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The Adventures of Robin Hood 1938
Description: Robin Hood wars nobly for justice vs the evil Sir Guy of Gisbourne while striving to victory the hand of the pretty Maid Marian.
Released: 14 May 1938 Director: Michael Curtiz, William Keighley Writers: Norman Reilly Raine (original screenplay: based upon ancient Robin Hood legends), Seton I. Miller (original screenplay: based upon ancient Robin Hood legends) Actors: Errol Flynn, Olivia de Havilland, Basil Rathbone, Claude Rains Genres: Action, Adventure, Romance
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The Adventures of Robin Hood Reviews:

Although my private favourite among Errol Flynn's movies is The Sea Hawk, most will argue that his career role was this one in The Journeys of Robin Hood. It certainly has a deserved enduring popularity that's lasted for generations.Just about each ver of the Robin Hood legend from Douglas Fairbanks's silent classic to the one in 1997 with Kevin Costner, deals with the same storyline facts. A young nobleman, deprived of his lands and game by Prince John and his cohorts, takes to Sherwood Forest and gathers a band which practices their own form of financial leveling. Robbing from the rich and giving to the terrible until the day comes when nice Lord Richard the Lionhearted comes back from the Crusades and sets things right.Were there ever a more pretty and idealistic a pair of young lovers on the screen than Errol Flynn and Olivia DeHavilland? If there were, I'd be difficult pressed to name them. They did eight movies together from 1935 to 1941 and this one is probably the best. Errol all dash and charm and shy and retiring Olivia who just lights up the screen with beauty and romance.Directors Michael Curtiz and William Keighley photographed this in some superb technicolor. And they place together an almost excellent cast. You can't say at all which scenes were directed by Curtiz and which by Keighley so seamless is the film's fabric.The tiny roles are truly memorable. The greatest comic moments in the movie come from Melville Cooper, the not quite so bold Sheriff of Nottingham and from Herbert Mundin and Una O'Connor as Much the Miller's Son from Robin Hood's band and DeHavilland's maid. Herbert Mundin was the first one in this cast to die, he was killed in an automobile accident just two years after this movie was finished. He was a funny tiny boy who played nervous types, a type of English Don Knotts. But in what was probably his career role, he literally decides the fate of English history here in a magnificent act of bravery. We expect bravery and courage from the Errol Flynns on the screen, but Mundin's performance shows the virtue can be found in some of us you wouldn't expect. His is my favourite performance apart from the leads.Basil Rathbone and Claude Rains create a magnificent pair of villains as Prince John and Guy of Gisborne. Rains covets the throne and Rathbone covets Olivia. They both deliever the right touch of menace and create their performances real.As I write this Olivia DeHavilland is the last surviving member of this classic film. During her career she fought difficult with her studio to receive roles where she would be more than the crinoline heroine waiting for her boy to finish his brave deeds. She knew her worth and talent and got a pair of Oscars to prove it.Back in the day DeHavilland dismissed movies like The Journeys of Robin Hood. But few years back she attended a revival of both The Journeys of Robin Hood and Dodge Town two very various kind movies she did with Errol Flynn.As she watched it she saw the reverence and respect the audience had for both of these classics. When they were over she got a stunning ovation and she confessed that looking back now, she was true proud to have been associated with these films.You have each reason to be proud Olivia. And we're true proud of you.


What an nice experience to see The Journeys Of Robin Hood 80 years after its original release. How can one explain the longevity of its relevance. Relevant in each department. Acting to begin with. Errol Flynn was not considered a nice actor, never an Oscar nomination or anything like that. Bette Davis was everytime frustrated for having to work opposite him rather that Laurence Olivier. But, look at him now, 80 years soon - Erroll Flynn' s performance is as new today as the day he filmed it. Compare that with Oscar champion Russell Crowe's Robin Hood (2010) - Russell Crowe even had the impertinence of mocking Erroll Flynn's version. This bit of tribia kuind of depressed me after the high of seeing again this Michael Curtiz's masterpiece. Here, everything works. Another than Erroll Flynn - even if when's he is on the screen is hard to pay attention to anyone else - we do. Mostly because Claude Rains, Olivia de Havilland, Basil Rathbone and the rest of the sensational cast. This journey movie will continue to captivate audiences for years, decades, centuries to come.


This movie *is* the Robin Hood of the screen: it's merry and witty, tender and bold, impudent, dashing and brightly clad... and an undoubted legend in its own lifetime! I recently had the possibility to see it in the cinema for the first time, with the release of the remastered print, and wondered if it should possibly keep up to televised childhood memories. The joyous respond is that indeed it does. It's not only the breathtaking journey I remembered; it's a fiery and surprisingly gentle romance that isn't scared of laughs.It's unthinkable, once you've seen it, to imagine this movie with anyone another than Errol Flynn. Each subsequent interpreter has had to struggle to reclaim the part from the memory of his roguery and grace - and most modern 'Robin's have been handicapped by an insistence on authentic mediaeval murk and grime. In the 1930s, with Technicolour the recent craze, mud and homespun were the last thing a studio wanted. Flynn's Robin Hood sports the Lincoln green of legend and a forest as brightly coloured as a painted backdrop, and the rich furs and silks on present at Nottingham Castle are straight out of fairy-tale; or an illuminated manuscript.The storyline itself is purest escapist magic. Greedy barons, a wicked usurper, a rightful lord in exile, and a proud beauty in distress... and, of course, England's eponymous outlaw hero, robbing the rich to give to the terrible with a jest on his lips in real swashbuckler style. The script sparkles. And the stunts, in those days before wire-fu or CGI, are all for true and still take the breath away. Flynn was in magnificent physical condition at the time - co-star Basil Rathbone, who played his proud enemy and would-be suitor to Marian's hand, Guy of Gisbourne, described him simply as 'a excellent male animal' - and misses no occasion to present off his flamboyance.Unlike today's pretty-boy heroes, however, Flynn shows a surprising talent for acting with his face alone. The expressive reaction shots throughout his boudoir stage with Marian say a various tale to the quickfire banter of his words, and, like Marian, despite ourselves we are drawn in. Olivia de Havilland, as Marian, is somewhat ill-served by her period costume - she is at her most pretty in this scene, without her hair confined in her wimple - but together they duel their method through a classic tempestuous romance of the high-born lady and the outlaw, ultimately risking their lives to save every other. Marian is no anachronistic action heroine, but no-one, not even Robin, can hold her from what she thinks is right.As Guy of Gisbourne, Basil Rathbone is also testing one of the landmark roles of his career, and gives a magnificent performance. His Gisbourne is no cardboard villain, but a clever, arrogant man, who matches wits and blades with Robin as a worthy rival, and whose courtship of Marian is not without grace. And his wily master, rufous Plantagenet Prince John (Claude Rains, in a tiny but well-cast part) is no fool either. He knows precisely what he wants and what he can receive away with, wasting no time in bluster or empty threats.Comedy of a broader nature is provided by the cowardly Sheriff of Nottingham, and by Bess, Marian's maid. But even Bess's farcical courtship with timid Much (she has buried more husbands than he has had kisses) is not without its tender moments, and perhaps only the Sheriff is entirely a cut-out figure of fun.Few folks can whistle 'the theme from Robin Hood'. But the popular Korngold score, with its full orchestral depth and rousing fanfares, is as familiar today as it was seventy years ago, when it won its Academy Award. From the faultless casting through unforgettable pageantry and timeless romance to the final spectacular duel, when Robin and Gisbourne meet "once too often", this picture richly deserves its reputation as *the* Robin Hood on movie - from which on show showing it is unlikely ever to be dethroned.



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