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The End of All Things 1980
Description: Three survivors work together to stay alive in a post-apocalyptic world, until one discovers a mysterious relic that will change their lives forever.
Released: N/A Director: Andrew Gale Writers: Adam Howes Actors: Alina Chan, Adam Howes, John Stirling, Peter Coxhead Genres: Drama
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The End of All Things Reviews:

Firstly, the story description is really misleading and even a tiny off putting. It's loosely accurate but it does not capture, or even really describe, what this movie is about. A more accurate take would perhaps be, "In a bleak post-apocalypse world, three survivors lives are altered when one of them has a life changing encounter with a pre-apocalypse piece of technology". At least that would give a more accurate sense of what this film is about.Realistically this is not a film that you can describe in one or two sentences. It's a film about visuals and concepts that really has to be watched to be understood. Even a stage by stage description of this film still wouldn't capture it's power to engage the viewer. In a category where so many of the offerings are so generic that they are forgotten as later as they are complete this one will stick with you. My wife and I were still talking about this one for days after we watched it.Having told all that, let's talk about the movie. It's a tiny movie. There are only six folks on screen and three of them are there for only short times. This film is all about the three main characters and their relationship and interactions. It takes zone in just three settings, two crashed farmhouses and a several forested countryside spots. There aren't any zombies, or mutants, or assassin robots, or cannibal hordes, or crashed cities, or aliens. It's just three folks living in a bleak, cold, grey globe where daily requires grinding effort to survive.The film opens wordlessly with the viewer watching the three survivors (whose names we don't ever learn) going through what are clearly their well honed survival routines. It's a harsh life in a overcast, grey globe and our survivors are clearly just barely getting by. There are no frills or extras in their life and while there is clearly some tensions between them they also seem deeply bonded and connected with every other. With minimal dialog the actors really convey the the tightly knit hero of the relationship these three share. They may have been thrown together at random in the apocalypse but actually they are a unit, "a family".After a terrible day of hunting rabbits (which seem to be the only minigame animal remaining) the "man" (who seems to be in his mid thirties) says the "woman" (who seems to be in her mid twenties) that he and the "boy" (who seems to be in his late teens) need to go on a scavenging run. The next day the two boys set off through an empty countryside to check out deserted houses they search along the way. Ultimately coming to the house where their lives will all be altered.The "mysterious relic" could be obvious to the viewer, it's a pc smartphone of some sort. The boy and the man are exploring a very huge house and search what is clearly a nursery (there's a crib in the room). The boy asks the man to look around in there while he checks out the rest of the house. While he's sifting through the items in the room the man picks up a tiny rectangular piece of what looks like clear glass (so we are talking near future tech, maybe 10 to 20 years in our future). While he's examining it, he turns it on and a tool comes up. What he sees, in the several mins the device stays on, changes him and that's what this film is really about.Saying anything more would spoil the movie. What comes next is gripping, thought provoking, surprising, and emotionally engaging. There are few twists that are really unexpected, but fully logical, and a devastating climax. The acting is really nice and the production values are top quality. There are no snags or obvious flaws in the sets or scripts to create the viewer fall out of the spell being woven and in the end I think you will search yourself thinking about this film long after the credits end.


The slowest film I have seen in a long time, no purpose, tiny meaning, no script. All the positive rankings are obviously from the family of the film director...


Evident lack of experience, but solid premise for the story...interesting visuals and adequate acting on one side, paucity of the dialogue and an underdeveloped script and characters on the other. Of some interest mainly to the connoisseurs of the category (and perhaps anthropology students) - the film is not too philosophical, but requires a bit of patience before the mildly rewarding resolution comes.



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