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Description: UFC War Night: Nogueira vs. Nelson (also known as UFC War Night 39) was a mixed martial arts happening held on April 11, 2014, at du Arena in Abu Dhabi, United Arab Emirates.
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Description: A quick paced action drama set on the Aegean Sea! A squad of horny Coast Guards stake-out a squad of smugglers who are stealing valuable artifacts and hiding them on the sea bed of the Aegean. The Coast Guards go undercover and seduce the female smugglers then all fuck breaks loose! The male smugglers sense something is wrong and create a run for it. A helicopter vehicle chase ensues and the smugglers are captured!
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Description: When Manny Pacquiao fought Jorge Solis on April 14, 2007 at the Alamodome in San Antonio, Texas, his star had already risen. Pacman already had his first war with Marco Antonio Barerra, his three wars with Erik Morales, and his first of four wars with Juan Manuel Marquez. But Solis was undefeated at 33-0-2, and the general consensus was that Pacquiao, while a force of nature, couldn’t go on forever
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Description: On July 26, 2003 Lucero challenged pound 4 pound lord Manny Pacquiao for his IBF Globe Super Bantamweight title. The war went a head at Olympic Auditorium Los Angeles California United States with a packed stadium. ROUND1 = Lucero started to attack straight away in the first round but Pacquiao was just too fast. Pacquiao kept counterattacking and started to wear down Lucero as Pacquiao has a nice technique.ROUND2 = Again Lucero started attacking again at the beginning of the Round 2 but was still not quick enough.ROUND3 = At the beginning of the round Manny Pacquiao and Emmanuel Lucero had an exchange of punches Pacquiao gave Lucero a right hand then his popular left which staggered Lucero so badly that the referee Jose Cobian had to stop the fight.
Description: The first war between Manny Pacquiao and Marco Antonio Barrera has been the war of the year of 2003 (while for Ring Magazine was Arturo Gatti versus Micky Ward 3). For Manny Pacquiao was the second war in the featherweight division, he had won the first one vs Serikzhan Yeshmagambetov (2003-03-15), while Barrera was fighting in this genre since 2001 when he defeated Naseem Hamed. Manny Pacquiao versus Marco Antonio Barrera 1 was not valid for any globe game but it was certainly one of the best boxing wars ever
Description: Consider this war as the warm up to Pacquiao's next opponet, Erik Morales. Never really challenged by the Thai boxer, Pacquiao picked and select when and what to throw before finally sending Fahsan out for the evening with a left uppercut TKO in the 4th round. In fact the war was so lopsided that Pacquiao was able to scored four knockdowns altogether in the bout. None the less it was a unique evening since Pacquiao was able to victory the war in front of 25,000 of his own countrymen and women.
Description: In May 2004, Márquez fought Lineal & The Ring Featherweight Winner Manny Pacquiao in a bout where Márquez was knocked down three times in the 1st round. Marquez outboxed Pacquiao for the remainder of the bout which was ended in a controversial, split-decision draw. The final scores were 115–110 for Márquez, 115–110 for Pacquiao and 113–113. Judge Burt A. Clements (who scored the bout 113–113) soon admitted to making an error on the scorecards, because he had scored the first round as 10–7 in favor of Pacquiao instead of the standard 10–6 for a three-knockdown round
Description: Set in 18th-century Eastern Europe, the movie concerns the star-crossed romance between a Polish military officer and a superb Slavic princess. The princess' vengeful lover cuts a path of death and destruction throughout the land.
Description: Cavalier contract assassin Lee-Seng (Rob Young) flees his vengeful employer and a ruthless killer (James Trevena-Brown) after failing to eliminate a squad of vigilantes intent on ridding their town of drug dealers. Meanwhile, as the bullets begin to fly, Lee-Seng searches for the truth about his point while protecting a superb girl (Renee Cataldo) who has gotten caught in the crossfire.
Description: The globe of Salvador, a young and naive petty thief is changed by the comeback of his cousin Angel, an ex-convict in find of simple money, and with a hideout. Salvador gets wrapped up in Angel's twisted dealings in an attempt to escape from his suffocating family, dragging along his family and friends, in his criminal path. Where will this all lead?
Description: Join Sarah in her final hours, as she cheats and slashes a path all the method back to her dark past! Witness the sexiest strippers this side of Hell, who will do anything to hold you satisfied! Prepare yourself for the final scene, which left audiences breathless!
