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Description: BOYS ON FILM is proud to show the finished short movie collection of Bavo Defurne (North Sea Texas), a pretty imaginative series that reflects on various aspects of youth and sexuality: CAMPFIRE, SAINT, PARTICULARLY NOW IN SPRING, SAILOR. Defurne’s short movies have wowed festival audiences all over the globe and won numerous awards. His fluid directing style playfully takes reference from works of art and legendary filmmakers and creates something special and original. The short movies collected in CAMPFIRE showcase the foundation of an unusual directing talent with astonishing visual flare.
Description: Our movie portrays the precarious destiny of a former employee of the Soviet customs service. Sent into 'forced' immigration on an assignment in the 1980s, he is forgotten after the regime changes that take zone in Russia in the early 1990s. Supported by neither Russian nor American governments, he is forced into a struggle vs the international drug mafia. Alone, he will have to search a method out of a labyrinth of highly complex and unforeseen difficulties.
Description: O becomes intimate with Jacqueline with the eventual target of presenting her to Sir Stephen and Rene. Preparations are made for O's branding and Rene reassures O that he still loves her.
Description: Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri everytime gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri begins slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one mission Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and vs the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old woman deals with parting and grief.
Description: O and Rene are both intimate with Jacqueline and both have the final target of presenting her to Sir Stephen. Jacqueline is repulsed at some markings on O...but when Jacqueline's tiny sister Natalie hears of O's servitude she is enthralled.
Description: "Take from the rich. Hold for the poor. That's what we're here for". Ravi and Samar are two orphaned pickpocket brothers from Delhi, India. When a heist goes wrong, tragedy leaves one man seeking retribution.
Description: An actress living in Fresh York performs an audition, then goes to meditation and winds up at a party of artists viewing a film. At home, she and her girlfriend discover buried memories and soon nightmares trigger sleepwalking. Finally, the actress enacts a childlike performance inspired by a Frank Wedekind play.
Description: An officer in his secret point to India is injured by foreign agents. He returns to Greece but gotta be considered dead by his wife for the needs of the service, since he gotta explore who betrays the state secrets.
Description: A pop singer with a nice heart and a lot of achievements, Manos, tenderly loves an orphan anthopolida, Annoula, which works few years in the center singing Manos, in order to finish high school. When he decides to leave Daisy's mistress and marry Anna, the girl's natural father, who was missing seventeen years in Canada, intervenes and claims her. He tries to redeem her stepfather and mistress, Mr Spyros, who, however, refuses. Anna is following her natural father in Thessaloniki. Mr. Spiros is in danger of dying from his fortune, and Manos gets sick by losing his voice. But everything is corrected by the return of the woman and the revelation that her father suddenly remembered it because she intended to place in the cash her mother left.
Description: A new, ambitious prosecutor undertakes a nice trial for a murder trial but things receive very confused. Instead of the accused, slowly proved that culprit is now the wife of itself.
Description: Kiko, an 11-year-old man left aimlessly alone with his nanny after the newest death of his mother, rekindles a long lost relationship with his father in an attempt to search a fresh lease on life.
Description: A delightful and understated countryman, Anna, leaves for the capital to study. He's hitchhiking on the motorway, and a business car, with a medical practitioner, stops to receive it. The driver, called Fanis, is doing this job very much to take care of his seriously ill mother. Fanis gives her a zone in his house to stay and, over time, falls in love with her, but family cases force Anna to abandon her studies. She returns to the village and marries her fellow villager, the Bargaining Barnabas. This, above all, has sent her father to the grave for unbearable debts. After his death and his mother, Fanis comes to the village and tries to persuade the woman to follow him to Athens, which is done with the mediator's support from the pope. Fanis promises to finish his studies and become the doctor of the village, to marry Anna naturally and to have children.
Description: A storyline of passion, rivalry, love, and friendship. Jan Banas, acclaimed Silesian football user of the 1960s and 1970s, struggles to makes his dreams come real on and off the field. Stars is the storyline of a nice love between young folks torn by passion and ambition.
Description: A young girl becomes infatuated with the leading boy of a traveling theatrical troupe. She sneaks away to join him in the next town, but her father forces her to return home...
Description: After a night of boozing, Ceren said her husband, Ali, that she has stopped taking the pill and wants a child, but Ali has a hidden secret from his past. After learning the truth, Ceren has to face some hard personal, legal and moral decisions.
Description: Lafras Verwey (58) has worked as a clerk in the Civil Service in Pretoria for thirty years. By day he sorts files and whiles away the mundane hours writing grandiose propaganda speeches and drilling imaginary platoons in the washroom, but unbeknownst to his colleagues he is also a clandestine parcel courier for a secret organization that recruited his services to finished their covert mission.
Description: Juana is a pretty maiden living peacefully in her island. While dancing in the middle of the sea, she sees how vast the waters are, and suddenly realizes that she is alone. To satisfy her longing, she does an animistic ritual and prays for a companion. A boy arrives.
Description: On the eve of her school’s annual Talent Present in a tiny rural village in the mountains of Iloilo, twelve-year-old Thirdy is worried she will not be able to perform because she should not afford to rent a traditional costume and pay the needed contribution. Her ailing but affable grandfather, Cesario, acts as her sole guardian. He works as a bamboo farmer, but they should barely create ends meet. In the midst of all these, Thirdy begins having visions of a mysterious man. She believes the apparition is that of her long dead father while everyone else dismisses her visions as nothing more than fantasies or illusions. On the day of the Talent Show, everything unravels as village issues and family secrets finally collide.
