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The Hollywood Strangler Meets the Skid Row Slasher 1979
Description: A photographer cruises Hollywood and takes pictures of young models he then strangles. Meanwhile, a girl who works in a porno bookstore in downtown L.A. takes it upon herself to slay off the local derelicts. Later the two assassins meet up with every other.
Released: N/A Director: Ray Dennis Steckler Writers: Ray Dennis Steckler Actors: Pierre Agostino, Carolyn Brandt, Chuck Alford, Jim Parker Genres: Crime, Drama, Horror
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The Hollywood Strangler Meets the Skid Row Slasher Reviews:

Unapologetically lowbrow sleaze, and cute potent to boot, "Hollywood Strangler" is an undervalued keyhole-peek at raging lustmord and urban decay. Related to the 50s classic DAUGHTER OF HORROR in its dialog-free presentation, the movie is largely narrated through the inner-thoughts of a diabolical madman...his warped mind surging with rabid hatred of females which drives him to strangle. And strangle again...and again... By and by, he becomes intrigued by a staunch female bookshop clerk who, unbeknownst to him, is a serial assassin as well. With switchblade in-hand, she supports to rid the L.A. roads of the drunks and degenerates she so passionately detests. The eventual collision of these two psychotic personas effects in a most unnerving tango. Ingenious test of dingy backstreet territories is beneficial to the asphalt-and-pavement grittiness of this film, the camera leering voyeuristically upon smut-theater marquees and random profligate sluts tramping about in booby-buster tanktops and cheek-peek short-shorts. Ultra-minimalist cinema defined...a shining star on the index of one of filmdom's most peripheral figures. 7/10


After waiting nearly twenty years to see The Hollywood Strangler Meets the Skid Row Slasher, I was not disappointed. This is one of Ray Dennis Steckler's greatest films, rivaling his classic cheapies from the sixties.A lot of folks probably look at this one as a cheap slasher flick (emphasizing the cheap, since it was filmed without sound). I suppose the slasher movie fanatics found it disappointed because the slasher aspect was cute limited (and the blood was rather obviously fake), but I found it to be rather entrancing for some reason, maybe because of that. The cinematography was great, the choice of territories was perfect (seeing all those old porn stores and what not that you really don't have anymore to deliever local color to an zone was enjoyable). There's a surreal reality to it all, from the nearly-glowing red blood on the slasher's victims, to seeing all of the film memorabilia in the used ebook shop that Carolyn Brandt's hero works in (that poster for Last of the Wild Horses is something I'd cut someone for too).This has to be one of the quirkiest "love" stories you will ever watch. For some reason, about the only film I can think of compare it to is Daughter of Horror (without all the Dali-esquire imagery, of course).This movie is definitely worth a viewing, whether you're a Ray Dennis Steckler fanatic or not.


This' A nice movie but it has terrible acting.There's two differentplots in this storyline that eventually falls into one story. A photographer (pierre agostino) takes pictures of models and when they begin coming on to him,he strangles them.Then there's A girl (carolyn brandt) who runs A bookstore,she goes around killing homeless drunks with A knife.Well the strangler begins stalking the girl which ends up in an bizarre ending.This movie was directed by ray dennis steckler (he used the pseudo name wolfgang schmidt),the director with countless cult films of the 60's and 70's.This' got to be one of the greatest ultra weak budget films of 1979 because of the cinematography.In 1985,there was A follow up to this film named las vegas serial killer,again with pierre agostino as the crazed strangler.



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