Description: The Ultimate Warrior Nations Finale: Bisping vs. Kennedy (also known as UFC War Night: Bisping vs. Kennedy) was a mixed martial arts happening held by the Ultimate Fighting Championship on April 16, 2014 at Colisée Pepsi in Quebec City, Quebec, Canada.
Description: A graceful prince of a far away planet is forced to abandon his reign in order to escape from the perfidious Nitron, "the vampire interplanetary" that means to defeat the universe. When hurt forces the spaceship in which he is traveling to the Earth, a woman aboard his craft confronts two generous champions of freedom and autonomy, "Mysterious El" and "El Volador", who are Masked Wrestlers from Bolivia. They take nice care that she is familiarized with the land habits of earthlings, including making love and drinking beer. The prince learns from his fresh mates all the secrets of a galaxy ring, which can destroy all evil as well as burn rocks. Fearing that they will be attacked by the enemy, the woman decides to hide herself behind the identity of the world singer Larossa, who had died a year previous.
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Description: Bruce Le stars as Bruce Lee, a young teenager who is the leader of the Liu Town gang, who gets into problem and road wars each actually and again. Bruce is a student in the style of Chinese boxing, but when his skills are not enough to fend off a rival kung fu gang, his father has him go to a boy called Master Yen, who teaches him Wing Chun fist. Later, to avenge the death of a friend, Bruce learns the secret art of drunken snake fist boxing!
Description: A rainbow-colored tornado takes Haruto and Koyomi to an alternate reality named "Magic Land". There, its residents never developed science. Instead they place extensive research on magic. As a result, anyone has an ability to test magic, and some of them can even transform into a Kamen Rider Mage. When Haruto arrives, he meets a young orphan named Shiina. As Haruto explores Magic Land, he finds the Emerald Palace and meets Emperor Maya. He also meets Prime Minister Orma, who is known as Kamen Rider Sorcerer, who does not appear what he may seem to be...
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Although my private favourite among Errol Flynn's movies is The Sea Hawk, most will argue that his career role was this one in The Journeys of Robin Hood. It certainly has a deserved enduring popularity that's lasted for generations.Just about each ver of the Robin Hood legend from Douglas Fairbanks's silent classic to the one in 1997 with Kevin Costner, deals with the same storyline facts. A young nobleman, deprived of his lands and game by Prince John and his cohorts, takes to Sherwood Forest and gathers a band which practices their own form of financial leveling. Robbing from the rich and giving to the terrible until the day comes when nice Lord Richard the Lionhearted comes back from the Crusades and sets things right.Were there ever a more pretty and idealistic a pair of young lovers on the screen than Errol Flynn and Olivia DeHavilland? If there were, I'd be difficult pressed to name them. They did eight movies together from 1935 to 1941 and this one is probably the best. Errol all dash and charm and shy and retiring Olivia who just lights up the screen with beauty and romance.Directors Michael Curtiz and William Keighley photographed this in some superb technicolor. And they place together an almost excellent cast. You can't say at all which scenes were directed by Curtiz and which by Keighley so seamless is the film's fabric.The tiny roles are truly memorable. The greatest comic moments in the movie come from Melville Cooper, the not quite so bold Sheriff of Nottingham and from Herbert Mundin and Una O'Connor as Much the Miller's Son from Robin Hood's band and DeHavilland's maid. Herbert Mundin was the first one in this cast to die, he was killed in an automobile accident just two years after this movie was finished. He was a funny tiny boy who played nervous types, a type of English Don Knotts. But in what was probably his career role, he literally decides the fate of English history here in a magnificent act of bravery. We expect bravery and courage from the Errol Flynns on the screen, but Mundin's performance shows the virtue can be found in some of us you wouldn't expect. His is my favourite performance apart from the leads.Basil Rathbone and Claude Rains create a magnificent pair of villains as Prince John and Guy of Gisborne. Rains covets the throne and Rathbone covets Olivia. They both deliever the right touch of menace and create their performances real.As I write this Olivia DeHavilland is the last surviving member of this classic film. During her career she fought difficult with her studio to receive roles where she would be more than the crinoline heroine waiting for her boy to finish his brave deeds. She knew her worth and talent and got a pair of Oscars to prove it.Back in the day DeHavilland dismissed movies like The Journeys of Robin Hood. But few years back she attended a revival of both The Journeys of Robin Hood and Dodge Town two very various kind movies she did with Errol Flynn.As she watched it she saw the reverence and respect the audience had for both of these classics. When they were over she got a stunning ovation and she confessed that looking back now, she was true proud to have been associated with these films.You have each reason to be proud Olivia. And we're true proud of you.
