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Description: A group of Thunder Bay guys set out and prank and do stunts in their community. A Damien Gilbert presentation. Written by the SPDST crew, edited and produced by Damien Gilbert.
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Description: Dieter Nuhr: Nuhr in Berlin: A Netflix Original The cerebral and famous German cabaret comic expounds his theories on gender norms, primal instincts and a decidedly gastrointestinal Large Bang.
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Am a large fanatic of Charlie Chaplin, have been for over a decade now. Many movies and shorts of his are very nice to masterpiece, and like many others consider him a comedy genius and one of film's most necessary and influential directors. From his post-Essanay period after leaving Keystone, the short movies from 1917 that form 'The Charlie Chaplin Festival' ('The Immigrant', 'Easy Street', 'The Cure' and 'The Adventurer) showed a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay and Mutual periods were something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in all four shorts forming 'The Charlie Chaplin Festival', all of which are nice and among the greatest of this year and period.The stories are more discernible than before and are never dull, though sometimes a bit too busy and manic. Perhaps a bit episodic too.On the another hand, 'The Charlie Chaplin Festival' looks cute good, not wonderful but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some nice items he did there, but the more mature and attentive quality seen here and soon on is obvious here in 'The Charlie Chaplin Festival' and the four 1917 short movies that form it.While not one of his most hilarious or touching, all four, especially 'The Immigrant', are still very funny with some clever, entertaining and well-timed slapstick and has substance and pathos that generally were not there with Keystone. 'The Charlie Chaplin Festival' moves quickly and there is no dullness in sight. Chaplin directs more than competently, if not quite cinematic genius standard yet in this 1917 period. He also, as usual, gives amusing and expressive performances and at clear ease with the physicality and substance of the roles. The helping cast acquit themselves well in all four, Eric Campbell and Edna Purviance especially.In summary, a nice festival. 9/10 Bethany Cox
Although this movie is a compilation of his earlier work rather than an original story, it is a testimony to the success that Chaplin achieved as an actor, writer, director and producer of his own material. He set the precedent for subsequent film-making careers. Sometimes an actor has to write their own material to advance themselves creatively.
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