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Description: The release of She’s So Unusual in 1984, catapulted Cyndi Lauper to the top of the charts and established her as a household name. She became the first girl to record four Top 10 singles on a debut album; “Girls Just Wish to Have Fun,” “Time After Time,” “All Through the Night” and “She-Bop.” With her iconic four-octave voice, Cyndi celebrates the 30th Anniversary of the Grammy-winning smash debut album with Front and Center. Taped from Fresh York City’s Highline Ballroom, the performance marks the first time Lauper has ever performed the album from begin to finish
Description: Dream Theater drummer, Mike Portnoy, and his Rush tribute band Cygnus and the Sea Creatures live CD/DVD of its one-off performance from September of 2005 in Chicago. Tracklist: 1. 2112 / 2. Cygnus X-1 / 3. Hemispheres / 4. YYZ (with Drum Solo)
Description: When you take a legendary rock icon and a country superstar who’s at the height of his career, add in a stage, lights and two of the greatest bands around, musical magic is made. Last month at The Factory in Franklin, Tenn., Bob Seger and Jason Aldean united for the first time on the CMT CROSSROADS scene for an end-of-the-year happening that neither should turn down.
Description: Nirvana Recorded Live at the Paradiso in Amsterdam, on November 25th 1991. Drain You, Aneurysm, School, Floyd the Barber, Smells Like Teen Spirit, About a Girl, Polly, Lithium, Sliver, Breed, Come as You Are, Been a Son, Negative Creep, On a Plain, Blew, Love Buzz, Territorial Pissings
Description: All aboard for a musical treat from the internationally acclaimed jazz begin ! Krall performs five songs from her fresh album The Woman in the another room for an audience at Toronto's pretty and historic Union Station.
Description: 'Salad Days' is an insightful documentary movie that examines the Washington, DC punk stage from the early 1980s to the decade's end. The town played an integral part in shaping the alternative melody explosion of the 1990s and its impact on famous culture continues today.
Description: Joe Penner, in this Vitaphone short (Vitaphon production number 1124)features his stock speech impediment acts sprinkled with some left-over "doughboy" comedy from Globe Fight One. He also gets some flirting bits with dancer Joan Carter Waddell.
Description: During Olavsfestdagene in 2014, Motorpsycho and Ståle Storløkken performed a concert "for most people" together with Kammerkoret Aurum and the string duo, Sheriffs of Nothingness. The original concept was to receive Motorpsycho to Olavsfestdagene, and the effect was a strong and spectacular melody experience. In the centre of happenings there was Ståle Storløkken’s handling the Steinmeyer organ in Nidaros Cathedral, together with Pekka Stokke’s visual art. When rock meets classical music, it often turns into a cliché, but this has turned into a grand and spectacular melody experience, due to the band and choir.
Description: 1. WHATEVER 2. Last Angel 3. Decision 4. NEVER EVER 5. Because of You 6. What Is Forever Love 7. TO BE 8. Hello fresh me 9. Adagio for A 10. Angel 11. Terminal 12. Connected 13. STEP you 14. XOXO 15. Lelio 16. You & Me 17. Bold & Delightful 18. NOW & 4EVA 19. Feel the love
Description: This classic present was one of Judy's last appearances at the historic Palladium Theatre in London. This unforgettable night also marked a young Liza Minelli's first public scene performance with her legendary mother. Witness Garland's exquisite talent as she performs the most-loved songs of her career while a budding Liza Minnelli more than holds her own offering a glimpse of the performative talent that would eventually open a stunning career of her own.
Description: The original queen of crossover country-pop and the globe s best-selling female country artist of all time, Shania Twain, stars in her spectacular present Shania: Still The One . This groundbreaking residency present was filmed live at The Colosseum at Caesars Palace, Las Vegas where it began its run on December 1st, 2012. Shania: Still The One was created by Shania Twain and directed by Raj Kapoor. It takes the audience on a strong adventure through Shania s largest hits, country favourites and beloved crossover songs. Glamorous costumes, a 13-piece live band, backing singers and dancers are combined with stunning visuals and live horses to make the ultimate Las Vegas entertainment and to prove that Shania Twain is undoubtedly Still The One!
