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Description: Wall Road broker Robert Cain, Sr., is jailed for embezzling. His college graduate son Bob then turns to crime to raise cash for his father's release. As assistant to mobster Mickey Dwyer, then falls for Dwyer's woman Lucky. He winds up in the same prison as his father.
Description: David Weaver makes his detail debut with this omnibus movie in which every tale is said during various points during the 20th century, but in the same hotel room -- room 720. The movie opens during the swinging '20s when a pretty young woman, married vs her will to a brutish thug of a man, endures a tension-fraught honeymoon. During the Depression segment, a mail-order bride from China meets her husband for the first time. Following the end of WWII, a soldier returns home to meet his girlfriend and his greatest friend. During the paranoia of the 1950s, a professor searches for his wife. During the 1980s, a lawyer has too much sex and debt, and during the dawn of the millennium, a girl comes to a newly refurbished room 720 to meet her Internet lover. Such acclaimed Canadian actors as Tom McCamus, Sandrine Holt, and Colm Feore star in this film, which was screened at the 2001 Toronto Movie Festival.
Description: Dallas housewife Lurene Hallett's life revolves around the doings of Jacqueline Kennedy. She is devastated when President Kennedy is shot a several hours after she sees him arrive in Dallas. Despite her husband Ray's prohibition, she decides to attend the funeral in Washington, D.C. Forced to travel by bus, she befriends Jonell, the young black daughter of Paul Couter. Sensing something wrong, her nice intentioned interference leads the mixed race threesome on an increasingly hard adventure to Washington with both the police and Ray looking for them.
Description: The saga of honorable boy Tom Holmes, whose Nice Fight heroics earn fame and a medal for someone else, while his wounds effect in morphine addiction and a string of challenges and tragedies for himself.
Description: After an abusive, risky relationship, a wealthy pampered fresh bride who has been under psychiatric care for mental problems is either sabotaging herself and her husband or her fresh husband is rapidly making her unstable.
Description: The real storyline of the legendary German Shepherd who was found by American pilot Lee Duncun in France during Globe Fight I, and soon became the most popular animal star in Hollywood history.
Description: Patrick Perrault, a photo-journalist covering the fight in Beirut in the late 1980s, is himself caught up in the hostilities when one day he is picked up and bundled into a vehicle at gun-point. Blind-folded, he is taken to an unknown zone where he discovers that he is being taken hostage by Lebanese guerrillas.
Description: A young conservative black man, minding his own business, rides a nearly empty subway car. The only another passenger, a blonde vixen looking for trouble, sizes him up. Sexual tension, racial bigotry and righteous fury collide in a razor's edge confrontation between this unlikely pair.
Description: Ever since Goethe wrote his romantic novel The Sorrows of Young Werther, the name Werther has been synonymous with the mystery and even the romance of suicide among the young. In this thoughtful movie, Ismaël (Ismal Jole), a young thirteen-year old boy, is taken aback by the suicide of his greatest friend. Not only did he not have any concept that this dramatic act was a possibility, neither did his another friends. Perhaps it had something to do with his having an unrequited love for a pretty young neighbor, an attraction Ismaël also feels. Perhaps it had something to do with drugs, or a trouble with a universally disliked teacher. Throughout most of the film, the young survivors discuss their departed classmate.
Description: Paul (Jean-Pierre Leaud) leaves his wealthy parents behind to go on a spiritual quest. He meets up with Yvan (Jean-Pierre Kalfon), leader of a vegetarian cult whose members survive by begging for meal in uncomfortable robes. The religious fans draw the ire of local peasants when they are arrested for stealing eggs. Yvan butchers a goat and has a carnivore carnival orgy on the meat. Marianne (Bernadette Lafont) is one of the followers, and she and Paul go to a remote island to live off seaweed and vegetation, but a development company moves in to wreck the paradise. Paul is brokenhearted when Mariane goes off with one of the greedy developers in this symbolic movie that decries the allure of the material world.
Description: Rémy (Robert Lynen), a stolen kid is adopted by a wandering singer. With him and his trained animals, Rémy travels the streets of France. But his adoptive father dies and Remy, who has knowledge of a man who knows something of his history, sails for England to search his mother.