What an nice experience to see The Journeys Of Robin Hood 80 years after its original release. How can one explain the longevity of its relevance. Relevant in each department. Acting to begin with. Errol Flynn was not considered a nice actor, never an Oscar nomination or anything like that. Bette Davis was everytime frustrated for having to work opposite him rather that Laurence Olivier. But, look at him now, 80 years soon - Erroll Flynn' s performance is as new today as the day he filmed it. Compare that with Oscar champion Russell Crowe's Robin Hood (2010) - Russell Crowe even had the impertinence of mocking Erroll Flynn's version. This bit of tribia kuind of depressed me after the high of seeing again this Michael Curtiz's masterpiece. Here, everything works. Another than Erroll Flynn - even if when's he is on the screen is hard to pay attention to anyone else - we do. Mostly because Claude Rains, Olivia de Havilland, Basil Rathbone and the rest of the sensational cast. This journey movie will continue to captivate audiences for years, decades, centuries to come.
This movie *is* the Robin Hood of the screen: it's merry and witty, tender and bold, impudent, dashing and brightly clad... and an undoubted legend in its own lifetime! I recently had the possibility to see it in the cinema for the first time, with the release of the remastered print, and wondered if it should possibly keep up to televised childhood memories. The joyous respond is that indeed it does. It's not only the breathtaking journey I remembered; it's a fiery and surprisingly gentle romance that isn't scared of laughs.It's unthinkable, once you've seen it, to imagine this movie with anyone another than Errol Flynn. Each subsequent interpreter has had to struggle to reclaim the part from the memory of his roguery and grace - and most modern 'Robin's have been handicapped by an insistence on authentic mediaeval murk and grime. In the 1930s, with Technicolour the recent craze, mud and homespun were the last thing a studio wanted. Flynn's Robin Hood sports the Lincoln green of legend and a forest as brightly coloured as a painted backdrop, and the rich furs and silks on present at Nottingham Castle are straight out of fairy-tale; or an illuminated manuscript.The storyline itself is purest escapist magic. Greedy barons, a wicked usurper, a rightful lord in exile, and a proud beauty in distress... and, of course, England's eponymous outlaw hero, robbing the rich to give to the terrible with a jest on his lips in real swashbuckler style. The script sparkles. And the stunts, in those days before wire-fu or CGI, are all for true and still take the breath away. Flynn was in magnificent physical condition at the time - co-star Basil Rathbone, who played his proud enemy and would-be suitor to Marian's hand, Guy of Gisbourne, described him simply as 'a excellent male animal' - and misses no occasion to present off his flamboyance.Unlike today's pretty-boy heroes, however, Flynn shows a surprising talent for acting with his face alone. The expressive reaction shots throughout his boudoir stage with Marian say a various tale to the quickfire banter of his words, and, like Marian, despite ourselves we are drawn in. Olivia de Havilland, as Marian, is somewhat ill-served by her period costume - she is at her most pretty in this scene, without her hair confined in her wimple - but together they duel their method through a classic tempestuous romance of the high-born lady and the outlaw, ultimately risking their lives to save every other. Marian is no anachronistic action heroine, but no-one, not even Robin, can hold her from what she thinks is right.As Guy of Gisbourne, Basil Rathbone is also testing one of the landmark roles of his career, and gives a magnificent performance. His Gisbourne is no cardboard villain, but a clever, arrogant man, who matches wits and blades with Robin as a worthy rival, and whose courtship of Marian is not without grace. And his wily master, rufous Plantagenet Prince John (Claude Rains, in a tiny but well-cast part) is no fool either. He knows precisely what he wants and what he can receive away with, wasting no time in bluster or empty threats.Comedy of a broader nature is provided by the cowardly Sheriff of Nottingham, and by Bess, Marian's maid. But even Bess's farcical courtship with timid Much (she has buried more husbands than he has had kisses) is not without its tender moments, and perhaps only the Sheriff is entirely a cut-out figure of fun.Few folks can whistle 'the theme from Robin Hood'. But the popular Korngold score, with its full orchestral depth and rousing fanfares, is as familiar today as it was seventy years ago, when it won its Academy Award. From the faultless casting through unforgettable pageantry and timeless romance to the final spectacular duel, when Robin and Gisbourne meet "once too often", this picture richly deserves its reputation as *the* Robin Hood on movie - from which on show showing it is unlikely ever to be dethroned.
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