Description: At The Royal Albert Hall, London on 8th April 2004 after some 15 months of planning with Paul Weller, Ronnie Wood, Pete Townshend, Steve Ellis, Midge Ure, Ocean Colour Stage amongst them artists assembled to perform to a sell-out venue and to pay tribute to a boy who co-wrote many Mod anthems such as ""Itchycoo Park, All Or Nothing, Here Comes The Nice, My Mind's Eye"" to name just a few. Ronnie Lane was the constructive heart of two of Rock n Rolls quintessentially English groups, firstly during the 60's with The Tiny Faces then during the 70;s with The Faces. After the split of the Faces he then formed Slim Possibility and toured the UK in a giant circus tent as well as working in the studio with Eric Clapton, Pete Townshend and Ronnie Wood. 5,500 fanatics looked on in awe at The R.A.H as the magnificent evening's entertainment ended with ""All Or Nothing"" featuring a surprise appearance by Chris Farlowe on lead vocals.
Description: This is the L'Enfant Sauvage premium DVD featuring Gojira performing live at Les Eurockéennes. Tracklist is as follows: Oroborus, The Heaviest Matter of the Universe, Backbone, Love, A Sight to Behold, The Art of Dying, Drum Solo, Clone, Flying Whales, Toxic Garbage Island, Vacuity
Description: The coolest method to hear The Black Album that you may not know about... surround sound re-mixed in 5.1 Audio and mastered especially for DVD-Audio and designed to kick major ass on your surround sound/home theatre system. This disc will ONLY enjoy on your DVD user (it won't enjoy on a compact disc player) and was released few years ago, but was not readily available. Actually that home theatre equipment is more affordable and easier to find, we had the label press up some more for us and it's the greatest method that we know of at this mission listen to this album!
Description: Our Pain, Your Gain is the first live DVD release by Fresh York-based punk band Mindless Self Indulgence, released on September 11, 2007. The DVD is compiled from three shows the band played at Fresh York, Fresh York's Webster Hall in July 2005.
Description: The BBC named her "the pre-eminent vocal talent of her generation." But on a stormy December night in 2006, before the globe saw her as a superstar, she was simply Amy Winehouse, testing an acoustic set in a small church for an Irish TV melody series. Witness that evening's searing performance, featuring songs from the album, Back To Black, including "Rehab" and "You Know I'm No Good." Then hear, in her own words, how the influences of Mahalia Jackson, Thelonious Monk, and even Salt-N-Pepa helped her forge her own jazz pop style.
Description: A powerful representation of the actual jazz fusion stage got together in july 1991 with this sampling of artists from the GRP label. They included frequent jazz-rock collaborator Ernie Watt, and David Benoit, master of a "jazz-lite" style. But guitarist Lee Ritenour is key boy here: he calls most of the shots, and six of the eight pieces are his, including a fine tribute to early inspiration Wes Montgomery on "24th Road Blues." For the most part, easy-going and mellow are the watchwords on this tool - not surprising since the users tend to be based in Los Angeles. Ritenour's "Etude" stands out for its creation of atmosphere, and so do Dave Valentin's solo melodic meanderings on a selection of wooden flutes backed by his own vocal effects. All elements considered the bill is a demonstration of top-drawer musicianship, awareness of contemporary styles – and versatility.
