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See TCM 1931 Best Actress & Ac on youtube.
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Description: Love. Grief. Shock. Denial. Sleeplessness. Bubble bath. Mucus. Masturbation. Pigeons. Toothpaste. Hospital. F**k. Bye. Hair. Sports. Chicken. Bootie. Kids. Rejection. Squirrels. Cries. Awkward. Ninety-five scenes. Five minutes. Life's a bitch.
Description: Terrible Rena tries to search cash to pay her lottery partner because she destroyed the wining lottery-ticket.She and her brothers who test to support her end up in harem.
Description: Mr. Müller is not pleased with his fresh work at the Goethe-Gesamtschule. The early getting up and correcting exams annoy him. Director Gerster wants to improve the photo of the Goethe-Gesamtschule because she wants to be a symbol of the fresh company. To achieve this, she wants to take away the partnership from the Schillergymnasium with a Thai school. So, Mr. Müller, Mrs. Schnabelstedt and the 10b gotta go on a school trip to Thailand.
Description: Trevor Moore recorded his first solo one-hour special, High In Church, at The Gramercy Theatre in Fresh York. Accompanied by a live band, dancing women and melody videos, Trevor performs an hour of brand-new sketches and songs spanning all musical genres.
Description: Paris - an American who recently arrived in Brazil - and the Brazilian Thais start a easy friendship sharing feelings and sensations, even if they do not understand a single word every othar says.
Description: Three advertising executives are doomed to perpetually look for the right man. Tates, Katie and Sonia are all are stuck in a rut with love, sex and marriage. Tates will do whatever it takes to just to have the boy she wants even if he is tangled in a messy annulment situation and even if it takes her to shed a lot of cash to have him. Katie found her love storyline with a macho dancer but is afraid to allow her mates know because of his unconventional job. So she tries to give him a more decent look for her mates to see. She also finds bodily insecurities because of her chubby physique. Sonia is the two-timing chick that finds her self pregnant while being with two men. She is in-love with a painter but finds more safety with a rich man. Despite her powerful feelings for the former, she chooses to be with the latter in order to deliever better for her and her child.
Description: The movie revolves around Vihtori's clandestine involvement with an pretty and rather worldly young girl called Ritva, who is planning to marry boxing winner and garage owner Klasu Tullari, son of Vihtori's mate Tomi, and their interactions with daughter Vappu and her fiancé, Peter von Schaslick, a mechanic in Klasu's garage, under the nose of the threatening and suspicious Klaara, with lazy son Nisse acting as a rather sardonic Greek chorus. Teuvo Tulio's only comedy.
Description: Worker Maks Bigec decides to take things in his own hands when he hears that his factory will be closed. He takes the factory director as a hostage and demands that the state could reopen the factory.
Description: A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is everytime predating other being, but is in its turn predated by some another animal, until the circle closes. It starts like this: an old girl is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...
Description: Eve Jacobs (Corrine Bohrer) is 39 years old, and her biological clock is threatening to begin running down at any moment. Eve wants to have a baby, and has decided the time is now; however, she's not having much luck conceiving, and her husband Adam (Johnathan Penner) has more than a several anxieties about the prospect of becoming a father, especially as he approaches middle age. Eve starts consulting a battery of doctors, hoping someone can support her with her issues conceiving; she also attends meetings of a help group, WOMB (Women On a Point to have a Baby), whose leader Rachel (Mo Gaffney) encourages desperate girls to take desperate measures to have the kid they've of which they've been dreaming.
Description: Ramona is fat girl with too much weight and barely any luck. She recalls a childhood filled with moral abuse by her mother, sister and friends, calling her silly offensive names referencing her overweight. When she became an adult, things didn’t really receive any better. She’s fired for being fat, she wants a liposuction but the doctor informs her she’s not a candidate due to her overweight, and all her universe seems to be collapsing after a series of unfortunate events. But everything will later receive better thanks to some magical beetles she finds in a Tarot café.
Description: A rushing river caresses the life of a tiny city in southern Argentina: Choele Choel. Coco is an eleven-year-old child who intensely wishes to be a grown-up, to be a man. A walk along the river with Johana -his fresh Venezuelan neighbor- initiates Coco in the adult world. But his father and life itself slow him down and create him feel tiny and insignificant; just a child. When life gets complicated it is probably greatest to allow oneself go with the flow and float down the river like a drifting log.
