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The Juror 1996
Description: With his gangster boss on trial for murder, a mob thug known as "the Teacher" says Annie Laird she gotta talk her fellow jurors into a not-guilty verdict, implying that he'll slay her son Oliver if she fails. She manages to do this, but, when it becomes clear that the mobsters might wish to silence her for good, she sends Oliver abroad and tries to gather evidence of the plot vs her, setting up a final showdown.
Released: 02 Feb 1996 Director: Brian Gibson Writers: George Dawes Green (novel), Ted Tally (screenplay) Actors: Demi Moore, Alec Baldwin, Joseph Gordon-Levitt, James Gandolfini Genres: Drama, Thriller
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The Juror Reviews:

I thoroughly enjoyed this film and am at a total loss as to why it scored such a weak vote. I guess these days a film just can't be a large hit unless it has lots of fancy unique results and sex scenes. 'The Juror' has a strong, simple to follow plot and some really nice acting; Alec Baldwin's role was terrifyingly real! I'm no fanatic of Demi Moore, but she played her part very well. And the child that played her son was equally nice -- I remember him from the TV series 'Third Rock from the Sun' and everytime liked him. To anyone thinking of renting this flick, I tell pay no attention to the naysayers and go for it!


When Annie Laird is chosen as a juror in a large Mafia trial, she is forced by someone known as "The Teacher" to persuade the another jurors to vote "not guilty".He threatens to slay her son if she doesn't commit. When the trial is over, he can't allow her go...There are two large issues with this movie, they could have trimmed the ending by at least ten minutes, and Baldwin could not have got his motivation from the T-1000.There are times when he is so autonomous, you can almost hear the mechanics grinding in the background, which is a shame, because in the first act, he is really convincing, but when we search out he's the Teacher, it's as if he's expecting the audience to wish him go that tiny more Psychotic.Moore is as nice as she everytime is, convincing as the parent who is worried for her son's well being. But when Baldwin and Moore are on screen together, it just doesn't convince. You do think each actually and again that they will receive together at the end, but thats only because the fear factor that Baldwin had in the first act vanishes.Gandolfini is nice in this film though, and shows what a talent he is. Just a shame he isn't in the film a lot more.There is some nice camera-work and nice performances, even from your token mobsters, who look like extras from Goodfellas.It's not a terrible film, entirely watchable, just not plausible enough.


Alec Baldwin comes on quoting from the Tao Te Ching, making me think he's my type of anti hero. He's urban, sophisticated and seemingly very secure since he's an art curator, or seems to be. Demi Moore as Annie Laird, a gifted and original sculptor (she sculpts works of art that you feel with your hands by reaching up into them: it's all tactile), is thrilled when he offers to purchase her work and sell it to the Japanese. Wow. She has arrived as an artist.Thus we have an intriguing and original premise for a thriller. One almost wishes that there weren't this tiny matter of her agreeing to serve on the jury in the situation of a Mafia boss on trial for murder..I will gloss over the excellent, if unlikely, plot since it would be preemptive to reveal any of it, and concentrate on Demi Moore who is gorgeous, strange and riveting.It might seem impossible to give an 'heroic' performance in a thriller, since the mission of a thriller is pure entertainment, but this film manages to look into the nature of nice and evil a bit more than most, and Moore plays her part like our dream of a real heroine. Her hero has strength and cunning; she's sharp without pretension. I everytime thought Moore was better than her reputation, but somehow she everytime seemed a tiny on the not entirely bright side, the type of actress who would never presume to enjoy Shakespeare. But actually I think she's a 'natural,' like a gifted athlete-I'd almost tell an 'animal'-as an actress, which is probably why some folks don't like her. She can project the pretty woman, an ordinary woman, or herself as a matronly girl with just a turn of her head. She can display a wide range of emotions and be, by turns, both a masculine and a feminine entity; but she is not androgynous. The role she plays here is, in a sense, the feminine counterpart of many Harrison Ford roles, the ordinary person elevated to heroic action by compelling circumstances. I would not tell that Demi Moore is a nice actress, but she is close, and I should be wrong.Alec Baldwin combines megalomania with a seductive cynicism. He fills the screen with his presence like something you can't receive rid of. He is so compelling you wish to push him away or just give up. And he is charming-evil, but charming.Brian Gibson's direction is unobtrusive and clever, and he pays attention to detail. The script is relatively gratis of the implausibilities that usually mar the genre, and the editing is crisp without jarring. The storyline practically transcends the category by making us feel the evil of violent crime and how it perverts society, the sort of revelation not usually attempted in a thriller. I was especially delighted to see the Mafia demeaned and defeated, even if it's only by a fresh breed of international criminal. This is a superior thriller.(Note: Over 500 of my film reviews are actually accessible in my ebook "Cut to the Chaise Lounge or I Can't Trust I Swallowed the Remote!" Receive it at Amazon!)



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