Description: Passenger - Montreux Jazz Festival 7th July 2014. Life's for the Living 1.Riding To Fresh York 2.The Sound of Silence (Simon & Garfunkel cover) 3.I Hate 4.Patient Love 5.Wake Me Up 6.Let Her Go 7.27 8.House on a Hill 9.Scare Away The Dark 10.Whispers 11.Holes
Description: Minnie, the titular "Girl of the Golden West" is saloon-keeper, nurse, and Bible school teacher to a camp of miners during the California Gold Rush. When the mysterious Mr. Johnson arrives, the miners suspicions (and jealousies) are roused. Scene production from The Metropolitan Opera 8 January 2011
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While I might argue with some of the choices made in representing the musical numbers such as not giving the names of all the movies the clips were from, as a entire I found this a fascinating documentary which gave an perfect concept of musical influences over the years.It also supports to have a fine performer and expert on this vast topics in Michael Feinstein. While I wouldn't place him up there with the best entertainers, he certainly is impressive in what he can do with his fine musical gifts. And as an archivist for Ira Gershwin, he is in a special position to talk about it. And, yes, I do understand that he and his associate Andrew J. Kuehn were not able to receive all the permissions they would have liked, (The song "Singin' in the Rain" was represented but the movie was conspicuous by its absence.) they have done well with what they had to work with.I was struck by how often Judy Garland appeared in this documentary and I was glad that Betty Hutton finally got some long overdue appreciation for "Annie Receive Your Gun". Despite the comments on this DVD, that movie is actually now accessible on DVD but that probably happened after this one was released.I was also amused that Michael spoke of the inaccuracies of musical biopics. He told they were all more or less fictionalized but the ones on Rodgers and Hart and Cole Porter were singled out. The first, "Words and Music" ignored Larry's homosexuality and alcoholism and the second, "Night and Day", Cole's homosexuality, soon only partly rectified by Kevin Kline's film, "De-Lovely" (which I have actually seen and reviewed.). But these subject should not have been broached at the time these movies were made.8 out of 10.
The insufferable Michael Feinstein has loaded this historical survey with clips from films and above all clips from film musicals. His smarmy, anodyne presentation avoids anything really controversial, stews in stereotypical sentiments about the private lives of the songwriters, and bows often in the direction of political correctness. A several of the clips are of genuine historical interest (25 mins worth?), and one, of Fats Waller performing (about one-fourth of the method through) is truly astonishing. Most, though, serve Feinstein's own taste in methods that betray the objective stature of his purported topics matter. I think him actually as a tinier ver of a Harold Bloom, or a Joseph Campbell, or a Kenneth Branagh: someone riding on the coattails of a nice topics to stoke his career and his sense of self.What is most deeply offensive about this project, finally, is the presumption of its game 'The Nice American Songbook'. That name belongs to a tradition of songwriters and singers that rivals, in its own way—albeit briefly—the tradition of lieder and chanson in Continental Europe. Instead Feinstein brings us 'The Nice American Showtune', larding on 6 or 7 helpings of Judy Garland (mostly in decline). He also uses Ethel Merman—twice, along with many second and third rate voices (celebrities in their own time) who have tiny technical or interpretive capability. Lots of numbers were evidently selected for their extravagant cinematic choreography.The necessary and enduring storyline of 'The Nice American Songbook' is not about musicals, movies, or even famous culture. Instead, it is about the music—how nice singers made the songs their own, often in the context of American Jazz. Where in Feinstein's execrable production is Annette Hanshaw, Connee Boswell, Billie Holiday, Jo Stafford, Maxine Sullivan, Ella Fitzgerald, Margaret Whiting, Peggy Lee, Sarah Vaughn, and Nat Lord Cole? How about Art Tatum? The list should be considerably longer, and everyone on it would surpass all but a handful of the performers Feinstein showcased. The aggregate of Feinstein's largely mediocre selections, and his failure to say the true story, in no method deserves to be titled 'The Nice American Songbook'. Shame on him.
I have this tool on the DVD release, and although I accept with the previous critic about the terrible showing of Doris Day, I think the same thing about the lack of clips on Bing Crosby, again prominently featured on the cover, apart from being seen in the background in 'Anything Goes' whilst Ethel Merman sings a couple of songs, the only Bing performance is his 'True Love' duet with Grace Kelly! Come on Michael, I've heard you state on Australian Tv that Bing Crosby was your favourite male singer, this is the guy who literally invented 20th. Century 'Pop' music, and blazed the trail for ALL who were to follow, I would have thought he rated more than a passing mention in a tool like this. Enjoyable, but for me, disappointing as well.
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