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The Architect 2006
Description: An architect engages in conflict with an activist who lives in a risky complex the architect designed.
Released: 26 Apr 2006 Director: Matt Tauber Writers: David Greig (based on the play by), Matt Tauber Actors: Anthony LaPaglia, Viola Davis, Isabella Rossellini, Hayden Panettiere Genres: Crime, Drama, Romance
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The Architect Reviews:

I saw The Architect at the Tribeca Movie festival earlier this year, and it has really stuck with me. It's one of those films that asks tough questions about hard problems like race, sexual identity and economic justice, and leaves room for the viewer to form their own opinions. Unlike the film Crash, which deals with many of the same themes, there are no spoon fed answers in this film. Instead of one dimensional characters the Architect brings to life some complex and flawed individuals, and shows us their struggles to search the right path. Some really powerful performances here, especially from Viola Davis. If you receive a possibility to see it, I highly suggest it.


I thought that the premise of the film was very interesting and a nice reflection of how living conditions, (less then the architecture itself) affect social interaction and psychology. The activist claims that folks in the projects are "piled" on top of every another and I thought it was an accurate description of the reality of public housing. The rest of the film was less interesting and confusing at times. The mother and daughter characters were seemingly out of place, especially the mother's character. The sexual overtones were likewise somewhat hard to connect with the story. I think more could've been done to develop what started off as a nice storyline about a compelling urban issue.


THE ARCHITECT is a movie based on a enjoy by David Grieg that deals with social class dichotomy, lack of communication in families, gender confrontations in youths, and coming to grips with decisions of the past that soon haunt. Made on a budget less than a million dollars and shot in twenty days, this special tiny film packages a wallop in the most secretive and subtle way. Directed by Matt Tauber, who also wrote the screenplay with Grieg, it has a fascinating, if at times disconcerting, format of fast scenes flashed before our eyes like simultaneous conversations - and some of the power of the movie is piecing those snapshots together as the movie ends.Leo Waters (Anthony LaPaglia) is a successful architect, married to a wife Julia (Isabella Rossellini) who seems on the edge of mental instability. They have two teenage kids - Christine (a very fine young actress Hayden Panettiere) who at age 15 is aware of her body and yet fearful of its implications in her interactions with men and men, and Martin (Sebastian Stan) who has returned home from school as a drop out whose mind is preoccupied with soul searching. The discord at home is matched by the incipient calamity ongoing at a Project Leo designed early in his career, a Project actually physically crumbling under the weight of drug dealing, crime, and discontent tenants - all led by activist Tonya Neeley (the magnificent actress Viola Davis) who has one daughter at home with an early conceived baby and other daughter who has stepped out of the Projects to better her education (her twin brother committed suicide in despair of his plight in the Projects). Two families in conflict over various reasons on the surface but sharing a similarity that is demonstrated as the storyline proceeds.Christina naively starts to frequent bars and is protected by a truck driver Joe (the very fine actor Walton Goggins) who kindly introduces her to the realities facing hormonally charged yet fearful young girls. Martin, in an attempt to understand the Projects trouble as explained to his father and family by Tonya, visits the Projects and meets Shawn (the very fine and handsome young actor Paul James) who cautiously supports Martin explore his sexuality only to succeed in allowing Martin to explore his real sexual proclivity but meets a sad ending when he is rebuffed.At the peak of tensions Tonya succeeds in winning over Leo's understanding of her activist dilemma, Julia breaks and leaves her family and both of Leo's kids explore life lessons that will imprint their psyches permanently. Minor victories rise out of major turmoil - and the writer and director have the courage to leave the storyline for us to resolve.It is refreshing to encounter a cast of actors so sensitive as this one. From the leading roles to the most minor of characters the acting is absolutely first rate. We need more movies of this caliber to remind us that one of the purposes of art is to let us to see the issues of our world. Highly recommended. Grady Harp



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