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The Hotel New Hampshire 1984
Description: The movie talks about a family that weathers all sorts of disasters and keeps going in spite of it all. It is noted for its unbelievable assortment of oddball characters.
Released: 09 Mar 1984 Director: Tony Richardson Writers: John Irving (novel), Tony Richardson (screenplay) Actors: Rob Lowe, Jodie Foster, Paul McCrane, Beau Bridges Genres: Comedy, Drama
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The Hotel New Hampshire Reviews:

I gotta tell I'm surprised by all the strongly unfavourable reviews. I saw this one back in 1984 when it was first released and I loved it for the very reasons that some folks here seem to hate it. It was deliciously weird. Our heroes are in an incestuous relationship, and the film is uncritical of this. That gets the brain working from the start. Then you explore the another bizarre characters and their relationships and the film becomes, to me at least, extremely lovable.Admittedly, Rob Lowe's acting isn't up to much, and that's glaringly obvious here, but it doesn't destroy the film, and there's nice work, as usual, from Jodie Foster to compensate.Basically, this is a light-hearted, feel-good movie that I would expect to have mass appeal. To top it off, it achieves this result without being overly sentimental. That's rare. If you haven't seen it, give it a whirl. If you don't like it, hold on passing launch windows.


I just bought this movie on a Norwegian home video, and the cover bragged about the ratings it had gotten in Norwegian newspapers (5 out of 6 in the major papers). I thought this had to be a nice movie, so I checked it out on this site, and was surprised to see how terrible the reviews were here.Now I've seen the movie and I gotta tell that I accept much more with the Norwegian reviewers than the players of this website (except those who gave it a nice review). This film is brilliant. Almost as nice as The Globe According To Garp, which happens to be one of my favorite films of all time.The excellence of these movies is that they're so focused on the main characters in the movie, that you really begin to know them, and care about them. This is something you don't see in many movies. Here you follow the entire family from they're young 'till they're old, and you begin understanding how they've become the method they are, and why they act the method they do.As Garp, this film is also very much focused on sex and love, and in the most bizarre methods possible. But so what? In the globe there are many types of persons, why could a ebook or a film just focus on the "normal" ones? The fact that the persons in these movies are not "normal" makes them more acceptable and believable to the average viewer. "Normal" in films normally means perfect, and very several persons are perfect... In Garp and Fresh Hampshire the characters are not perfect, and that's what makes the movies perfect...The cast also does an perfect work with their characters, everybody is believable. And the director has done an perfect job pacing the movie in a method that it doesn't transport too fast, and it never bores you by going to slow.All in all: an perfect film that I'd suggest to anyone who hasn't yet been fully brainwashed by Hollywood's photo of perfectionism. Almost as nice as Garp. If you liked Garp, you'll love this one too. And vice versa. I give this movie an 8 (almost 9) out of 10.


This storyline had a very complicated plot and had too many characters. The screenplay could have slash out a substantial number of the characters. Rob Lowe, as John, is passable. Jodie Foster, as Franny, is amazing. My suggestion is to pay attention to the scenes involving Franny, and to ignore nearly everything else.The Wallace Shawn hero could have been cut. The Austrian radicals could have been cut, too. The love affair between Franny and Susie the Bear could have been developed further. Or, perhaps instead of cutting 40% of the story, this could have been made into a 4 hour film with one intermission. Film theaters here in the States used to have intermissions.



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