Description: A group of eccentric folks gather at a famous bar in Ipanema, Rio de Janeiro, doomed to be closed to give method to the construction of a large building. Intellectuals, artists, night-people in general join forces to test to avoid its demolition. Among its costumers, we search Ana, an actress, her husband Zeca, an intellectual kind in crisis about his work for TV, artists, newspapermen, a female researcher, and a couple who's everytime quarreling, only to be reconciled moments later.
Description: Eduardo discovers he has a split personality: a buttoned-up São Paulo executive and beach-loving weekend playboy in Rio de Janeiro named Duca. Unconsciously, he becomes entangled with a girl although he's already engaged to another.
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Many folks seem to regard this movie as necessary simply because it is a living testament to Alfred Lunt and Lynne Fontaine's acting. After all, it is the only preserved sound performance in which they have starring roles. In reality, however, the movie is not only historically necessary because of the legends in it; it is one of the most new and funny movies to emerge from the pre-Code period. The storyline is irresistible: a vain acting couple constantly insult and tease one another. In order to use his wife's fidelity after a bout, the Actor (Lunt) disguises himself as a foreign guardsman, goes out of his method to meet his wife in disguise, and furthermore goes on to test and seduce her. After he succeeds, he reveals himself, furious at her perfidious attitude. The Actress (Fontaine) starts laughing, claiming that she knew all along. At first dubious, the Actor is eventually convinced that his wife was testing along with him, and the two romantically embrace. The Actress looks at the camera and gives the most priceless look, letting the audience know that she may not have really known all along... Lunt and Fontanne create this movie come to life. There dominating presence creates a satirical and realistic portrait of what an egomaniacal acting couple's life might really be like. In addition, there are some priceless helping roles: Maude Ebourne as a sarcastic maid, Zasu Pitts as a strange (to tell the least) servant, Roland Young, and always-reliable Herman Bing as "a creditor." Sidney Franklin, perhaps the most unjustly forgotten of all screen directors (his classics contain Personal Lives, Smilin' Through, The Nice Earth, The Barretts of Wimpole Street, and The Dark Angel), adroitly tutorials the ensemble, allowing the acting to take center-stage but never neglecting the features so necessary to cinema. In all, this short, fast-paced romp with two bona fide legends of American scene history is an essential lesson in screen comedy and romance. Although the Lunts, when asked to do soon movie work, replied "We can be purchased but we can't be bored!" there is absolutely no sign of unenthusiasm on screen here. Every earned an Oscar nomination for their performance in The Guardsman, and they left their indelible stamp, albeit only for a short eighty some-odd minutes, on American motion picture history.
The Guardsman is actually one of my 10 favourite films. Thanks to Turner Classic Films audiences can continue to see the brilliant performances of Lunt and Fontanne in this hilarious enjoy made into a film. The performances of the help cast are excellent, especially that of Roland Young. The Guardsman does what a nice comedy could do. It could create us laugh, give us insights into the human condition, and hold us wondering what will happen next to characters that we care about. I laughed out loud and watched the unpredictable plot transport through scenes of witty, quick paced dialog that led to an ending that lived up to everything that preceded it. If you carefully watch Fontanne in the ending, you will be certain of the meaning of her character's smile.
The names Lunt and Fontanne to this day signify greatness in acting. This popular scene couple has a theater called after them in Fresh York City. To see some of these "great names" perform, though, can prove to be the shattering of illusions. Today's acting styles are so various than they were back then, and one sometimes expects to see hammy gestures, trembling voices, and over the top melodrama.I am thrilled to report that Lunt and Fontanne live up to their reputation and are as unbelievable today as they were back then when they filmed their hit play, "The Guardsman." It's a silly storyline -- a husband and wife theatrical couple spar at every other, and the husband believes his wife is unfaithful. To use her, he disguises himself as a Russian guardsman and attempts to seduce her.Lunt and Fontanne were a very pretty couple and absolutely charming. Their performance in a stage from "Elizabeth the Queen" at the very beginning of the movie had me hankering for more. I want they had made another films, but they refused, finding it too boring.A true treat.
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