See The International [Trailer 2] .
See The International (2009) | Mus.
See The International (2009) - Tra.
See The International - 'Openi.
See The International - banking sc.
See 'The International' Tr.
See The International (2009) | Mus.
See The International , 2009 [open.
See The International - film clip .
See The International - Deleted Sc.
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Description: The end of the 1920s. Polish Diet a bill discusses the Fight Ministry to increase the production of weapons and oil for the needs of the army. Occur violent clashes between right-wing forces and the Communist faction, opposed the fight with the USSR. The leader of the Social Democrats Staszewski asks to project that a massive burden will fall on the budget for improvements to the commission. At this time, in oilfield Bohuslav strike, caused by difficult labor working conditions, starvation wages and anti-Soviet privacy of the government.
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I was persuaded by my brother to see this film. I wanted to see other one but since he was visiting I accepted with his choice, and was surprised to search myself liking the movie very much. OK, the script should be a tiny better, but the direction and acting were very good, even down to the helping users such as the actors who portrayed the two NYC cops who support the main character, Interpol agent Sallinger (Clive Owens), once the storyline moved to NYC. What I particularly liked was the method the storyline was said cinematically rather than through a lot of verbose dialogue. It seemed to me like a Bourne thriller for adults. No kinetic hand-held camera action, but smooth visually appealing cinematic exposition the method Hitchcock did it in his prime. Even the closing credits were used effectively to give a rather downbeat dénouement to the film.In short, an entertaining film that alleviated the February blues.
No spoilers.I cute much had zero expectations for this film. I'd seen an advertisement or two and it looked conventional at best, clumsy at worst. The previews certainly don't do it justice. It begins smart and mean and doesn't allow up. Not everyone will play the unrelenting mood, but I found the picture intense and the rest of the audience in the theater seemed to agree. It supports that Clive Owen is believable as the protagonist and is highly watchable. A lesser actor in the role would have made the movie much less effective. Armin Mueller-Stahl also adds credibility and depth. Another helping actors were, for the most part, powerful and gritty. There was probably pressure for a female lead, so in Noami Watts's defense, this is probably part of the reason why the hero feels so irrelevant.I'm satisfied anytime that a slick international thriller has some brains and isn't fully predictable, so I found the picture highly entertaining, if imperfect. It it flawed? Most certainly. But if you walk into the theater without pretensions, you'll probably be as entertained as I was. And I do think a theater visit is warranted, for the photography mentioned by previous reviewers, if not for the Guggenheim stage alone. I think it's risky to trump up a stage too much, because it inevitably leads to disappointment. But having no concept about what was coming... suffice to say, I didn't search the directing anything another than thrilling.
I was with them until they started a full on shoot out inside the Guggenheim. One shot fired in any building in Manhattan and the zone is full of NYPD Blue within 3 minutes. Guys walking around a major tourist attraction spraying Uzi fire without 100 cops storming the zone is insane. It's named suspension of disbelief, not suspension of sanity.Clive Owen was entertaining and I liked that the Chief from Rescue me was one of NYPD's finest.Regardless of your opinion about banks and multinational corporations, its a fun watch.
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