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Coppola's masterpiece is rivaled only by "The Godfather, Part II" in which the 1940s setting of the first film is extended backwards and forwards to reveal the corrupting result of power...The film, breathtaking in its scope and tragic grandeur, shows two parallel stories extending two various time periods: the early career of young Vito Corleone seen first around the turn of the 20th century in Sicily, and then in 1917, building his criminal underworld in the Italian ghettos of Fresh York City, post Globe Fight I, plus that of his son, Michael (Al Pacino) desperately trying to hold his family together...Al Pacino's performance is quiet and solemn... He is cold and ruthless, with a entire contrast from the idealistic innocent fight character we initially met at the beginning of the first film... Here he's a calculating and frightening force, seeking to expand casinos into Pre-Revolutionary Cuba and consolidating an empire surrounded by perfidy and treason, maintaining total confidence in his ability to control the case whether testifying before enraging Senators or trying to outface his worst enemies...The film's haunting final shot of a lonely, isolated paranoid Michael in his empty compound, is an unforgettable film scene, a tragic portrait of a lonely and totally damned person, emotionally empty and finished, far from a waspish wife, more distant from a faithful lawyer...De Niro's rise, from an orphan kid by a family feud back in Italy to a hood in Fresh York and his position as a respected Don, provides a welcome break from Pacino's relentless attitude... Since the folks he kills seem to deserve it, Vito comes off better than Michael does, and it was wise of Coppola to shuffle the two stories together despite lengthy flashbacks and the disturbance of continuity...The whole cast contributes greatly to the success of the film: Lee Strasberg, a fascinating mixture of lust and ruthlessness; G. D. Spradlin, absolutely right as the sinister and corrupt Nevada Senator; Michael V. Gazzo, unforgettable as the troubled gray-haired informer; Gastone Moschin, perfect as the blackmailer in white suit; John Cazale, marvelously timid as the vague, confused, and hesitant Fredo; Diane Keaton, clearly irrational as the long-suffering wife Kay; Talia Shire, too extravagant as the lousy mother; Troy Donahue too ambitious as the fortune-hunting suitor; and Robert Duvall excels as the confidant, and retainer to the all-powerful Corleone family...Coppola's motion picture is not just a mere supply with fresh characters and happenings from the original, it's a far more complex and intimate film than its predecessor... It is not really a sequel... It's just more... It cleverly shifts in time between two distinct narratives with extreme realistic violence and criminal mentality of gangsters...
This film is method to be nice to be labelled a sequel to The Godfather . Rather it is more of a companion piece to the original and the two perfectly compliment every another . IT is both a sequel and prequel showing the rise of the young vito and moral decline of Micheal . Both characters are brought to life with uncanny ability by Robert DeNiro and Al Pacino . To tell that these two are nice actors is like telling that a nuclear bomb makes a loud noise and in this film they prove why they are at the top of their respective crafts .Al Pacino is the standout in the ensemble cast and its nice how his eyes have changed from the first part . They are actually cold , ruthless and unemotional and betray the price which Micheal Corleone has paid for power .Watch this film and learn why it is the best gangster movie of all time.
The original Godfather is a brilliant work. It is in a sense a voyeuristic delight, allowing us to see the mafia from the inside - we become part of the family. It single-handedly change the world's view of organized crime, and created a cast of sympathetic characters, none of whom have a shred of common morality. It was the highest grossing film of its time and Brando created a cultural icon whose influence resonates as powerful today as it did in 1972.As extraordinary an achievement as this is, Part II is even better. It easy receives my nod as the greatest picture ever made. I have seen it at least 20 times, and every time its 200 mins fly by.The film uses flashbacks to brilliantly weave two tales. The main storyline is the reign of Michael Corleone as the world's most strong criminal. Actually reaping the benefits of legalized gambling in Las Vegas, Michael is an evident billionaire with an iron fist on a globe of treachery. Behind this, Director Francis Ford Coppola spins the tale of the rise of Michael's father, Vito, to the center of the Fresh York mafia. It is these scenes that create the movie a work of art. Without spoiling, I will simply tell the Robert DeNiro as the young Vito is the greatest acting performance of all time, a role for which he won a richly deserved Oscar.The screenplay is full of delightful tiny underworld nuggets ("Keep your mates close .....", "I don't wish to slay everyone, just my enemies"), while it blows a dense, twisted plot past you at a dizzying and merciless pace. The cinematography is depressing and atmospheric. The score continues in the eerie role of its predecessor, foretelling death and evil.All of this makes the film nice and infinitely watchable. But it's what's deeper inside this movie ... what it is really about ... that is its real genius.The Godfather Part II is not really a film about the mafia, it is a film about a man's life long struggle. Michael controls a vast empire that is constantly slipping out of his hands. He grows increasingly distrustful and paranoid, and even shows signs that he hates his own life. Michael almost seems to resent the fact that he is a natural born crime lord, a boy who puts the family business ahead of everything.The nice Don Michael Corleone can never come to terms with one easy fact.... his father's empire was built on love and respect, Michael's empire is built on fear and violent treachery.See this movie. It's three-and-a-half hours very well spent.
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