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The Flame Barrier 1958
Description: Carol Dahlmann enlists the Hollister brothers to support locate her missing husband. The husband was tracking a fallen satellite through the jungle. While tracking him down, the trio explore an unusually powerful acid killing animals and people.
Released: 02 Apr 1958 Director: Paul Landres Writers: Pat Fielder (screenplay), George Worthing Yates (story and screenplay) Actors: Arthur Franz, Kathleen Crowley, Robert Brown, Vicente Padula Genres: Sci-Fi
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The Flame Barrier Reviews:

This movie was first released in 1958 to fill the bottom half of a double bill with the much superior RETURN OF DRACULA. I have an original poster for this double bill hanging in my living room. I first saw this movie as a child on T.V. in the mid sixties. It was frequently shown on "Supernatural Theater." It was one of my favorites when I was a kid. However, viewing the movie as an adult, without eyes dimmed by nostalgia, THE FLAME BARRIER is just what it is; a quickly made thriller to back up a much superior movie to fill a "shock" double bill. On the plus side: I will admit the movie does have a several nice shocks. One hero suddenly burns to death and turns into a skeleton (for reasons that that are never adequately explained) and the shot of the dead scientist body embedded in protoplasmic mass are cute effective. The cast is nice and the direction involving enough that you forget half the movie consists of the cast cutting through brush. However, the script has the feel of having been written very quickly. The movie wraps up leaving the viewer with more loose ends than an old dish rag. When the explorers search the satellite and protoplasmic mass, they also search the monkey that was sent up in satellite still alive. Why did the protoplasmic mass not devour it or destroy it with its radiation when the monkey was in the satellite with it? As the previous reviewer here pointed out, this blob stays in one zone and much of the plot depends on this. Yet, before the cast even encounters the blob, they encounter charred skeletons, a blood soaked Indian village, and then there is the Indian tutorial who was never near the blob encased satellite, who suffers from radiation burns and then mysteriously burns up down to a skeleton. Perhaps the satellite brought something else back with it that the adventurers didn't encounter? Perhaps more likely this movie was rushed into production before the writers had time for a re-write to tie up all the loose ends.


Blob films became suddenly quite fashionable in the late fifties; this lesser-known entry offers a several special twists. Unlike the slipping, sliding blobs of another films, this one doesn't move, apparently content to remain stationary while digesting its first two victims, a zone ship and its single human occupant. It does, however, have the ability to project a forcefield which immediately disintegrates any would-be rescuers who come too close. Anyway, this movie is professionally made and acted, and has its share of suspenseful sequences. And the photo of the boy encased in the protoplasm, his face frozen in an agonized silent scream, is a horrific one.


This minor sci-fi thriller from the Gardner-Levy stable is typical of the breed:—lots and lots of repetitious talk from a several stereotyped characters enmeshed in a predictable, well-used plot, strung together with a bit of stock footage, one or two days of zone shooting in some uninteresting scrub-land, and a small slice of unique results work. And it's all filmed in a fully routine manner, using tedious close-up after close-up to enable a fast sale to TV.Give all that, this entry is not too bad. In fact, after a slow start, it becomes moderately suspenseful. The director has contrived some atmosphere and tension, despite the constraints of his very moderate budget. The players, especially the pretty Miss Crowley, come across well (partly thanks to Jack MacKenzie's fine cinematography). And while the screenplay offers more than its fair share of standing-still dialogue, there's still just enough action to satisfy not-too-critical fans.



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