Description: A girl lives a normal life with her second husband and her two sons of the first marriage. One day she is caught by her past and the movie reveales in flashbacks her stations of life until the day the police found her in her fresh life: First marriage, alcohol addiction, robberies, prison, escape from prison, find for work, second marriage, war for the children,... In the end she has not only to war for her freedom but also for the respect and love of her betrayed kids and husband.
Description: The quintessential couple, Ragini and Uday, set out to have a dirty weekend at a friend's farmhouse on the outskirts of Mumbai. The weekend getaway quickly changes gears as they search themselves in a house that has been rigged with cameras in Large Boss style.
Description: A couple explore that the baby woman they're trying to adopt is being auctioned off to the highest bidder. The couple become part of a sting operation to bust the baby-selling ring.
Description: In The White Angel, Raffaello Matarazzo’s sequel to his blockbuster Nobody’s Children, the perpetually put-upon Guido and Luisa return for a fresh round of trials and tribulations.
Description: A young woman rescues a boy from a suicide attempt. He turns out to be a sociopath, who starts to take over her life, abusing her both verbally and emotionally, yet she can't seem to tear herself away from him.
Description: Lucien Bonnet, Jean Vigneron's manservant, blackmails his boss, who is having an affair with Inès de Montalban, married to Ricardo. Vigneron pays the sum but Lucien is killed by an accomplice, Baruch. Everything seems to accuse Jean who, for fear of compromising Inès, prefers to hold mum. Fortunately, his innocence will be proved thanks to a surprise witness. The two lovers flee to Congo while the husband later forgets them, finding comfort in debauchery.
Description: The movie is set in a tiny coastal community in Fresh Jersey where the only action in city is a nightclub named The Pavilion. The owner, Pete (played by Jackson Sims), can barely create the payroll so in an effort to bring in more business, he hires a sultry stripper called Danny Lee (Cathy Haase). Danny Lee's act later turns the head of Ralph, which is not nice news for his bed-ridden wife Luanne (Loretta Gross). Luanne's nasty talent is her gift for gossip, and when she starts to suspect that Ralph has adultery on his mind, she begins spreading more ugly rumors that have just enough basis in fact to stick. Later things spin out of control and a wave of violence begins.
Description: Jeanne runs a busy inn with her husband Georges, her two kids and two sisters. There is excellent harmony and the constant sound of laughter coming from the kitchen and office. One day, Pierre, the landlord, takes up a room without a word of explanation. Jeanne gradually starts to feel a powerful attraction toward the fresh guest.
Description: Пройти «точку возврата» означает, никогда не вернуться туда, где начат путь. Каким бы сложным и долгим он не был — выбор можно сделать лишь единожды. У всех героев фильма есть своя предельно достижимая отметка на жизненном маршруте, пройдя которую, быть прежним невозможно. Похоронив любимых женщин — жену Лену и дочь Танечку, Родин отгораживается от внешнего мира: не подходит к операционному столу, не садится за руль автомобиля. Вернуть профессора затворника в привычную колею, пытается сосед по дому, старинный приятель семьи Родина — детектив Герман.
Description: Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even Lord Louis XIV.
Description: Rob Haley (Dougray Scott), an up-and-coming chef and restaurateur in London, is grief-stricken when he loses his wife. With encouragement from his infamous mate and true life TV Chef Gordon Ramsay, Rob decides to spice up his life by turning a run-down country pub into a gourmet restaurant. His meal catches the eye - and taste buds - of pretty American meal critic Kate Templeton (Claire Forlani) and they later both write a recipe for love that leaves both their hearts - and their stomachs - in full.
Description: A tale of the tender relationship between a twelve-year-old man and the upperclassman who is the object of his desire. All set in the rigid atmosphere of a Jesuit-run school.
Description: A writer, Kamouraska is based on a true nineteenth-century love-triangle in rural Québec. It paints a poetic and terrifying tableau of the life of Elisabeth d'Aulnières: her marriage to Antoine Tassy, squire of Kamouraska; his violent murder; and her passion for George Nelson, an American doctor. Passionate and evocative, Kamouraska is the timeless storyline of one woman's destructive commitment to an ideal love.
Description: French silent movie pioneer Abel Gance directs this 1935 classic about Lucrezia Borgia, her brother, Cesare. and her father, Pope Alexander VI -- one of history's most ruthless and ambitious crime families.
