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The Impatient Maiden 1932
Description: A maid's dream comes real but are not quite what she expected.
Released: 01 Mar 1932 Director: James Whale Writers: Donald Henderson Clarke (novel), Richard Schayer (screenplay), Winifred Dunn (screenplay), James Mulhauser (additional dialogue) Actors: Lew Ayres, Mae Clarke, Una Merkel, Andy Devine Genres: Comedy, Drama, Romance
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The Impatient Maiden Reviews:

A fascinating curio, Impatient Maiden reveals director James Whales' cinema style as well as his private evasiveness.This slice-of-life romantic drama concerns one Ruth Robbins, effectively portrayed by Mae Clark. By day, a secretary to a divorce attorney, Ruth brushes up vs life one broken marriage at a time. At home, a neighbor's wife attempts suicide when her husband leaves her and it's left to Ruth to summon an ambulance. So when ambulance driver Myron Brown sparks Ruth's interest, Ruth's own cynical attitudes become her largest obstacle. Distain for marriage and having private obstacles were themes which may have found resonance to the personally challenged James Whale. He presents his tableau in matter-of-fact style, without undue emphases: Ruth's lonely plight is just something she does everyday.Lew Ayers as Myron Brown displays a natural ease in his role, and with Whale blocking for him he'll never look better. Helping roles are well cast. An early Andy Devine keeps the dramatic tone from sinking. On the distaff side, an ebullient Una Merkel is on hand to perk up Ruth. Nice casting and solid performances maintain a balance that makes this movie more "accessible" than others of this ilk.The presentation is smartly handled, too. A Whale trademark was a stage transition that followed characters from room to room by tracking the camera through the wall. Though the end of the wall gets a close-up, the viewer's perception is priority. Rose walks from one end of her apartment to the another and in one shot the limits of her 3 room flat are established. Indeed, the movie opens with an establishing sequence when Rose leaves for work. In a zone shot, she quits her flat into a rundown neighborhood and boards Angel's Flight. She continues her conversation as Arthur Edeson's camera boards and rides down a piece of history. The viewer gets a true feel for what Ruth's life is like.The attraction between Ruth and Myron is advanced and retracted like waves on the beach. Love can't catch a break until the last reel. Elusive love, what fun the chase is, especially in this film. Recommended.


What an odd movie for James Whale to follow up "Frankenstein" with!This is a strange tiny romantic drama, about a girl in love with a young doctor. Because he can't help her financially he leaves her,and she becomes a "kept" girl when she takes up with her wealthy lawyer boss.At once cynical and romantic, it's difficult to work out what the mission of the entire thing is. Una Merkel is lots of fun though, and Ethel Griffies nearly steals the picture. And the young and pretty Lew Ayres is lovingly filmed by Whale. The movie also demonstrates what a fine actress Mae Clarke was, and how she deserved better material as she grew older.In all an unusual and entertaining movie from a nice director, but also a baffling one.


Clara Bow, the popular sexy flapper, was on her method down as a film star. Universal was able to arrange with Paramount to receive her on loan. Universal had purchased the rights to a novel, 'The Impatient Virgin", which, back then, was very juicy, practically pornographic. (It wouldn't be now). Universal expected to create a fortune with that combination.When she saw the script, La Bow bowed out. Too sexy. The script was made especially for her. Bow was a oner. Exeunt Bow, exeunt the story.When the script, which followed the ebook closely, was submitted to the MPPDA, the self-censoring body of the major studios, the organization instantly banned the word 'virgin'. They recommended 'maiden' instead.They advised vs nearly the whole script. The movie was assigned to two another directors before James Whale was forced to direct it. He didn't wish to, he wasn't interested in it. The Hays office, which is the MPPDA, advised them to take the heat out of the script. They did. It became a various story, and there was not a single stage in it which was now hot. (There is a seduction. I won't tell if it came off or not).Whale didn't receive along with the star, Lew Ayres. Ayres had made a bunch of films in the last two years, but he still didn't know his craft. Whale never gave him any advice. He hardly spoke to Ayres. Still the movie garnered some friction. A censor board slash out the main part of the appendectomy scene. It told the seduction was all right.The movie died a fast death, did not receive much business in the large town venues, was not re-released, and never made it into Europe.The review from the Fresh York Times, titled 'A Naive Melodrama', by A. D. S., March 4, 1932 tells in part:Everything it has to tell is in the title.On the entire there seems nothing James Whale, the talented director of "Frankenstein" and "Journey's End," should have done about this one.



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