscurity with all copies believed to be destroyed…up until 2007 when an original print was discovered in a vault in Canada
Description: An ivory ape escapes from a freighter and makes its method to Bermuda. Two anthropologists wish to save it, but the local authorities hire a big-game hunter to track it down and slay it.
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It's hard to see why folks have such a difficult time with this movie. Anyone who is interested in European art cinema of the '60's or even the novel since Joyce could have no problem reading the movie on at least some levels. Hopper's way here is to test and receive inside the head, to place thought and memory on the screen, not just pictures.Part of the trouble may be the sheer complexity. There are probably enough concepts crammed in here for a dozen movies, and Hopper throws them all at us, often simultaneously. There's a storyline about American imperialism, there's a storyline about the artifice of film-making, there's a storyline about the method audiences view cinema, there's a Christ allegory wrapped up with a general sacrificial victim theme, a storyline about boys and women, sex, cash and power, there's Hopper's own story, the storyline of cinema itself, there's a satire of Hollywood conventions in general and the Western in particular, very notably there's a storyline about the Peruvian landscape, ravishingly shot by Laszlo Kovacs. There's even the storyline of Hopper's gofer lost in a society he doesn't understand if you wish a easy narrative to hang on to. The movie combines all these facets into a structure which can only be described as crystalline.Devotees of "folding" could search plenty to occupy them here - there's the movie about Hopper's hero "Kansas", the movie Sam Fuller is making, the villagers' "film", "The Last Movie" itself, an on-set home film and probably few others besides.Hopper gaily references (and steals from) everyone from Fellini and Godard to John Huston and Nicholas Ray, and of course goes bonkers in Peru well before Werner Herzog got around to it (and appropriates tribal culture in a strikingly related way).Definitely not a movie to be missed by anyone interested in fractured narratives, postmodernism in movie or the pretty image. Vastly underrated and well worth its Venice prize, this is to "Easy Rider" what "Pulp Fiction" is to "Reservoir Dogs". Hopper as a director has never been better.
This film isn't nearly as terrible as I thought it was going to be. But I don't know how to suggest it, or to whom. Do you like Dennis Hopper? Well, here he is, in almost each scene, and he never looked better. A pretty face, the graceful cowboy. In fact, he appears so genuine in this movie that I start to realize what an acting job he was doing in Simple Rider. The scenery is haunting, and the film has a poetic, lyrical rhythm....yet sometimes seems to go on too long, and the mind wanders....but I loved the feel of it, the primitive environment of the Peruvian village, the ever-present mud....contrasted with the lewd and crude wealthy Americans. And I happened to play the home-movie aspects of this film, also. I delighted in picking out Dean Stockwell, Peter Fonda, John Phillip Law, etc. in the Hollywood on Zone shots....I loved the spontaneity of the last scenes of dialogue....hell, I loved seeing Kris Kristofferson sitting on a rock singing Me & Bobby Magee....but would anyone else?
I watched this movie twice. The second time I watched it I was simply trying to figure out why I liked it the first time---but like it I did. Usually I don't like this type of film, because I think they're pretentious. (NORTHFORK, as an example.) I think if ten folks watched this film, those ten folks would take ten various adventures and wind up at ten various destinations--so I can only describe what I felt---and it really was, for me, strangely enough, only a feeling. For me it boils down to this: I'm from Oklahoma. During the early years, growing up in the nice American heartland, the moral compass is very clear for most people. But the feeling, as you grow older (and migrate away from your roots), that with every season something precious is slowly draining away, and that things you care deeply about become like sand dunes that change shape and form with each rising sun---and there seem to be a progressive sense of loss---loss of the north star, reference points, meaningful trails in your life, until one day you are forced to stop and ask yourself, "Where am I, and what the hell do I care about anymore?" That's when you go to the pound and adopt a dog. I'm sure that my response to the movie had absolutely nothing to do with what the creators intended, but I liked the movie very much, and can't support but feel that this movie is vastly underrated and was never given a fair chance.
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