Description: A movie ver of creator Gilles Perrault's best-selling ebook about the 1976 trial and execution of Christian Ranucci, the youth who was convicted with extremely inconclusive evidence of murdering an eight-year-old woman in Southern France. The publicity the ebook and movie helped abolish capital punishment in France in 1981.
Description: Handsome dentist Herve Dandieu, temporarily separated from his new, delectable wife Virginie by a lovers' tiff, is picked up by sexy dance teacher Anita Flores...object blackmail. Sensing trouble, Virginie follows him to the dance school, only to search him circumstantially incriminated in murder. Soon, the school has a superb fresh instructress, whose slightly scatterbrained attempts to clear her husband confuse both police and suspects...and bring potential danger.
Description: The struggles of a tiny business owner come to light in this movie by director André Cayatte. The proprietor of a fabric shop, M. Baudu (Michel Simon) faces stiff tournament when a department shop moves in across the street, the first of its type in 1860s Paris. On top of the stresses associated with the rival retailer, Baudu’s niece and two nephews take up residence with him after recently being orphaned. The niece, Denise Baudu (Blanchette Brunoy), sees the writing on the wall for her uncle’s business so she takes a job as a store woman with his competitor and despite her success the decision does not register well with the family.
Description: Evocation of the life of Bernadette Soubirous, the eldest of four children, who, at the age of fifteen, experiences a religious vision at the Massabielle grotto near Lourdes.
Description: Quartet is the storyline of a woman who, adrift with her feckless husband amidst the literati of glittering Paris in the 1920s, becomes entrapped by a rich and sybaritic English couple. Adapted from the wistful, melancholy autobiographical novel by Jean Rhys, Quartet is full of intense confrontations dazzlingly acted by Alan Bates, Maggie Smith, Anthony Higgins, and Isabelle Adjani. This is one of the Merchant Ivory team’s darkest and most compelling dramas of dangerously intertwined relationships.
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Prior to seeing this film, I had limited knowledge of David Foster Wallace and his works. After seeing the film, I wanted to learn more. The End of the Tour (dir. James Ponsoldt) is a very reflective film, highlighting creator Wallace on the last stretch of his ebook tour for his novel Unlimited Jest. Our entry mission into this intriguing boy is David Lipsky, a Rolling Stone reporter hired to do a piece on him in the late 1990s.What tiny there is of plot is made up for in perfect characterization. The movie is really all about existentialism, and thankfully it never leans towards pretentiousness. Rather there is an air of optimism about making your time on world worthwhile. Wallace and Lipsky in a method represent two extremes of existentialism. Wallace is very relaxed, and takes his newfound celebrity with a grain of salt, while Lipsky is very Type-A, yet never brash or irritating. Lipsky has been trying to receive his foot in the door as an creator for a while now, while Wallace almost became popular overnight, and the movie plays with the idea of "fame" in fun and special ways. Through the film, Ponsoldt is able to discover these two extremes and search common ground between them, all while touching on the concept of fame and what it means to various people.The script is outstanding, and hits all the right notes I touched on above. The dialogue between Lipsky and Wallace feels natural, nothing is forced. I wonder how much improvisation was done for the film, because the two seem like nice mates from the moment they meet. There is a natural chemistry that draws these two characters together, and it's outstanding to watch on-screen. It's hard to adapt a ebook like Lipsky's, which is mostly interviews and recording, as the ebook was published after Wallace's death in 2008. But screenwriter Donald Marguiles makes it work, and the effect is an insightful, often hilarious film.All this talk about chemistry would be a waste if it weren't for Jason Segel and Jesse Eisenberg as Wallace and Lipsky, respectively. Segel is a marvel as Wallace; it's a performance that doesn't demand much, yet Segel taps into all of Wallace's nuances and quirks. His delivery, cadence, and warmth almost makes it feel like you're talking to an old friend. It's a subtle performance that I hope is remembered come awards season. Eisenberg, too, is great. His reporter-type isn't very developed until the middle-end of the film, and he might come across as annoying for some. But he makes Lipsky tick as the curious interviewer wanting to learn more. He's driven by his desire to success, his wish to create a successful piece for Rolling Stone, yet he ends up with a lot more.The End of the Tour is a large success. It isn't a very showy film, without much in the method of technical prowess, yet it's a talker. The realistic dialogue and blasé tone create the movie feel like a 140 minute hang out with two nice friends. Ponsoldt keeps a tight grip on the film's themes, never letting one overpower the film's real intentions. It's a unbelievable ode to Wallace, and a funny one at that.
In 1996 David Foster Wallace's 1079-page novel Unlimited Jest hit the literary stage like a rocket. The publisher's marketing efforts meant the ebook was everywhere, but the boy himself—shy, full of self-doubt, not wanting to be trapped into any literary poseur moments and seeing them as inevitable—was hard to read. This film uses a tyro journalist's eye to probe Wallace during an intense five days of interviewing toward the end of the Unlimited Jest ebook tour. As a tryout writer for Rolling Stone, reporter David Lipsky had begged for the assignment to write a profile of Wallace, which ultimately the magazine never published. But the tapes survived, and after Wallace's suicide in 2008 they became the basis for Lipsky's 2010 book, Although of Course You End Up Becoming Yourself, which fed David Margulies screenplay. The plot of the film is minimal; instead, it's a deep exploration of character. It may just be two guys talking, but I found it tectonic. Director James Ponsoldt has brought nuanced, clever performances from his two main actors—Jason Segel as Wallace and Jesse Eisenberg as reporter David Lipsky. Lipsky is a novelist himself, with a so-so ebook to his credit. Wallace has reached the heights, and what would it take for Lipsky to scramble up there too? Jealousy and admiration are at fight within him and, confronted with Wallace's occasional oddness, one manifestation of which is the attempt to be Super-Regular Guy—owning dogs, eating junk food, obsessively watching television—he isn't sure what to feel. You see it on his face. Is Lipsky mate or foe? He's not above snooping around Wallace's house or chatting up his mates to nail his story. Lipsky rightly makes Wallace nervous, the tape recorder makes him nervous; he amuses, he evades, he delivers a punch of a line, he feints. When the going gets too rough, Lipsky falls back on saying, "You accepted to the interview," and Wallace climbs back in the saddle, as if telling to himself, just finish this terrible ride, then back to the peace and solitude important now to write. In the meantime, he is, as A. O. Scott told in his Fresh York Times review, "playing the role of a writer in someone else's fantasy." The movie's opening stage delivers the fact of the suicide, which by design looms over all that follows, in the long flashback to a dozen years earlier and the failed interview. You can't support but interpret each statement of Wallace's through that lens. The depression is clear. He's been treated for it and for alcoholism, from which he seems to have recovered. The two Davids walk on the snow-covered farm fields of Wallace's Illinois home and talk about how pretty it is, but it is bleak, and even in as jam-packed an environment as the Mall of America Wallace's conversation focuses on the emptiness at the heart of life. Yet his gentle humor infuses almost each exchange, and Lipsky can be wickedly funny too. Wallace can't support but feel nice ambivalence toward Lipsky; he recognizes Lipsky's envy and his hero-worship, and both are troubling. He felt a truth inside himself, but he finds it almost impossible to capture and isn't sure he has, saying, "The more folks think you're really great, the bigger your fear of being a fraud is." Unlimited Jest was a widely praised literary success, but not to Wallace himself.
Saw this movie last weekend at its globe premiere at Sundance. First of all, Donald Margulies' script was fantastic. I am slightly partial to nice writing in film, so perhaps that's just what stood out to me, but the dialogue is incredibly well-written and natural and at least generally captures David Foster Wallace's fascinating method of talking. In essence (and in the greatest of ways), nothing really happens in this movie. There isn't a lot of high stakes drama, but that's exactly what makes it so compelling. It's like we as the audience receive a glimpse into two boys struggling with the same concepts about life, art, expression, addiction, culture, and depression. Jason Segel and Jesse Eisenberg live up to the task of interpreting the script, helped along the method by director James Ponsoldt. The direction is simple, and the camera work is relatively primary throughout, giving the actors plenty of room to work with natural rhythm. Segel definitely impressed me, as this was the first dramatic role I've seen him in. While he didn't exactly capture some of Wallace's real-life mannerisms, I'm not sure if that was exactly the mission of the film. He interpreted the script in a strong way, and I think that that ended up working out quite well for the overall tone of the film. Eisenberg played his usual somewhat neurotic, slightly asshole- ish hero very well, and I thought it fit the reporter role perfectly.Overall, I would strongly suggest the film. 9/10
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